'Imaginings' of geography: Devolution, americanisation and works of artwriting, art and culture

Third Text

Volumn 20, Issue 2, 2006, Pages 223-232

  Way, Jennifer ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34249428676     PISSN: 09528822     EISSN: None     Source Type: Journal    
DOI: 10.1080/09528820600590363     Document Type: Article

References (46)

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2. Lawrence Alloway, 'What Happened to the Frontier?', The Minneapolis Institute of Arts Bulletin 52:2, June
3. Harry Goulhourne, Ethnicity and Nationalism in Post-Imperial Britain, Cambridge University Press Cambridge, 1991, PP 91-2
4. Thomas DaCosta Kaufmann, Toward a Geogaphy of Art, University of Chicago Press, Chicago, 2004, p 5
5. Stuart Ward, 'Introduction', in British Culture and the End of Empire, ed Stuart Ward, Manchester University Press, Manchester, 2001, p 12
6. James Strachey, The End of Empire, Random House, New York, 1959, p 279
7. Nicholas White, Decolonisation: The British Experience since 1945, Longman, New York, 1999, p 24
8. 'An exhibition of a Selection from the Acquisitions of The Contemporary Art Society', Tate Gallery, London, 1947, p 2
9. Sir John Rothenstein, 'Foreword', in An Exhibition of Contemporary British Art. E and A Silberman Collection, Lund Humphries, London, 1956, unpaginated. Rothenstein served as Director of the Tate Gallery from 1938 to 1964.
10. White, op cit, p 24
11. Unless otherwise noted the following references to Pevsner quote or are informed by John Newman, 'Pevsner, Sir Nikolaus (Bernhard Leon)', Grove Art Online, Oxford University Press, 25 September 2005, available at: http ://www.groveart.com/
12. Nikolaus Pevsner, 'The Fnglisbness of English Art', BBC Reith Lectures, An Illustrated Guide, May 1955, p 3
13. Sir John Rothenstein and Philip James, 'Foreword', Modern Art in the United States: A Selection from the Collections of the Museum of Modern Art, New York, Arts Council of Great Britain, London, 1 956, p 3
14. Julian Mitchell, 'Bryan Robertson at 75', Modern Painters, 13:2, Summer 2000, p 100
15. Bryan Robertson, 'Foreword', in British Painting and Sculpture 1954, Whitechapel Art Gallery, London, 1954, unpaginated
16. and Robert Hewison, Culture and Consensus, England, Art and Politics Since 1940, Methuen, London, 1995, p 106
17. Thomas B Hess, 'For Spacious Skies and All That', Art News, 56, November 1957, p 28
18. Alan Bowness, 'Some Recent History', London, The New Scene, Walker Art Center in association with, the Calouste Gulbenkian Foundation and The British Council, Minneapolis, 1965, p 52.
19. John Russell, 'Yankee Doodles', Sunday Times, 8 January, 1956, p 4
20. Robert Melville, 'Exhibitions', Architectural Review, no 113, April 1953, p 272.
21. Basil Taylor, 'Modern American Painting', Spectator, no 196, January 20, 1956, p 80
22. John Russell, 'The "New American Painting" Captures Europe', Horizon, no 2, November, 1959, pp 120-1
23. 'The American Imagination', Times Literary Supplement, 6 November 1959
24. Claude Lichtenstein and Thomas Schregenberg, eds, As Found: The Discovery of the Ordinary, Lars Müller, Baden, Switzerland, 2001, pp 70-81
25. CT71004 Book, AAD/ 1985/3, in V&A Photo Catalogue, the V&A Picture Library, Victoria and Albert Museum, London, p 6
26. Alison and Peter Srnithson, 'But Today we Collect Ads', Ark, no 18, 1956, pp 49-50
27. Strachey, op cit, p 318
28. J B Priestley, The Secret Dream: An Essay on Britain, America and Russia, Turnstile Press, London, 1946, p 9
29. Reyner Banham, 'Industrial Design and Popular Art', 1955, reprinted in Industrial Design, no 7, March 1960, pp 63-4
30. Reyner Banham, 'Vehicles of Desire', 1955, in Modern Dreams, The Rise and Fall of Pop, eds Brian Wallis, Thomas Lawson et al, Clocktower Gallery and MIT Press, New York, 1988, p 66
31. Peter Smithson, 'Letter to America', Architectural Design, no 28, March, 1958, p 95
32. Reyner Banham, 'Match Abandoned', Art News and Review, no 6, May 29, 1954, p 7
33. Reyner Banham, 'Industrial Design and the Common Use', The Listener 55, 3 May 1956, p 550
34. Patrick Heron, 'Space in Painting and Architecture', 1953, pp 73-8
35. Painter as Critic: Patrick Heron: Selected Writings, ed Mel Gooding, Tate Gallery Publishing, London, 1998, p 73
36. Andrew Forge, 'Some Recent Landscapes', in Ten Years of English Landscape Painting 1945-1955, Institute of Contemporary Arts, London, 1956, unpaginated.
37. Michel Foucault, The Order of Things: An Archaeology of the Human Sciences, first published 1970, Routledge, London and New York, 2003, p 144
38. Richard Hamilton, 'The Persuading Image', 1960, reprinted in Brian Wallis, Thomas Lawson et al, op cit, p136
39. Strachey, op cit, p 206
40. Goulhourne, op cit, pp 91-2
41. Irit Rogoff, Terra infirma: Geography's Visual Culture, Routledge, London and New York, 2000, p 75
42. Priestley, op cit, p 9
43. Hamilton, op cit, p 136
44. Thomas Dacosta Kaufmann, Toward a Geography of Art, University of Chicago Press, Chicago, 2004, p 1
45. Larry Silver, 'Reviews: Atlas of World Art/Toward a Geography of Art', Art Bulletin, 86:4, December 2004, pp 783-7.
46. Academic Search Premier, 'Ebsco Host, Research Databases, 25 September 2005, available at: http:// weblinks3.epnet.com/ citation