-
2
-
-
0002120254
-
A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues
-
BALKWILL, L. L., & THOMPSON, W. F. (1999). A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues. Music Perception, 17, 43-64.
-
(1999)
Music Perception
, vol.17
, pp. 43-64
-
-
BALKWILL, L.L.1
THOMPSON, W.F.2
-
3
-
-
36448942747
-
-
BOERSMA, P, & WEENINK, D, 2006, Praat: Doing phonetics by computer Version 4.3, Computer program, Retrieved February 2005, from
-
BOERSMA, P., & WEENINK, D. (2006). Praat: Doing phonetics by computer (Version 4.3) [Computer program]. Retrieved February 2005, from http://www.praat.org/
-
-
-
-
6
-
-
33745759392
-
Perceived emotion and felt emotion: Same or different?
-
GABRIELSSON, A. (2001/2002). Perceived emotion and felt emotion: Same or different? Musicae Scientiae [Special issue], 123-147.
-
(2001)
Musicae Scientiae
, Issue.SPEC. ISSUE
, pp. 123-147
-
-
GABRIELSSON, A.1
-
7
-
-
0001426450
-
Emotional expression in music performance: Between the performer's intention and the listener's experience
-
GABRIELSSON, A., & JUSLIN, P. N. (1996). Emotional expression in music performance: Between the performer's intention and the listener's experience. Psychology of Music, 24, 68-91.
-
(1996)
Psychology of Music
, vol.24
, pp. 68-91
-
-
GABRIELSSON, A.1
JUSLIN, P.N.2
-
8
-
-
0242590751
-
Emotional expression in music
-
R. J. Davidson, K. S. Scherer, & H. H. Goldsmith Eds, New York: Oxford University Press
-
GABRIELSSON, A., & JUSLIN, P. N. (2003). Emotional expression in music. In R. J. Davidson, K. S. Scherer, & H. H. Goldsmith (Eds.), Handbook of affective sciences (pp. 503-534). New York: Oxford University Press.
-
(2003)
Handbook of affective sciences
, pp. 503-534
-
-
GABRIELSSON, A.1
JUSLIN, P.N.2
-
9
-
-
1642325338
-
The influence of musical structure on emotional expression
-
P.N. Juslin & J. A. Sloboda Eds, New York: Oxford University Press
-
GABRIELSSON, A., & LINDSTRÖM, E. (2001). The influence of musical structure on emotional expression. In P.N. Juslin & J. A. Sloboda (Eds.), Music and emotion: Theory and research (pp. 223-248). New York: Oxford University Press.
-
(2001)
Music and emotion: Theory and research
, pp. 223-248
-
-
GABRIELSSON, A.1
LINDSTRÖM, E.2
-
10
-
-
0037247743
-
Mode and tempo relative contributions to "happy-sad" judgements in equitone melodies
-
GAGNON, L., & PERETZ, I. (2003). Mode and tempo relative contributions to "happy-sad" judgements in equitone melodies. Cognition and Emotion, 17, 1-25.
-
(2003)
Cognition and Emotion
, vol.17
, pp. 1-25
-
-
GAGNON, L.1
PERETZ, I.2
-
11
-
-
0040087367
-
Expression in music: A discussion of experimental studies and theories
-
HEVNER, K. (1935). Expression in music: A discussion of experimental studies and theories. Psychological Review, 42, 186-204.
-
(1935)
Psychological Review
, vol.42
, pp. 186-204
-
-
HEVNER, K.1
-
12
-
-
84952394786
-
POCO: An environment for analysing, modifying and generating expression in music
-
San Francisco: Computer Music Association
-
HONING, H. (1990). POCO: An environment for analysing, modifying and generating expression in music. In Proceedings of the 1990 International Computer Music Conference (pp. 364-368). San Francisco: Computer Music Association.
-
(1990)
Proceedings of the 1990 International Computer Music Conference
, pp. 364-368
-
-
HONING, H.1
-
13
-
-
33847747806
-
A comparison of acoustic cues in music and speech for three dimensions of affect
-
ILIE, G., & THOMPSON, W. F. (2006). A comparison of acoustic cues in music and speech for three dimensions of affect. Music Perception, 23, 319-329.
-
(2006)
Music Perception
, vol.23
, pp. 319-329
-
-
ILIE, G.1
THOMPSON, W.F.2
-
14
-
-
0034543675
-
Cue utilization in communication of emotion in music performance: Relating performance to perception
-
JUSLIN, P. N. (2000). Cue utilization in communication of emotion in music performance: Relating performance to perception. Journal of Experimental Psychology: Human Perception and Performance, 26, 1797-813.
-
(2000)
Journal of Experimental Psychology: Human Perception and Performance
, vol.26
, pp. 1797-1813
-
-
JUSLIN1
N., P.2
-
15
-
-
0012833861
-
Impact of intended emotion intensity on cue utilization and decoding accuracy in vocal expression of emotion
-
JUSLIN, P. N., & LAUKKA, P. (2001). Impact of intended emotion intensity on cue utilization and decoding accuracy in vocal expression of emotion. Emotion, 1, 381-412.
-
(2001)
Emotion
, vol.1
, pp. 381-412
-
-
JUSLIN, P.N.1
LAUKKA, P.2
-
16
-
-
0141764789
-
Communication of emotions in vocal expression and music performance: Different channels, same code?
-
JUSLIN, P. N., & LAUKKA, P. (2003). Communication of emotions in vocal expression and music performance: Different channels, same code? Psychological Bulletin, 129, 770-814.
-
(2003)
Psychological Bulletin
, vol.129
, pp. 770-814
-
-
JUSLIN, P.N.1
LAUKKA, P.2
-
17
-
-
0001764888
-
Elimination of verbal cues in judgments of emotion from voice
-
KRAMER, E. (1964). Elimination of verbal cues in judgments of emotion from voice. Journal of Abnormal and Social Psychology, 68, 390-396.
-
(1964)
Journal of Abnormal and Social Psychology
, vol.68
, pp. 390-396
-
-
KRAMER, E.1
-
18
-
-
0011299279
-
A perceptual analysis of Mozart's Piano Sonata K.282 - Segmentation, tension and musical ideas
-
KRUMHANSL, C. L. (1996). A perceptual analysis of Mozart's Piano Sonata K.282 - Segmentation, tension and musical ideas. Music Perception, 13, 401-432.
-
(1996)
Music Perception
, vol.13
, pp. 401-432
-
-
KRUMHANSL1
L., C.2
-
19
-
-
0000623196
-
Topic in music: An empirical study of memorability, openness, and emotion in Mozart's String Quintet in C Major and Beethoven's String Quartet in A Minor
-
KRUMHANSL, C. L. (1998). Topic in music: An empirical study of memorability, openness, and emotion in Mozart's String Quintet in C Major and Beethoven's String Quartet in A Minor. Music Perception, 16 119-134.
-
(1998)
Music Perception
, vol.16
, pp. 119-134
-
-
KRUMHANSL1
L., C.2
-
25
-
-
36448929287
-
-
OATLEY, K. (1992). Best-laid schemes: The psychology of emotions. Cambridge: Cambridge University Press.
-
OATLEY, K. (1992). Best-laid schemes: The psychology of emotions. Cambridge: Cambridge University Press.
-
-
-
-
27
-
-
33847725679
-
-
E. R. Reilly, Trans, London: Faber, Original work published 1752
-
QUANTZ, J. J. (1966). On playing the flute. (E. R. Reilly, Trans.). London: Faber. (Original work published 1752).
-
(1966)
On playing the flute
-
-
QUANTZ1
J., J.2
-
29
-
-
27944506733
-
Which emotions can be induced by music? What are the underlying mechanisms? And how can we measure them?
-
SCHERER, K. R. (2004). Which emotions can be induced by music? What are the underlying mechanisms? And how can we measure them? Journal of New Music Research, 33, 239-251.
-
(2004)
Journal of New Music Research
, vol.33
, pp. 239-251
-
-
SCHERER1
R., K.2
-
30
-
-
0000134170
-
Vocal cues in emotion encoding and decoding
-
SCHERER, K. R., BANSE, R., WALLBOTT, H. G., & GOLDBECK, T. (1991). Vocal cues in emotion encoding and decoding. Motivation and Emotion, 15, 123-148.
-
(1991)
Motivation and Emotion
, vol.15
, pp. 123-148
-
-
SCHERER, K.R.1
BANSE, R.2
WALLBOTT, H.G.3
GOLDBECK, T.4
-
31
-
-
0038410367
-
Emotional effects of music: Production rules
-
P. N. Juslin & J. A. Sloboda Eds, New York: Oxford University Press
-
SCHERER, K. R., & ZENTNER, M. R. (2001). Emotional effects of music: Production rules. In P. N. Juslin & J. A. Sloboda (Eds.), Music and emotion: Theory and research (pp. 361-392). New York: Oxford University Press.
-
(2001)
Music and emotion: Theory and research
, pp. 361-392
-
-
SCHERER, K.R.1
ZENTNER, M.R.2
-
32
-
-
0346833066
-
Continuous measurement of self-reported emotional response
-
P. N. Juslin & J. A. Sloboda Eds, New York: Oxford University Press
-
SCHUBERT, E. (2001). Continuous measurement of self-reported emotional response. In P. N. Juslin & J. A. Sloboda (Eds.), Music and emotion: Theory and research (pp. 393-414). New York: Oxford University Press.
-
(2001)
Music and emotion: Theory and research
, pp. 393-414
-
-
SCHUBERT, E.1
-
33
-
-
0005756545
-
Psychological perspectives on music and emotion
-
P. N. Juslin & L A. Sloboda Eds, New York: Oxford University Press
-
SLOBODA, J. A., & JUSLIN, P. N. (2001). Psychological perspectives on music and emotion. In P. N. Juslin & L A. Sloboda (Eds.), Music and emotion: Theory and research (pp. 71-104). New York: Oxford University Press.
-
(2001)
Music and emotion: Theory and research
, pp. 71-104
-
-
SLOBODA, J.A.1
JUSLIN, P.N.2
-
34
-
-
32844473202
-
Tracking performance correlates of changes of perceived intensity of emotion during different interpretations of a Chopin piano prelude
-
SLOBODA, J. A., & LEHMANN, A. C. (2001). Tracking performance correlates of changes of perceived intensity of emotion during different interpretations of a Chopin piano prelude. Music Perception, 19, 87-120.
-
(2001)
Music Perception
, vol.19
, pp. 87-120
-
-
SLOBODA, J.A.1
LEHMANN, A.C.2
-
35
-
-
0039003764
-
A singer's expression of emotions in sung performances
-
O. Fujimura Ed, San Diego: Singular Publishing
-
SUNDBERG, J., IWARSSON, L, & HAGEGÅRD, H. (1995). A singer's expression of emotions in sung performances. In O. Fujimura (Ed.), Vocal fold physiology: Voice quality control (pp. 217-231). San Diego: Singular Publishing.
-
(1995)
Vocal fold physiology: Voice quality control
, pp. 217-231
-
-
SUNDBERG, J.1
IWARSSON, L.2
HAGEGÅRD, H.3
-
36
-
-
0038748493
-
Emotion and music in infancy
-
TREHUB, S. E., & NAKATA, T. (2001/2002). Emotion and music in infancy. Musicae Scientiae [Special issue], 37-61.
-
(2001)
Musicae Scientiae
, Issue.SPEC. ISSUE
, pp. 37-61
-
-
TREHUB, S.E.1
NAKATA, T.2
-
37
-
-
0003063208
-
The development of evaluative responses to music: Infants prefer to listen to consonance over dissonance
-
TRAINOR, L. J. & HEINMILLER, B. M. (1998). The development of evaluative responses to music: Infants prefer to listen to consonance over dissonance. Infant Behavior and Development, 21, 77-88.
-
(1998)
Infant Behavior and Development
, vol.21
, pp. 77-88
-
-
TRAINOR, L.J.1
HEINMILLER, B.M.2
-
38
-
-
36448960710
-
-
Ann Arbor, Michigan: University Microfilms International
-
WESSEL, F. T. (1979). Affectenlehre in the 18th century. Ann Arbor, Michigan: University Microfilms International.
-
(1979)
Affectenlehre in the 18th century
-
-
WESSEL1
T., F.2
|