Symposium: The historicity of the eye - Seeing and showing

Journal of Aesthetics and Art Criticism

Volumn 59, Issue 1, 2001, Pages 1-9

  Danto, Arthur C ^a  

^a Och Spine at New York Presbyterian Hospitals   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34547140300     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.1111/0021-8529.00001     Document Type: Conference Paper

References (10)

1. Marx W. Wartofsky, "The Paradox of Painting: Pictorial Representation and the Dimensionality of Visual Space," Social Research 51 (1984): 865.
2. Ernst Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation (Princeton University Press, 1969), p. 89.
3. Howard Rogers and Sherman E. Lee, Masterworks of Ming and Qing Painting from the Forbidden City (Lansdale, PA: International Arts Council, 1988), p. 183.
4. Thomas Kuhn, The Structure of Scientific Resolutions, 2nd ed., enlarged (University of Chicago Press, 1970).
5. In conversation with the author. See Arthur C. Danto, "Illusion and Comedy: The Art of John Cederquist," The Art of John Cederquist: Reality and Illusion (Oakland, CA: Oakland Museum of Art, 1997).
6. Gombrich, Art and Illusion, p. 8.
7. Cited by Sir Charles Sherrington, Man on His Nature, 2nd ed. (New York: Doubleday Anchor, 1953), p. 100.
8. David Hume, Dialogues Concerning Natural Religion.
9. Sherrington, Man on His Nature, p. 123.
10. Jerry Fodor, The Modularity of Mind (MIT Press, 1983), p. 60.