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Volumn , Issue , 2013, Pages 102-112

Music, culture, and creativity

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Indexed keywords


EID: 34547846131     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203821015     Document Type: Chapter
Times cited : (23)

References (7)
  • 2
    • 0003005629 scopus 로고    scopus 로고
    • Implications of a systems perspective for the study of creativity
    • Edited by Robert J. Sternberg. Cambridge, U.K.: Cambridge University Press
    • Csikszentmyhalyi, Mihaly. 1999. Implications of a systems perspective for the study of creativity. Pp. 313–35 in Handbook of creativity. Edited by Robert J. Sternberg. Cambridge, U.K.: Cambridge University Press.
    • (1999) Handbook of creativity , pp. 313-335
    • Csikszentmyhalyi, M.1
  • 3
    • 84920556505 scopus 로고    scopus 로고
    • Sonotronic manifesto
    • accessed April 2
    • Eshun, K. 2002. Sonotronic manifesto, Fringecore 7. (accessed April 2, at http://www.fringecore.com/magazine/m7-2.html)
    • (2002) Fringecore , vol.7
    • Eshun, K.1
  • 4
    • 84865152012 scopus 로고    scopus 로고
    • Creative arguments of images in culture, and the charnel house of conventionality
    • Edited by John Liep. London: Pluto Press
    • Fernandez, James W. 2001. Creative arguments of images in culture, and the charnel house of conventionality. Pp. 17–30 in Locating cultural creativity. Edited by John Liep. London: Pluto Press.
    • (2001) Locating cultural creativity , pp. 17-30
    • Fernandez, J.W.1
  • 6
    • 0002768501 scopus 로고
    • Participatory discrepancies and the power of music
    • Edited by Charles Keil and Steven Feld. Chicago: Univ. of Chicago Press
    • Keil, Charles. 1994. Participatory discrepancies and the power of music. Pp. 96–108 in Music grooves: Essays and dialogues. Edited by Charles Keil and Steven Feld. Chicago: Univ. of Chicago Press.
    • (1994) Music grooves: Essays and dialogues , pp. 96-108
    • Keil, C.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.