Narrative permeability: Crossing the dissociative barrier in and out of films

Literature and Medicine

Volumn 25, Issue 2, 2006, Pages 463-474

  Heiserman, Arthur ^a,b,c   Spiegel, Maura ^d  

^a Columbia University College of Physicians and Surgeons ^*

^b National Institute of the Psychotherapies

^c Columbia University ^*

^d Och Spine at New York Presbyterian Hospitals

Author keywords

[No Author keywords available]

Indexed keywords

ARTICLE; AUDIOVISUAL EQUIPMENT; DISSOCIATIVE DISORDER; HUMAN; PSYCHOLOGICAL ASPECT; VERBAL COMMUNICATION;

DISSOCIATIVE DISORDERS; HUMANS; MOTION PICTURES; NARRATION;

EID: 34548164808     PISSN: 02789671     EISSN: 10806571     Source Type: Journal    
DOI: 10.1353/lm.2007.0018     Document Type: Review

References (11)

1. Eisenstein, Sergei. The Film Sense. New York: Harcourt Brace, 1970.
2. Eliot, T. S. "The Dry Salvages." In Four Quartets. New York: Harcourt, 1971.
3. Frampton, Daniel. Filmosophy. London: Wallflower Press, 2006.
4. Frank, Arthur W. "Asking the Right Questions about Pain: Narrative and Phronesis." Literature and Medicine 23 (2004): 209-225.
5. -. The Wounded Storyteller: Body, Illness and Ethics. Chicago: University of Chicago Press, 1995.
6. In the Line of Fire. Directed by Wolfgang Petersen. Columbia Tri Star Home Video, 1993.
7. Saving Private Ryan. Directed by Steven Spielberg. Dreamworks Home Entertainment, 1998.
8. Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. New York: Oxford University Press, 1985.
9. Sprengnether, Madelon. Crying at the Movies [A Film Memoir]. St. Paul: Greywolf Press, 2001.
10. Staiger, Janet. Perverse Spectators: The Practices of Film Reception. New York: New York University Press, 2000.
11. Terms of Endearment. Directed by James L. Brooks. Paramount Pictures, 1983.