Krauss's Foucault and the foundations of postmodern history of photography

History of Photography

Volumn 30, Issue 1, 2006, Pages 55-67

  Hershberger, Andrew E ^a  

^a NONE

Author keywords

Abigail Solomon Godeau; Eug ne Atget (1856 1927); Michel Foucault (1926 1984); Photography theory; Postmodernism and photography; Rosalind Krauss; Timothy O'Sullivan (1840 1882)

Indexed keywords

EID: 34249429454     PISSN: 03087298     EISSN: None     Source Type: Journal    
DOI: 10.1080/03087298.2006.10442839     Document Type: Article

References (10)

1. Foster, Hal. 1996. The Return of the Real:The Avant-Garde at the End of the Century, 205–226. Cambridge, MA:MIT Press.
2. Foster, Hal. 1996. The Return of the Real:The Avant-Garde at the End of the Century, 206–206. Cambridge, MA:MIT Press.
3. Foster, Hal. 1996. The Return of the Real:The Avant-Garde at the End of the Century, 226–226. Cambridge, MA:MIT Press.
4. Nickel, Douglas R., 2001. History of Photography:The State of Research. Art Bulletin, 83 (3) September:554–554. see also 557 n. 42.
5. Krauss, Rosalind. 1985. The Originality of the Avant-Garde and Other Modernist Myths, Cambridge, MA:MIT Press.
6. Krauss, Rosalind. 1982. Photography's Discursive Spaces:Landscape/View. Art Journal, 42 (4) Winter:311–319.
7. Snyder, Joel. 1981. American Frontiers:The Photographs of Timothy H. O'Sullivan, 1867–1874, Millerton, NY:Aperture.
8. King, Clarence. 1878. Systematic Geology, Washington, DC:Government Printing Office.
9. Foucault, Michel. 1969. L'Archéologie du Savoir, Paris:Gallimard.
10. Newhall, Beaumont, ed. 1980. Photography:Essays & Images, 121–121. New York:Museum of Modern Art.