New publications in Dutch on music before 1700 and a newly discovered 15th-century Dutch manuscript with songs

Early Music

Volumn 25, Issue 1, 1997, Pages 121-128

  Haggh, Barbara ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34347293999     PISSN: 03061078     EISSN: None     Source Type: Journal    
DOI: 10.1093/em/25.1.121     Document Type: Article

References (11)

1. I am grateful to David Fallows for kindly providing these identifications and comparing the readings of the songs, and to the Gemeentelijke Archiefdienst Helmond for providing photographs and answering queries. Talent m'es pris is an anonymous three-voice canon found in Prague, University Library, f.249v (no.16), in Strasbourg 222, Wolkenstein A and B, and in two places in Ivrea 115 (see PMFC, 20, pp.218-222)
2. See, most recently, K. Vellekoop, 'Beede ghenoot ende ooc ghescreven. Reconstructie en uitvoeringspraktijk van liederen in het Gruuthusehandschrift', Een zoet akkoord, ed. F. Willaert et al. (Amsterdam, 1992), pp.136-53. The manuscript is discussed in several other contributions to this book
3. See An anthology of music fragments from the Low Countries, E. Schreurs et al. (Leuven, 1995), p.124 (Namur, Archives de l'État, Haute Cour de Namur, no.8) and p.126 (IJsselstijn, private collection of R.J.Ooyevaar, 38 F66-449)
4. On the Prague manuscript, see F. Kammerer, Die Musikstücke des Prager Kodex XI E 9, Veröffentlichungen des musikwissenschaftlichen Instituts der deutschen Universität in Prag, 1 (Brno, 1931)
5. On stroke notation, see M. Bent and R. Bowers, 'The Saxilby Fragment', Early music history, i (1981), pp.1-27
6. M. Bent, 'New and little-known fragments of English medieval polyphony', Journal of the American Musicological Society, xxi (1968), pp.143-53, esp. p.149, n.17
7. H. Benham, '"Salve Regina" (Power or Dunstable): a simplified version', Music and letters, lix (1978), pp.28-32, and the literature they cite
8. On choirs, see A. Hughes, 'The choir in fifteenth-century English music: non-mensural polyphony', Essays in musicology in honor of Dragan Plamenac, ed. G. Reese and R. J. Snow (Pittsburgh, 1969), pp.127-37
9. On cotidianen, see B. Haggh, 'Crispijne and Abertijne; two tenors at the Church of St Niklaas in Brussels', Music and letters, lxxvi (1995), pp.325-44
10. and P. F. Starr, 'Rome as the centre of the universe: papal grace and musical patronage', Early music history, xi (1992), pp.223-62, esp. app.2
11. On vocal distributions in the Low Countries, see Haggh, op. cit., pp.329-30