Resisting amnesia: Yuyachkani, performance, and the postwar reconstruction of Peru

Theatre Journal

Volumn 56, Issue 3, 2004, Pages 395-414

  A'ness, Francine ^a  

^a DARTMOUTH COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34250312985     PISSN: 01922882     EISSN: 1086332X     Source Type: Journal    
DOI: 10.1353/tj.2004.0083     Document Type: Article

References (15)

1. Henry J. Steiner, Truth Commissions: A Comparative Assessment (Cambridge: World Peace Foundation, 1997), 1.
2. Shoshana Felman and Dori Laub, Testimony: Crisis of Witnessing in Literature, Psychoanalysis, and History (New York: Routledge, 1992), 69.
3. For more information on the psychoanalytic study of trauma, memory, and recovery, see Cathy Caruth, Experience: Trauma, Narrative, and History (Baltimore: The Johns Hopkins University Press, 1996);
4. Richard J. McNally, Remembering Trauma (Cambridge: Harvard University Press, 2003);
5. and Judith Herman, Trauma and Recovery (New York: Basic Books, 1992).
6. Taylor, "Yuyachkani: Remembering Community," 311.
7. Carballido, "Hecho en el Perú," 82.
8. Taylor, The Archive and the Repertoire, 191.
9. Ralli, "Fragments of Memory," 363-64.
10. Miguel Rubio, Persistencia de la memoria (program notes), 3.
11. Richard Schechner, Performance Studies: An Introduction (New York: Routledge, 2002), 63.
12. Magaly Muguercia, "Cuerpo y política en la dramaturgia de Yuyachkani," in Indagaciones sobre el fin de siglo: (Teatro iberoamericano y argentino), ed. Osvaldo Pellettieri (Buenos Aires: Galerna, 2000), 41-61.
13. Susan Bennett, Theatre Audiences: A Theory of Production and Reception (New York: Routledge, 1997), 28-29.
14. Marianne Hirsch, "Surviving Images: Holocaust Photographs and the Work of Postmemory," The Yak Journal of Criticism 14, no. 1 (2001): 10.
15. For a more detailed discussion of the theory of postmemory, see Hirsch, "Surviving Images," 9-13.