Exploring sound-space with interactive genetic algorithms

Leonardo

Volumn 36, Issue 1, 2003, Pages 51-54

  Johnson, Colin G ^a  

^a UNIVERSITY OF KENT   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34548077175     PISSN: 0024094X     EISSN: None     Source Type: Journal    
DOI: 10.1162/002409403321152310     Document Type: Article

References (25)

1. See Richard Dawkins, "The Evolution of Evolvability," in Christopher G. Langton, ed., Artificial Life (Reading, MA: Addison-Wesley, 1989) pp. 201-220
2. Richard Dawkins, The Blind Watchmaker (Harmondsworth, U.K.: Penguin, 1990)
3. Stephen Todd and William Latham, Evolutionary Art and Computers (Berlin: Springer, 1992)
4. Peter J. Bentley, ed., Evolutionary Design by Com puters (San Francisco, CA: Morgan Kaufmanu, 1999)
5. G. Venturini et al., "On Using Interactive Genetic Algorithms for Knowledge Discovery in Databases," in T Back, ed., Proceedings of the Seventh International Conference on Genetic Algorithms (San Francisco, CA.: Morgan Kaufmanu, 1997) pp. 696-703
6. See Colin Johnson and Juan Jesús Romero Cardalda, "Introduction: Genetic Algorithms in Visual Art and Music," Leonardo 35, No. 2, 175-184 (2002)
7. More complete details of the implementation are given in Colin G. Johnson, "Exploring the Sound-Space of Synthesis Algorithms Using Interactive Genetic Algorithms," in Geraint A. Wiggins, ed., Proceedings of the AISB Workshop on Artificial Intelligence and Musical Creativity (Edinburgh, 1999)
8. See Richard Boulanger, ed., The CSound Book (Cambridge, MA: MIT Press, 2000)
9. Barry Vercoe, CSound Manual, free manual distributed, with CSound software, 1992
10. J.M. Clarke, "An FOF Synthesis Tutorial," Appendix 4 of CSound Manual [7]
11. John R. Koza, 'Genetic Programming: On. the Programming of Computers by Means of Natural Selection," Series in Complex Adaptive Systems (Cambridge, MA: MIT Press, 1992)
12. Todd Winkler, Composing Interactive Music: Techniques and Ideas Using Max (Cambridge, MA: MIT Press, 1998)
13. Jennifer Yuen and Andrew Horner, "Hybrid Sampling-Wavetable Synthesis with Genetic Algorithms," in Journal of the Audio Engineering Society 45, No. 5, 316-330 (1997)
14. Tony D. May, "Music and Computers: The Design and Implementation of a Musical Genetic Algorithm," Master's thesis (University of Kent, 2000)
15. Stephanie Forrest, unpublished documentation for "Prisoner's Dilemma and Norms, Programs That Use the Genetic Algorithm" (1985)
16. A.M.. Gillies, "Machine Leaning Procedures for Generating Image Domain Feature Detectors," Ph.D. diss. (Anu Arbor, MI: University of Michigan, 1985)
17. David E. Goldberg, Genetic Algorithms in Search, Optimization and Machine Learning (Reading, MA: Addison-Wesley, 1989)
18. See Ashok K. Goel, "Design, Analogy and Creativity," in IEEE Expert (May/June 1997) pp. 62-70
19. Eduardo Reck Miranda, "An Artificial Intelligence Approach to Sound Design," in Computer Music Journal 19, No. 2, pp. 59-75 (1995)
20. See Kenneth De Jong, "Genetic Algorithms. Are NOT Function Optimizers," in L.D. Whitley, ed., Foundations of Genetic Algorithms 2 (San. Francisco, CA: Morgan Kaufmann, 1993) pp. 5-17
21. Inman Harvey, "Cognition. Is Not Computation: Evolution Is Not Optimisation," in W. Gerstner et al., eds., Proceedings of the Seventh International Conference on Artificial Neural Networks, lecture notes in Computer Science 1327 (Springer-Verlag, 1997) pp. 685-690
22. John A. Biles, "GenJam Populi: Training an IGA via Audience-Mediated Performance," in Proceedings of the 1995 International Computer Music Conference (1995)
23. See also John A. Biles, "Genjam. in Perspective: A Tentative Taxonomy for GA. Music and Art Systems," in this issue
24. Richard Dawkins, The Selfish Gene (Oxford, U.K.: Oxford Univ. Press, 1989) 2nd Ed. (original Ed. 1976)
25. Rosalind Picard, Affective Computing (Cambridge, MA: MIT Press, 1997)