Race-ing performativity through transculturation, taste and the mulata body

Theatre Research International

Volumn 27, Issue 2, 2002, Pages 136-152

  Arrizón, Alicia ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34250880754     PISSN: 03078833     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0307883302000226     Document Type: Review

References (24)

1. Recipe from Steven Raichlen, The New Florida Cuisine: Miami Spice (New York: Workman Publishing, 1993), p. 15
2. Ramón Pedreira Rodríguez, Mi Recetario de Cocteles Cubanos (Madrid: Editorial Arte y Literatura, 1999), p. 70
3. Antonio Benítez-Rojo, The Repeating Island: The Caribbean and the Postmodern Perspective, translated by James E. Maraniss (Durham, NC: Duke University Press, 1996), p. 21
4. Diana Taylor, 'Transculturating Transculturation', in Bonnie Marranca ans Gautam Dasgupta, eds., Interculturalism & Performance, (New York: PAJ Publications), pp. 60-74
5. Silvia Spitta, Between Two Waters: Narratives of Transculturation in Latin America (Houston: Rice University Press, 1995)
6. Frances R. Aparicio and Susana Chávez-Silverman, eds., Tropicalizations: Transcultural Representations of Latinidad (Hanover, NH: Dartmouth College, 1997)
7. 'Transculturation and Gender in US Latina Performance', Theatre Research International, 24, 3 (1999), pp. 288-94
8. Mary Louise Pratt, Imperial Eyes: Travel Writing and Transculturation (New York: Routledge, 1992), p. 6
9. Diana Taylor, 'Transculturating Transculturation', p. 63
10. Vera M. Kutzinski, Sugar's Secrets: Race and the Erotics of Cuban Nationalism (Virginia: University Press of Virginia, 1993), p. 5
11. Antonio Benítez-Rojo, 'Three Words toward Creolization', in Kathleen M. Balutansky and Marie-Agnès Sourieau, eds., Caribbean Creolization: Reflections on the Cultural Dynamics of Language, Literature, and Identity (Miami: University Press of Florida, 1998), p. 55
12. Antonio Benítez-Rojo, 'Nicolás Guillén and Sugar', Callaloo 10, 2 (1987), p. 331
13. Fernando Ortiz, Cuban Counterpoint: Tobacco and Sugar, translated by Harriet de Onís (New York: Alfred A. Knopf, 1947), p. 9
14. Juan A. Martínez, Cuban Art and National Identity: The Vanguardia Painters, 1927-1930 (Miami: University Press of Florida, 1994), p. 122
15. Nicolás Guillén, Antología mayor (Havana: Ediciones Unión, 1964), p. 46
16. Antonio Benítez-Rojo, 'Nicolás Guillén and Sugar', p. 340
17. Antonio Benítez-Rojo, 'Three Words toward Civilization', p. 55
18. Luis Palés Matos, 'Plena de menéalo' (Shaking it), in Margot Arce de Vásquez, ed., Luis Palés Matos: Obras 1914-1959 (Rio Piedras: Editorial de la Universidad de Puerto Rico, 1984), p. 528
19. Edward W. Said, Orientalism (Harmondsworth: Penguin, 1978)
20. Martínez, Cuban Art
21. Nancy Morejón, Ours the Earth: Poems by Nancy Morejón, translated By J. R. Pereira (UWI, Mona: Institute of Caribbean Studies, 1990), p. 9
22. Elena Poniatowska, Todo México: Tomo I (México: Editorial Diana, 1990), p. 227-53
23. Carmelita Tropicana, 'Milk of Amnesia/Leche de Amnesia', The Drama Review. The Journal of Performance Studies, 39, 3 (1995), p. 96
24. Jennifer DeVere Brody, 'Hyphen-Nations', in Sue-Ellen Case, Philip Brett, and Susan Leigh Foster, eds., Cruising the Performative: Interventions into the Representations of Ethnicity, Nationality, and Sexuality (Bloomington: Indiana University Press, 1995), p. 149