Genjam in perspective: A tentative taxonomy for GA music and art systems

Leonardo

Volumn 36, Issue 1, 2003, Pages 43-45

  Biles, John A ^a  

^a ROCHESTER INSTITUTE OF TECHNOLOGY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34548089716     PISSN: 0024094X     EISSN: None     Source Type: Journal    
DOI: 10.1162/002409403321152293     Document Type: Article

References (6)

1. J.A. Biles, "Genjam: Evolution of a Jazz Improviser," in P.J. Bentley and D.W. Corne, eds., Creative Evolutionary Systems (San Francisco, CA: Morgan Kaufmann,2001)
2. The Genjam hardware setup consists of a Macintosh Powerbook 180, a Yamaha MU 128 tone generator, a Roland GI-10 pitch-to-MIDI interface and a stereo sound system. R.B. Dannenberg, The CMU MIDI Toolkit, Version 3 (Pittsburgh, PA: Carnegie Mellon University, 1993);
3. J.A.. Biles, "Interactive Genjam: Integrating Real-Time Performance with a Genetic Algorithm," in Proceedings of the 1998 International Computer Music Conference (San Francisco, CA: ICMA, 1998)
4. J.A. Biles, "Genjam: A Genetic Algorithm for Generating Jazz Solos," in Proceedings of the 1994 International Computer Music Conference (San Francisco, CA: ICMA, 1994)
5. See J.A. Biles and W. Eign, "Genjam Populi: Training an IGA via Audience-Mediated. Performance," in Proceedings of the 1995 International Computer Music Conference (San Francisco, CA: ICMA, 1995)
6. and J A. Biles, "Life with Genjam: Interacting with a Musical IGA," in Proceedings of the 1999 IEEE International Conference on Systems, Man, and Cybernetics (New York: IEEE, 1999)