ON SINUSOIDAL PARAMETER ESTIMATION

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 2003, Pages

  Hainsworth, Stephen ^a   Macleod, Malcolm ^b  

^a UNIVERSITY OF CAMBRIDGE   (United Kingdom)

^b QINETIQ   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

CRAMER-RAO BOUNDS;

COMPONENT DETECTION; CRAME RAO BOUNDS; PERFORMANCE; SINUSOIDAL PARAMETERS ESTIMATIONS;

PARAMETER ESTIMATION;

EID: 34249894474     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (21)

1. F. Auger and P. Flandrin, “Improving the readability of time-frequency and time-scale representations by the method of reassigment,” IEEE Trans. Signal Processing, vol. 43, no. 5, pp. 1068-89, May 1995.
2. T. Grandke, “Interpolation algorithms for discrete Fourier transforms of weighted signals,” IEEE Trans. Instr. and Meas., vol. IM-32, no. 2, pp. 350-5, June 1983.
3. M.D. Macleod, “Fast nearly ML estimation of the parameters of real or complex single tones or resolved multiple tones,” IEEE Trans. Signal Processing, vol. 46, no. 1, pp. 141-148, Jan. 1998.
4. K. Kodera, R. Gendrin, and C. de Villedary, “Analysis of time-varying signals with small BT values,” IEEE Trans. ASSP, vol. 26, no. 1, pp. 64-76, Feb. 1978.
5. S. Marchand, “Improving spectral precision with an enhanced phase vocoder using signal derivatives,” in Proc. Digital Audio Effects Workshop (DAFx), 1998, available on-line: http://www.iua.upf.es/dafx98/papers/.
6. D.C. Rife and R.R. Boorstyn, “Multiple tone parameter estimation from discrete-time observation,” Bell System Technical Journal, vol. 55, no. 9, pp. 1389-1410, Nov. 1976.
7. S.W. Hainsworth and M.D. Macleod, “Time-frequency reassignment: Measures and uses,” in Proc. Cambridge Music Processing Colloquium, 2003, pp. 36-9.
8. F. Keiler and U. Zölzer, “Extracting sinusoids from harmonic signals,” J. of New Music Research, vol. 30, no. 3, pp. 243-58, 2001.
9. G. Peeters and X. Rodet, “SINOLA: a new analysis/synthesis method using spectrum peak shape distortion, phase and reassigned spectrum,” in Proc. International Computer Music Conference, 1999.
10. S.W. Hainsworth and M.D. Macleod, “Time-frequency reassignment: a review and analysis,” Tech. Rep. CUED/FINFENG/TR.459, Cambridge University Engineering Department, 2003.
11. T. Abe, T. Kobayashi, and S. Imai, “Robust pitch estimation with harmonics enhancement in noisy environments based on instantaneous frequency,” in Proc. ISCLP, 1996, pp. 1277-80.
12. D.H. Friedman, “Instantaneous-frequency distribution vs time: an interpretation of the phase structure of speech,” in Proc. ICASSP, 1985, pp. 1121-4.
13. S. Dixon, “Extraction of musical performance parameters from audio data,” in Proc. IEEE Pacific-Rim Conf. on Multimedia, Sydney, Australia, Dec. 2000, pp. 42-45.
14. D. Arfib, F. Keiler, and U. Zölzer, “Source-filter processing,” in DAFX - Digial Audio Effects, U. Zölzer, Ed., chapter 9, pp. 299-372. J. Wiley and Sons, 2002.
15. F. Keiler and S. Marchand, “Survey on extraction of sinusoids in stationary sounds,” in Proc. Digital Audio Effects Workshop (DAFx), 2002, pp. 51-8.
16. G. Peeters and X. Rodet, “Signal characterization in terms of sinusoidal and non-sinusoidal components,” in Proc. Digital Audio Effects Workshop (DAFx), 1998.
17. P. Fernándes-Cid and F.J. Casajús-Quirós, “Multi-pitch estimation of polyphonic music signals,” in Proc. ICASSP, 1998, vol. 6, pp. 3565-8.
18. S.W. Hainsworth, M.D. Macleod, and P.J. Wolfe, “Analysis of reassigned spectrograms for musical transcription,” in IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, Mohonk, NY, Oct. 2001.
19. C. Andrieu and A. Doucet, “Joint Bayesian model selection and estimation of noisy sinusoids via reversible jump MCMC,” IEEE Trans. Signal Processing, vol. 47, no. 10, pp. 2667-76, Oct. 1999.
20. S.J. Godsill and M. Davy, “Bayesian harmonic models for musical signal analysis,” in 7th Valencia Int. Meeting on Bayesian Statistics, 2002.
21. McGill University, “Mcgill university master samples collection,” http://www.music.mcgill.ca/resources/mums/html/mums.html.