메뉴 건너뛰기




Volumn 9, Issue 1, 2007, Pages 59-75

Effect of film velocity on genre recognition

Author keywords

[No Author keywords available]

Indexed keywords


EID: 34249734683     PISSN: 15213269     EISSN: None     Source Type: Journal    
DOI: 10.1080/15213260709336803     Document Type: Article
Times cited : (12)

References (38)
  • 2
    • 0003942118 scopus 로고    scopus 로고
    • London: British Film Institute
    • Altman, R. (1999). Film/genre. London: British Film Institute.
    • (1999) Film/genre
    • Altman, R.1
  • 3
    • 85039223393 scopus 로고    scopus 로고
    • Arnheim, R. (1934). Motion. In R. Arnheim (1957), Film as art (pp. 181-188). Berkeley: University of California.
    • Arnheim, R. (1934). Motion. In R. Arnheim (1957), Film as art (pp. 181-188). Berkeley: University of California.
  • 4
    • 85039201505 scopus 로고    scopus 로고
    • Aronofsky, D. (Director). (2000). Requiem for a dream [Motion Picture]. United States: Artisan Entertainment.
    • Aronofsky, D. (Director). (2000). Requiem for a dream [Motion Picture]. United States: Artisan Entertainment.
  • 5
    • 85039228671 scopus 로고    scopus 로고
    • Bay, M. (Director). (1998). Armageddon [Motion Picture]. United States: Touchstone Pictures.
    • Bay, M. (Director). (1998). Armageddon [Motion Picture]. United States: Touchstone Pictures.
  • 6
    • 85039193877 scopus 로고    scopus 로고
    • Cannell, S. J. (Producer). (1983-1987). The A-Team [Television Series]. United States: Universal Barney.
    • Cannell, S. J. (Producer). (1983-1987). The A-Team [Television Series]. United States: Universal Barney.
  • 7
    • 85039180371 scopus 로고    scopus 로고
    • Chaplin, C. (Director). (1936). Modern times [Motion Picture]. United States: Charles Chaplin, United Artists.
    • Chaplin, C. (Director). (1936). Modern times [Motion Picture]. United States: Charles Chaplin, United Artists.
  • 10
    • 30744470903 scopus 로고
    • The role of empathic distress in the enjoyment of cinematic tragedy
    • de Wied, M., Zillmann, D., & Ordman, V. (1995). The role of empathic distress in the enjoyment of cinematic tragedy. Poetics, 23, 91-106.
    • (1995) Poetics , vol.23 , pp. 91-106
    • de Wied, M.1    Zillmann, D.2    Ordman, V.3
  • 11
    • 0013064785 scopus 로고    scopus 로고
    • 8th ed, Englewood Cliffs, NJ: Prentice Hall
    • Giannetti, L. D. (1999). Understanding movies (8th ed.). Englewood Cliffs, NJ: Prentice Hall.
    • (1999) Understanding movies
    • Giannetti, L.D.1
  • 13
    • 34249683647 scopus 로고    scopus 로고
    • Oxford, England: Clarendon
    • Grodal, T. (1997). Moving pictures. Oxford, England: Clarendon.
    • (1997) Moving pictures
    • Grodal, T.1
  • 14
    • 85039223004 scopus 로고    scopus 로고
    • Kelly, R. (Director). (2002). Donnie Darko [Motion Picture].United States: Pandora.
    • Kelly, R. (Director). (2002). Donnie Darko [Motion Picture].United States: Pandora.
  • 16
    • 85039204099 scopus 로고    scopus 로고
    • Kubrick, S. (Director). (1971). A clockwork orange [Motion Picture]. United States: Warner Brothers.
    • Kubrick, S. (Director). (1971). A clockwork orange [Motion Picture]. United States: Warner Brothers.
  • 19
    • 0041435215 scopus 로고    scopus 로고
    • The effects of edits on arousal, attention and memory for television messages: When an edit is an edit can an edit be too much?
    • Lang, A., Zhou, S., Schwartz, N., Bolls, P. D., & Potter, R. F. (2000). The effects of edits on arousal, attention and memory for television messages: When an edit is an edit can an edit be too much? Journal of Broadcasting and Electronic Media, 44, 94-109.
    • (2000) Journal of Broadcasting and Electronic Media , vol.44 , pp. 94-109
    • Lang, A.1    Zhou, S.2    Schwartz, N.3    Bolls, P.D.4    Potter, R.F.5
  • 20
    • 85039221096 scopus 로고    scopus 로고
    • Murnau, F.W. (Director). (1922). Nosferatu, eine symphonie des grauens [Motion Picture]. Germany: Prana-Film.
    • Murnau, F.W. (Director). (1922). Nosferatu, eine symphonie des grauens [Motion Picture]. Germany: Prana-Film.
  • 22
    • 84986364832 scopus 로고
    • Exploring the paradox of the enjoyment of sad films
    • Oliver, M. B. (1993). Exploring the paradox of the enjoyment of sad films. Human Communication Research, 19, 315-342.
    • (1993) Human Communication Research , vol.19 , pp. 315-342
    • Oliver, M.B.1
  • 23
    • 85039197209 scopus 로고    scopus 로고
    • Reggio, G. (Director). (1983). Koyaanisqatsi [Motion Picture]. United States: Island Entertainment/Palm Productions.
    • Reggio, G. (Director). (1983). Koyaanisqatsi [Motion Picture]. United States: Island Entertainment/Palm Productions.
  • 24
    • 85039230708 scopus 로고    scopus 로고
    • Roeg, N. (Director). (1973). Don't look now [Motion Picture]. United States: Paramount Pictures.
    • Roeg, N. (Director). (1973). Don't look now [Motion Picture]. United States: Paramount Pictures.
  • 25
    • 85190223570 scopus 로고
    • Principles of categorization
    • E. Rosch & B. Lloyd Eds, Hillsdale, NJ: Lawrence Erlbaum Associates, Inc
    • Rosch, E. (1978). Principles of categorization. In E. Rosch & B. Lloyd (Eds.), Cognition and categorization (pp. 27-48). Hillsdale, NJ: Lawrence Erlbaum Associates, Inc.
    • (1978) Cognition and categorization , pp. 27-48
    • Rosch, E.1
  • 26
    • 85039232807 scopus 로고    scopus 로고
    • Roskos-Ewoldsen, D. R., Roskos-Ewoldsen, B., & Dillman-Carpentier, F. R. (2002). Media priming: A synthesis. In J. Bryant & D. Zillmann (Eds.), Media effects (2nd ed., pp. 97-120.) Mahwah, NJ: Lawrence Erlbaum Associates, Inc.
    • Roskos-Ewoldsen, D. R., Roskos-Ewoldsen, B., & Dillman-Carpentier, F. R. (2002). Media priming: A synthesis. In J. Bryant & D. Zillmann (Eds.), Media effects (2nd ed., pp. 97-120.) Mahwah, NJ: Lawrence Erlbaum Associates, Inc.
  • 30
    • 85039231215 scopus 로고    scopus 로고
    • Tati, J. (Director). (1974). Parade [Motion Picture]. Sweden: DVDY Films.
    • Tati, J. (Director). (1974). Parade [Motion Picture]. Sweden: DVDY Films.
  • 31
    • 85039210319 scopus 로고    scopus 로고
    • Vertov, D. (Director). (1929). Man with a movie camera [Motion Picture]. USSR: VUFKU.
    • Vertov, D. (Director). (1929). Man with a movie camera [Motion Picture]. USSR: VUFKU.
  • 32
    • 85039208802 scopus 로고
    • Hillsdale, NJ: Lawrence Erlbaum Associates, Inc
    • van Dijk, T.A. (1980). Macrsotructures. Hillsdale, NJ: Lawrence Erlbaum Associates, Inc.
    • (1980) Macrsotructures
    • van Dijk, T.A.1
  • 35
    • 85039213533 scopus 로고    scopus 로고
    • Wachowski, A. (Director). (1999). The Matrix [Motion Picture]. United States: Warner Brothers
    • Wachowski, A. (Director). (1999). The Matrix [Motion Picture]. United States: Warner Brothers
  • 36
    • 85039236147 scopus 로고    scopus 로고
    • Woo, J. (Director). (2000). Face/Off [Motion Picture]. United States: Touchstone Pictures.
    • Woo, J. (Director). (2000). Face/Off [Motion Picture]. United States: Touchstone Pictures.
  • 37
    • 0001064765 scopus 로고
    • Mood management: Using entertainment to full advantage
    • L. Donohew, H. E. Sypher, & E. Tory Higgins Eds, Hillsdale, NJ: Lawrence Erlbaum Associates, Inc
    • Zillmann, D. (1988). Mood management: Using entertainment to full advantage. In L. Donohew, H. E. Sypher, & E. Tory Higgins (Eds.), Communication, social cognition and affect (pp. 147-171). Hillsdale, NJ: Lawrence Erlbaum Associates, Inc.
    • (1988) Communication, social cognition and affect , pp. 147-171
    • Zillmann, D.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.