Parallel power: Shakespeare, gunfire and silence

Contemporary Theatre Review

Volumn 15, Issue 4, 2005, Pages 392-405

  Heritage, Paul ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34347302262     PISSN: 10486801     EISSN: None     Source Type: Journal    
DOI: 10.1080/10486800500280396     Document Type: Article

References (13)

1. Data from IBGE (Instituo Brasileiro de Geogratia e Estatistica). See Luís Mir, Guerra Civil (São Paulo: Geração Editorial, 2004), p. 80
2. Mir, Guerra Civil, p. 14
3. Zuenir Ventura, A Cidade Partida (Rio de Janeiro: Companhia das Letras, 1994)
4. See Alba Zaluar, Integraçaão perversa: pobreza e tráfico de drogas (Rio de Janeiro: Editora FGV, 2004), p. 193
5. Candido Grzybowski, 'Apresentação', in Itamar Silva (ed.), Rio: A Democracia vista de baixo (Rio de Janeiro: IBASE, 2004), pp. 5-6
6. For more information about Afroreggae, see José Junior, Da Favela para o Mundo (Rio de Janeiro: Aeroplano Editora, 2004)
7. Silvia Ramos, γouth and the Police Project: The 'Pedagogy of the Drums': Music and Art as Mediators between γoungsters from Favelas and Policemen in Brazil (Rio de Janeiro: CESeC, University of Candido Mendes, 2005), p. 1
8. See also Luke Dowdney, Children of the Drug Trade (Rio de Janeiro: 7 Letras, 2003)
9. Luis Eduardo Soares, Meu casaco de general (São Paulo: Companhia das Letras, 2000), p. 271
10. For a detailed discussion of these issues, see Caco Barcellos, Abusado (Rio de Janeiro: Editora Globo, 2003)
11. Thomas Hobbcs, The Citizen, cited in Mir, Guerra Civil, p. 122
12. Virginia Domíunguez, cited in George Yúdice, The Expediency of Culture: Issues of Culture in the Global Era (Durham and London: Duke University Press, 2003), p. 25
13. See Yúdice, The Expediency of Culture, p. 159