Stilling Bodies/Animating Texts: Isadora Duncan and the Archive

Performance Research

Volumn 7, Issue 4, 2002, Pages 108-115

  Pearson, Joanne ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 35448957177     PISSN: 13528165     EISSN: None     Source Type: Journal    
DOI: 10.1080/13528165.2002.10871898     Document Type: Article

References (21)

1. Butler, Judith (1993) Bodies that Matter: On the Discursive Limits of ‘Sex ', London: Routledge.
2. Daly, Ann (1995) Done into Dance: Isadora Duncan in America, Bloomington: Indiana University Press.
3. De Certeau Michel (1984) The Practice of Everyday Life, trans. Steven Randall, Berkeley: University of California Press.
4. Derrida, Jacques (1995) Archive Fever: A Freudian Impression, trans. Eric Prcnowitz, Chicago: University of Chicago Press.
5. Duncan, Isadora (1927) My Life, New York: Boni and Liveright.
6. Duncan, Dorée, Pratl, Carol and Splatt, Cynthia (1993) Life into Art: Isadora Duncan and Her World, New York: W.W. Norton.
7. Eliot, T.S. (1963) Collected Poems 1909-1962, London: Faber and Faber.
8. Foucault, Michel (1977) Discipline and Punish: The Birth of the Prison, trans. Alan Sheridan, London: Penguin.
9. Gilbert, Katherine Everett (1983/1941) ‘Mind and Medium in the Modern Dance’, in Roger Copeland and Marshall Cohen (eds) What is Dance?: Readings in Theory and Criticism, Oxford: Oxford University Press, 289-302.
10. Heppenstall, Rainer (1983/1936) ‘Apology for Dancing’, in Roger Copeland and Marshall Cohen (eds) What is Dance?: Readings in Theory and Criticism, Oxford: Oxford University Press, 267-88.
11. LaCapra, Dominick (1985) History and Criticism, New York: Cornell University Press.
12. Mallarmé, Stéphane (1945) Oeuvres completes, ed. Henri Mondon and G. Jean-Aubrey, Paris: Editions Gallimard.
13. McCarren, Felicia (1998) Dance Pathologies: Performance, Poetics, Medicine, Stanford, CA: Stanford University Press.
14. Merleau-Ponty, Maurice (1968) The Visible and the Invisible, trans. Alphonso Lingis, Evanston, IL: Northwestern University Press.
15. Merleau-Ponty, Maurice (1993) ‘Eye and Mind’, in Galen A. Johnson (ed.) The Merleau-Ponty Aesthetics Reader: Philosophy and Painting, Evanston, IL: Northwestern University Press, 121-62.
16. Parker, H.T. (1982) Motion Arrested: Dance Reviews of H. T. Parker, ed. Olive Holmes, Middletown, CT: Wesleyan University Press.
17. Pearson, Joanne (2001) ‘Isadora Duncan: Dancing Poetic and Walking Prosaic’, antiTHESIS 1: 70-83.
18. Plato (1970) The Laws, trans. Trevor J. Saunders, Harmondsworth: Penguin.
19. Stokes, Sewell (1928) Isadora Duncan: An Intimate Portrait, London: Brentano’s.
20. Walkowitz, Abraham, Duncan, Maria-Theresa, Van Vechten, Carl, Fanton Roberts, Mary, O’Sheel, Shaemus and Genthe, Arnold (1945) Isadora Duncan in Her Dances, Girard, Kansas: Haldeman-Julius Publications.
21. Yeats, W.B. (1933) Collected Poems of W.B. Yeats, London: Macmillan, reprint 1973.