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Volumn 1, Issue 2, 2007, Pages 99-120

Enharmonic systems: A theory of key signatures, enharmonic equivalence and diatonicism

Author keywords

Diatonic scales; Enharmonic equivalence; Key signatures

Indexed keywords


EID: 34848886738     PISSN: 17459737     EISSN: 17459745     Source Type: Journal    
DOI: 10.1080/17459730701374805     Document Type: Article
Times cited : (16)

References (17)
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  • 3
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  • 4
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    • Riemann, H., 1992. Ideen zur einer ‘Lehre von den Tonvorstellungen’, R. Wason and E. West Marvin (Transl). Journal of Music Theory, 36, 69–117 (original work published 1915).
    • (1992) Journal of Music Theory , vol.36 , pp. 69-117
    • Riemann, H.1
  • 6
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    • Signature transformations
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    • Music Theory and Mathematics: Chords, Collections, and Transformations
    • Hook, J.1
  • 7
    • 67049147401 scopus 로고    scopus 로고
    • Voice leadings as generalized key signatures
    • Tymoczko, D., 2005, Voice leadings as generalized key signatures. Music Theory Online,. 11 (4).
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    • Tymoczko, D.1
  • 10
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    • Multiple division of the octave and the tonal resources of 19-tone temperament. PhD dissertation, Indiana University
    • Mandelbaum, M.J., 1961, Multiple division of the octave and the tonal resources of 19-tone temperament. PhD dissertation, Indiana University.
    • (1961)
    • Mandelbaum, M.J.1
  • 12
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    • Performed by E. Blackwood, synthesizer, et al. Compact disc recording, Cedille 90000 018
    • Blackwood, E., 1994, Microtonal compositions. Performed by E. Blackwood, synthesizer, et al. Compact disc recording, Cedille 90000 018.
    • (1994) Microtonal compositions
    • Blackwood, E.1
  • 13
    • 0013665084 scopus 로고
    • Variety and multiplicity in diatonic systems
    • Clough, J., and Myerson, G., 1985, Variety and multiplicity in diatonic systems. Journal of Music Theory, 29, 249–270.
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    • Clough, J.1    Myerson, G.2
  • 14
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    • Aspects of well-formed scales
    • Carey, N., and Clampitt, D., 1989, Aspects of well-formed scales. Music Theory Spectrum, 11, 187–206.
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    • Carey, N.1    Clampitt, D.2
  • 15
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    • Self-similar pitch structures, their duals, and rhythmic analogues
    • Carey, N., and Clampitt, D., 1996, Self-similar pitch structures, their duals, and rhythmic analogues. Perspectives of New Music, 34 (2), 62–87.
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    • Carey, N.1    Clampitt, D.2
  • 16
    • 33745931702 scopus 로고    scopus 로고
    • Neo-Riemannian operations, parsimonious trichords, and their Tonnetz representations
    • Cohn, R., 1997, Neo-Riemannian operations, parsimonious trichords, and their Tonnetz representations. Journal of Music Theory, 41, 1–66.
    • (1997) Journal of Music Theory , vol.41 , pp. 1-66
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  • 17
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    • The group-theoretic description of 12-fold and microtonal pitch systems
    • Balzano, G., 1980, The group-theoretic description of 12-fold and microtonal pitch systems. Computer Music Journal, 4 (4), 66–84.
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    • Balzano, G.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.