A corpus-based hybrid approach to music analysis and composition

Proceedings of the National Conference on Artificial Intelligence

Volumn 1, Issue , 2007, Pages 839-845

  Manaris, Bill ^a   Roos, Patrick ^a   Machado, Penousal ^b   Krehbiel, Dwight ^c   Pellicoro, Luca ^a   Romero, Juan ^d  

^a School of Business   (United States)

^b UNIVERSITY OF COIMBRA   (Portugal)

^c Bethel College Kansas   (United States)

^d UNIVERSITY OF A CORUÑA   (Spain)

Author keywords

[No Author keywords available]

Indexed keywords

GENETIC PROGRAMMING; INFORMATION RETRIEVAL; NEURAL NETWORKS; STATISTICAL METHODS;

COMPUTER-AIDED MUSIC; EVOLUTIONARY MUSIC COMPOSER;

COMPUTER MUSIC;

EID: 36349031147     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (24)

1. Barrett, L. F., and Russell, J. A. (1999), "The Structure of Current Affect: Controversies and Emerging Consensus", Current Directions in Psychological Science, 8: 10-14.
2. Gibson, P. M., and Byrne, J. A. (1991), "Neurogen, Musical Composition Using Genetic Algorithms and Cooperating Neural Networks", Second International Conference on Artificial Neural Networks, 309-313.
3. Horner, A., and Goldberg, D. E. (1991), "Genetic Algorithms and Computer-Assisted Music Composition", International Computer Music Conference (ICMC-91), Montréal, Québec, Canada, 479-482.
4. Horowitz, D. (1994), "Generating Rhythms with Genetic Algorithms", International Computer Music Conference (ICMC'94), Aarhus, Denmark, 142-143.
5. Johanson, B., and Poli, R. (1998), "GP-Music: An Interactive Genetic Programming System for Music Generation with Automated Fitness Raters", Proceedings of Third Annual Genetic Programming Conference, Madison, WI, 181-186.
6. Kalda, J., Sakki, M., Vainu, M., and Laan, M. (2001), "Zipfs Law in Human Heartbeat Dynamics", http://arxiv.org/abs/physics/0110075.
7. th International Joint Conference on Artificial Intelligence (IJCAI 2003), Acapulco, Mexico, 55-64.
8. Machado, P., Romero, J., Santos, M.L., Cardoso, A., and Manaris, B. (2004), "Adaptive Critics for Evolutionary Artists", Applications of Evolutionary Computing, LNCS 3005, Springer-Verlag, 437-446.
9. Machado, P., Romero, J., Manaris, B. (2007), "Experiments in Computational Aesthetics - An Iterative Approach to Stylistic Change in Evolutionary Art", The Art of Artificial Evolution, Springer-Verlag (to appear).
10. Manaris, B., Vaughan, D., Wagner, C., Romero, J. and Davis, R.B. (2003), "Evolutionary Music and the Zipf-Mandelbrot Law - Progress towards Developing Fitness Functions for Pleasant Music", Applications of Evolutionary Computing, LNCS 2611, Springer-Verlag, 522-534.
11. Manaris, B., Romero, J., Machado, P., Krehbiel, D., Hirzel, T., Pharr, W., and Davis, R.B. (2005), "Zipf's Law, Music Classification and Aesthetics", Computer Music Journal, 29(1): 55-69.
12. Minksy, M., and Laske, O. (1992), "Forward: A Conversation with Marvin Minksy", Understanding Music with AI: Perspectives on Music Cognition, AAAI Press.
13. Miranda, E.R. and Biles, A. (2007), Evolutionary Computer Music. Springer-Verlag.
14. Papadoulos, G., and Wiggins, G. (1999), "AI Methods for Algorithmic Composition: A Survey, a Critical View and Future Prospects", Proceedings of AISB'99 Symposium on Musical Creativity, Edinburgh, UK, 110-117.
15. Phon-Amnuaisuk, S., and Wiggins, G.A. (1999), "The Four-Part Harmonisation Problem: A Comparison between Genetic Algorithms and a Rule-Based System", Proceedings of AISB'99 Symposium on Musical Creativity, Edinburgh, UK, 28-34.
16. Romero J., Machado P., Santos A., Cardoso A., (2003), "On the Development of Critics in Evolutionary Computation Artists", Applications of Evolutionary Computing, LNCS 2611, Springer-Verlag, 559-56.
17. Salingaros, N.A., and West, B.J. (1999), "A Universal Rule for the Distribution of Sizes", Environment and Planning B: Planning and Design, 26: 909-923.
18. Spector, L., and Alpern, A. (1994), "Criticism, Culture, and the Automatic Generation of Artworks", Proceedings of Twelfth National Conference on Artificial Intelligence, Seattle, WA, 3-8.
19. th International Joint Conference on Artificial Intelligence (IJCAI 1995), Montreal, Québec, Canada, 41-48.
20. Schubert, E. (2001). "Continuous Measurement of Self-Report Emotional Response to Music". In P. N. Justin & J. A. Sloboda (Eds.), Music and Emotion: Theory and Research, 391-414, Oxford University Press.
21. Todd, P. M., and Werner, G.M. (1998), "Frankensteinian Methods for Evolutionary Music Composition", Musical Network, 313-339, MIT Press/Bradford Books.
22. Voss, R.F., and Clarke, J. (1978), "1/f Noise in Music: Music from 1/f Noise", Journal of Acoustical Society of America, 63(1): 258-263.
23. Wiggins, G.A., Papadopoulos, G., Phon-Amnuaisuk, S., and Tuson, A. (1999), "Evolutionary Methods for Musical Composition", International Journal of Computing Anticipatory Systems, 1 (1), 1999.
24. Zipf, G.K. (1949), Human Behavior and the Principle of Least Effort, Hafner Publishing Company.