The pursuit of the unimaginable by the unnarratable, or some potentially telling developments in non-developmental music

Contemporary Music Review

Volumn 15, Issue 3-4, 1996, Pages 3-11

  Potter, Keith ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 37449021351     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494469600640451     Document Type: Article

References (17)

1. Nyman, M (1974) Experimental Music: Cage and beyond London: Studio Vista
2. Cage, J. (1955) 'Experimental Music: Doctrine' (1955), as reprinted in Cage, Silence Middletown, Connecticut Wesleyan University Press, 13
3. Wolff, C., in Potter, K. (1974) 'Christian Wolff in Manchester', Music and Musicians, xxiii(4), 8
4. Smalley, R. (1975) 'Experimental Music', The Musical Times, cxvi (1583), 25
5. Landy, L. (1991) What's the Matter with Today's Experimental Music? Organized Sound Too Rarely Heard Chur, etc.: Harwood
6. Brooks, W. (1993) 'The Americas, 1945-70', in Robert P. Morgan, ed., Modern Times: From World War I to the present, 'Man & Music' series, vol. viii Houndmills, Basingstoke and London: Macmillan, 1993, 333
7. Major, J., speech at the 1993 Conservative Party Conference, as rebroadcast on a BBC2 The Late Show' programme devoted to "cultural 'back to basics'", 15 March 1994
8. Lovejoy, M. (1992) Postmodern Currents: Art and Artists in the Age of Electronic Media Englewood Cliffs, NJ: Prentice Hall, 288
9. Potter, K., contribution to forum at the conference 'Skladateliske Sinteze Osamdesetih Godina/ Compositional Syntheses in the 1980s', Zagreb, April 1985; in eds. Marija Bozic and Eva Sedak (1986), Proceedings of the conference Zagreb: Zagreb Music Biennale/Music Information Centre of the Zagreb Concert Management, 43-53 and 155-65
10. Ulmer, G.L. (1985) 'The Object of Post-Criticism', in ed. Hal Foster, Postmodern Culture London and Sydney. Pluto Press, 83-110; especially p. 96 and pp. 101-7
11. From a 1972 interview, 'John Cage talking to Hans G Helms on music and politics' (1975) Dusseldorf/Munich: S Press Tonbandverlag; on cassette, transcribed by the author of this paper
12. Nyman, M. (1972) 'As the Titanic went down', Music and Musicians, xxi (4), 10
13. Point label; the original vinyl version was issued, together with Bryars' The Sinking of the Titanic, on Island Records, Obscure OBS 1 (1975)
14. In interview on the BBC Radio 3 programme 'Mixing It', June 1993
15. See, for example, Cook, N. (1990) Music, Imagination, and Culture Oxford: Clarendon;
16. Street, A. (1989) 'Superior Myths, Dogmatic Allegories: The Resistance to Musical Unity', Music Analysis, viii (1-2), 77-123;
17. Kramer, J.D. (1988) The Time of Music: New Meanings, New Temporalities, New Listening Strategies New York and London: Schirmer