Two kinds of artistic duplication

British Journal of Aesthetics

Volumn 37, Issue 1, 1997, Pages 1-14

  Janaway, Christopher ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34347314551     PISSN: 00070904     EISSN: None     Source Type: Journal    
DOI: 10.1093/bjaesthetics/37.1.1     Document Type: Review

References (9)

1. Richard Wollheim, 'Danto's Gallery of Indiscernibles', in Mark Rollins (ed.), Danto and his Critics (Cambridge, MA: Blackwell, 1993). pp. 31-3.
2. Jorge Luis Borges, 'Pierre Menard, Author of the Quixote', in Labyrinths (Harmondsworth, Middx.: Penguin, 1985), pp. 65-6.
3. 'Borges and Danto: a Reply to Michael Wreen', British Journal of Aesthetics 32 (1992), 72-6.
4. Arthur Danto, The Transfiguration of the Commonplace (Cambridge, MA: Harvard U.P., 1981), pp. 35-6.
5. Nelson Goodman, Languages of Art (Brighton: Harvester, 1981), ch. III.
6. Richard Wollheim, Art and its Objects, 2nd edn (Cambridge: Cambridge University Press), p. 4.
7. Joseph Margolis, Art and Philosophy: Conceptual Issues in Philosophy (Brighton: Harvester, 1980), pp. 21ff.
8. (The Transfiguration of the Commonplace, p. 36).
9. Jerry Fodor, 'Déjà vu All Over Again: How Danto's Aesthetics Recapitulates the Philosophy of Mind', in Mark Rollins (ed.), Danto and his Critics, p. 52.