Imagining the border and Southern spaces: Cinematic explorations of race and gender

GeoJournal

Volumn 59, Issue 4, 2004, Pages 253-264

  Mains, Susan P ^a  

^a UNIVERSITY OF THE WEST INDIES   (Jamaica)

Author keywords

Borders; Cinematic spaces; Gender; Identity; Immigration; Nation; Race

Indexed keywords

MAPS; NATURAL RESOURCES EXPLORATION; PHOTOGRAPHY; SECURITY SYSTEMS;

CINEMATIC EXPLORATIONS; MAINSTREAM MEDIA; MIGRANTS;

IMAGING TECHNIQUES;

ART; BORDER REGION; GENDER ROLE; IDENTITY CONSTRUCTION; RACE; SENSE OF PLACE;

MEXICO [NORTH AMERICA]; NORTH AMERICA; UNITED STATES;

EID: 3442884605     PISSN: 03432521     EISSN: None     Source Type: Journal    
DOI: 10.1023/B:GEJO.0000026699.85647.b3     Document Type: Review

References (63)

1. Aitken S. and Zonn L. (eds), 1994: Re-Presenting the Place Pastiche. In: Place, Power, Situation, and Spectacle, pp. 3-26. Rowman and Littlefield, London.
2. Aitken S. and Lukinbeal C., 1998: Sex, Violence and the Weather: Male Hysteria, Scale and the Fractal Geographies of Patriarchy. In: Nast H. and Pile S. (eds), Places Through the Body, pp. 356-380. Routledge, New York and London.
3. Aitken S. and Lukinbeal C., 1997: Disassociated Masculinities and Geographies of the Road. In: Hark I. and Cohan S. (eds), The Road Movies Book, pp. 349-370. Routledge, New York.
4. Anzaldua G., 1987: Borderlands. Aunt Lute Books, San Francisco.
5. Bagdikian B., 2000: Media Monopoly, 6th edition. Beacon Press, Boston.
6. Bailey J., 1995: Mexico in the US Media, 1979-88: Implications for the Bilateral Relation. In: Coatsworth J. and Rico C. (eds), Images of Mexico in the United States, pp. 55-90, Center for US-Mexican Studies, University of California, San Diego.
7. Benjamin W., 1968: The Work of Art in the Age of Mechanical Reproduction. In: Arendt H. (ed.), Illuminations, 223. Hartcourt, Brace, Jovanovich, New York.
8. Blum V. and Nast H., 2000: Jacques Lacan's Two-Dimensional Subjectivity. In: Crang M. and Thrift N. (eds), Thinking Space, pp. 183-204.
9. Bordo S., Klein B. and Silverman M., 1998: Missing Kitchens. In: Nast H. and Pile S. (eds), Places through the Body, pp. 72-92. Routledge, London.
10. Burgess J. and Gold J. (eds), 1985: Geography the Media and Popular Culture St. Martin's Press, New York.
11. Carter G., 2001: 'Domestic Geography' and the Politics of the Scottish Landscape in Nan Sheppards's The Living Mountain. Gender, Place, and Culture 8: 25-36.
12. Clarke D.B. (ed.), 1997: The Cinematic City. Routledge, New York.
13. Cortes C.E. 1989,: To View a Neighbor: The Hollywood Textbook and Mexico. In: Coatsworth J. and Rico C. (eds), Images of Mexico in the United States, pp. 91-118. Center for US-Mexican Studies, University of California, San Diego.
14. Cosgrove D. and Domosh M., 1993: Author and Authority: Writing the New Cultural Geography. In: Duncan J. and Ley D. (eds), Place/Culture/ Representation, pp. 25-38. Routledge, New York.
15. Coutin S.B. and Chock P.P., 1995: Your Friend the Illegal: Definition and Paradox in Newspaper Accounts of US Immigration Reform. Identities: Global Studies in Culture and Power 2(1-2): 123-148.
16. Cresswell T., 1996: In Place/Out of Place: Geography, Ideology, and Transgression. University of Minnesota Press, Minneapolis.
17. Cresswell T. and Dixon D. (eds), 2002: Engaging Film: Geographies of Mobility and Identity. Rowman and Littlefield, Savage, Maryland.
18. Davis M., 2001: Magical Urbanism: Latinos Reinvent the US City. Verso, New York.
19. Delgado R. (ed.), 1995: Cntical Race Theory: The Cutting Edge. Temple University Press, Philadelphia.
20. DeSipio L. and Henson J.R., 1997: Cuban Americans, Latinos, and the Print Media: Shaping Ethnic Identities. Press/Politics 2(3): 52-70.
21. duGay P., 1997: Production of Culture/Cultures of Production. London, Sage Publications.
22. Fregoso R.L., 1999: Recycling Colonialist Fantasies on the Texas Borderlands. In: Naficy H. (ed.), Home, Exile, Homeland: Film, Media, and the Politics of Place, pp. 169-192. Routledge, New York.
23. Gasher M., 1995: The Audio-Visual Locations Industry in Canada: Considering British Columbia as Hollywood North. Canadian Journal of Communication 20: 231-254.
24. Glmelch G., 1995: Double Passage: The Lives of Caribbean Migrants Abroad and Back Home. The University of Michigan Press, Ann Arbor.
25. Hanlon J., 2001: Spaces of Interpretation: Archival Research and the Cultural Landscape. Historical Geography 29: 14-25.
26. Hanna S.P., forthcoming: Representing Appalachia: Appalshop Films and the Politics of Regional Identity. Chapel Hill: University of North Carolina Press (under contract).
27. Hanna S.P., 2000: Representation and the Reproduction of Appalachian Space: A History of Contested Signs and Meanings. Historical Geography 28: 171-199.
28. Herbert S., 1996: The Geopolitics of the Police: Foucault, Disciplinary Power, and the Tactics of the Los Angeles Police Department. Political Geography 15(1): 47-57.
29. Hondagneu-Sotelo P., 2002: Families on the Frontier: From Braceros In the Fields to Braceras in the Home. In: Suarez-Orozco M. and Paez M. (eds), Latinos Remaking America, pp. 259-273. University of California Press, Los Angeles.
30. Huyssen A., 2001: Present Pasts. In: Appadurai A. (ed.), Globalization, pp. 57-77. Duke University Press, Durham.
31. Jackson P., 1994: Black Male: Advertising and the Cultural Politics of Masculinity. Gender, Place and Culture 1(1): 49-60.
32. Jackson P., 1991: The Cultural Politics of Masculinity: Towards a Social Geography. Transactions Institute of British Geographers 16: 199-213.
33. Johnston L., 1998: Reading the Sexed Bodies and Spaces of Gyms. In: Nast H. and Pile S. (eds), Places Through the Body, pp. 244-262. Routledge, New York.
34. Jones J.P. and Natter W., 1993: Pets or Meat? Class, Ideology, and Space. Roger & Me. Antipode 25(2): 140-158.
35. Kellner D., 1990: Television and the Crisis of Democracy. Westview Press, Boulder, CO.
36. Kobayashi A., 1989: A Critique of the Dialectical Landscape. In: Kobayashi A. and MacKenzie S. (eds), Remaking Human Geography, pp. 164-185. Unwin Hyman, London.
37. Kristeva J., 1966: Les Recherches sémantiques de Tzvetan Todorov. La Pensée 130: 36-43.
38. Kirby K., 1996: Indifferent Boundaries: Spatial Concepts of Human Subjectivity. The Guilford Press, New York.
39. Limon J.E., 1992: Stereotyping and Chicano Resistance: An Historical Dimension. In: Noriega C.A. (ed.), Chicanos and Film: Essays on Chicano Representation and Resistance, pp. 3-20. Garland Publishing, New York.
40. Mains S., 2002a: Maintaining National Identity at the Border: Scale, Masculinity, and the Policing of Immigration in Southern California. In: Herod A. and Wright M. (eds), Geographies of Power, pp. 192-214. Blackwell, London.
41. Mains S., 2002b: Making News in Southern California: Representing National Identity, Borders, and Migration Hagar: International Social Science Review 2: 271-298.
42. Mains S., 2000: An Anatomy of Race and Immigration Politics in California. International Journal of Social and Cultural Geography 1(2): 143-154.
43. Martinez O.J., 1996: US-Mexico Borderlands: Historical and Contemporary Perspectives. Scholarly Resources Inc., Wilmington, DE.
44. Mitchell D., 2002: Cultural Landscapes: The Dialectical Landscape - Recent Landscape Research in Human Geography. Progress in Human Geography 26(3): 381-389.
45. Mitchell D., 1996: The Lie of the Land: Migrant Workers and the California Landscape. University of Minnesota Press, Minneapolis.
46. Mulvey L., 1992: Visual Pleasure and Narrative Cinema. In: Visual and Other Pleasures. Macmillan, Basingstoke.
47. Nericcio W.A., 1992: Of Mestizos and Half-Breeds: Orson Welle's Touch of Evil. In: Noriega C.A. (ed.), Chicanos and Film: Essays on Chicano Representation and Resistance, pp. 53-66. Garland Publishing, New York.
48. Nevins J., 2002: Operation Gatekeeper: The Rise of the 'Illegal Alien' and the Making of the US-Mexico Boundary. Routledge, New York.
49. Noriega C.A., 1992: Between a Weapon and a Formula: Chicano Cinema and its Contexts. In: Noriega C.A. (ed.), Chicanos and Film: Essays on Chicano Representation and Resistance, pp. 159-188. Garland Publishing, New York.
50. Paasi A., 1996: Territories, Boundaries and Consciousness: The Changing Geographies of the Finnish-Russian Border. John Wiley and Sons, London.
51. Pile S. and Thrift N. 1995: Introduction/Mapping the Subject. In: Pile S. and Thrift N. (eds), Mapping the Subject: Geographies of Cultural Transformation, pp. 1-51. Routledge. London.
52. Popke E.J., 2001 : Modernity's Abject Space: The Rise and Fall of Durban's Cato Manor. Environment and Planning A 33(4): 737-753.
53. Suarez-Orozco M.M. and Paez M.M., 2002: Introduction: The Research Agenda. In: Suarez-Orozco M.M. and Paez M.M. (eds), Latinos: Remaking America, pp. 1-37. University of California Press, Berkley/Los Angeles.
54. Zentella A.C., 2002: Latino Languages and Identities. In: Suarez-Orozco M.M. and Paez M.M. (eds), Latinos: Remaking America, pp. 321-338. University of California Press, Berkley/Los Angeles.
55. Zonn L. (ed.), 1990: Place Images in Media. Rowan and Littlefield Publishers, Savage, Maryland.
56. Gauntlett, D. 1998: Ten Things Wrong with the 'Effects Model'. http://www.newmediastudies.com/effects1.htm
57. US INS. 1998-2000: http://www.ins.usdoj.gov/graphics/index.htm
58. Deliverance, 1972: Directed by John Boorman Warner Studios, USA.
59. Dukes of Hazzard. 1979-85: Directed by Rodney Amateau (and various). CBS, U.S.A.
60. Lone Star, 1996: Directed by John Sayles. Castle Rock/Rio/Sony Pictures Classics, U.S.A.
61. Midnight in the Garden of Good and Evil, 1997: Directed by Clint Eastwood. Warner Studios, U.S.A.
62. The Border, 1982: Directed by Tony Richardson. U-RKO/Universal, U.S.A.
63. Touch of Evil, 1958: Directed by Orson Welles. Universal, U.S.A.