The resonance of the cubicle: Laptop performance in post-digital musics

Contemporary Music Review

Volumn 22, Issue 4, 2003, Pages 81-92

  Turner, Tad ^a  

^a NONE

Author keywords

Contemporary electronic music; Laptop; Performance; Post digital

Indexed keywords

EID: 34748822817     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/0749446032000156928     Document Type: Article

References (29)

1. Beck, K. (1999) Extreme Programming Explained: Embrace Change. Reading: Addison-Wesley
2. Björk (2001) Vespertine. Elektra Entertainment CD 62653-2
3. Björk (2002a) Vespertine Live at Royal Opera House. Navarre Corporation DVD OLI511
4. Björk (2002b) "Bonus Feature: Programming", interview with Björk on Vespertine Live at the Royal Opera House. Navarre Corporation DVD OLI511
5. Burrell, Ian (2003) "Cash squandered on failing projects". Independent, 2 May: 13
6. Cascone, K. (2000) "The aesthetics of failure: 'post-digital' tendencies in contemporary computer music". Computer Music Journal 24(4), 12-18
7. Cascone, K. (2002) "Laptop music- counterfeiting aura in the age of infinite reproduction". Parachute 107, 52-59
8. Cascone, K. (2003) "Grain sequence system (three levels of reception in the performance of laptop music)". Soundcultures. Über elektronische und digitale Musik, ed. Marcus S. Kleiner and Achim Szepanski. Frankfurt: Suhrkamp Verlag
9. Debord, G. (1995) Society of the Spectacle, trans. Donald Nicholson-Smith. New York: Zone Books
10. Dhomont, Francis (1991) "Acousmatic, what is it?". Available online: http://www.electrocd.com/cat.e/imed-9607.not.html#96070002 (accessed 2/11/03)
11. Farley, Michael (2003) Microsound list contribution, 29 May, http://www.microsound.org
12. Ffytche, Matt and Young, Rob (1999) "Labradford's second festival of drifting". The Wire 18b (July): 78-79
13. Fikentscher, K. (2000) "You Better Work!" Underground Dance Music in New York City. Hanover: Wesleyan University Press
14. Hebdige, D. (1980) Subculture: The Meaning of Style, London: Methuen
15. Kahn, D. (1999) Noise, Water, Meat. Cambridge, MA: MIT Press
16. Kellner, D. (2003) "Globalization, technopolitics and revolution". The Future of Revolutions: Rethinking Radical Change in the Age of Globalization, ed. John Foran, pp. 180-194. London: Zed Books
17. Khazam, Rahma (1998) "'Multimedia' Rahma Khazam visits the Dutch electronic music foundation STEIM". The Wire 173 (July): 68
18. Kopf, Biba (1998) "LMC's seventh annual festival of experimental music". The Wire 173 (July): 70-71
19. Lewis, G. (2000) "Too many notes: computers, complexity and culture in Voyager". Leonardo Music Journal 10, 33-39
20. Lister, David (2002) "The Monday interview: opera for the people wins applause at Covent Garden; Tony Hall, Executive Director of the Royal Opera House". Independent, 29 July: 11
21. O'Doherty, B. (1986) Inside the White Cube: The Ideology of the Gallery Space. Berkeley, CA: University of California Press
22. P.S.1. (2000) "Volume: Bed of Sound", press release, 7 June. Available online: http://www.psl.org/cut/press/volume.html (accessed 2/11/03)
23. Penman, Ian (2002) "Only connect: Sigur Rós " Hilmar Örn Hilmarsson/Mouse on Mars/Coil/Plaid". The Wire 220 (June): 85
24. Ralske, Kurt (2003) Microsound list contribution, May 28, http://www.microsound.org
25. Reynolds, S. (1998) Generation Ecstasy: into the World of Techno and Rave Culture. New York: Little Brown
26. Roads, C. (2001) Microsound. Cambridge, MA: MIT Press
27. Small, C. (1998) Musicking: The Meanings of Performing and Listening. Hanover: Wesleyan University Press
28. Thaemlitz, T. (1997) "The crisis of post-spectacle 'live' contemporary ambient performance (or . . . why I can't get paid to DJ a-structural audio)". Available online: http://www.comatonse.com/listening/ crisis.html (accessed 2/11/03)
29. Todorov, T. (1999) "The Function of Genres". In Genres in Discourse, trans. Catherine Porter, pp. 13-26. Cambridge: Cambridge University Press