Rethinking the diaspora: African, Brazilian, and Cuban communities in Africa and the Americas

Black Scholar

Volumn 30, Issue 3-4, 2000, Pages 54-55

  Otero, Solimar ^a  

^a UNIVERSITY OF PENNSYLVANIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34249886735     PISSN: 00064246     EISSN: 21625387     Source Type: Journal    
DOI: 10.1080/00064246.2000.11431110     Document Type: Note

References (6)

1. Cohen, R., Global Diaspora: An Introduction (London: UCL Press: 1997).
2. Euba, Titola, "Dress and Status in Nineteenth-Century Lagos." In The History of the Peoples of Lagos State. (Lagos: Lantern Books: 1987) 142-165.
3. Matory, James Lorand, "The English Professors of Brazil: On the Diasporic Roots of the Yoruba Nation," Comparative Studies in Society and History, (1999) 41:72-103.
4. Otero, Solimar, "Iku and Cuban Nationhood: The Use of Yoruba Mythology in the Film 'Gunatanamera,'" Africa Today (1999) 46(2): 116-131.
5. Yai, Olabiyi Babalola, "In Praise of Metonymy: the Concepts of 'Tradition' and 'Creativity' in the Transmission of Yoruba Artistry Over Time and Space," in Yoruba Artist: New Theoretical Perspectives of African Art. (Washington: Smithsonian Institute Press, 1994) 107-115.
6. Yai, Olabiyi Babalola, "Les <> (Afró-Brésiliens) Du Golfe du Bénin," in Lusotopie (1997) 275-284.