Portraits and collaborations: A reflection on the work of Wendy Ewald

Visual Studies

Volumn 20, Issue 2, 2005, Pages 172-190

  Hyde, Katherine ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34249424329     PISSN: 1472586X     EISSN: 14725878     Source Type: Journal    
DOI: 10.1080/14725860500244043     Document Type: Article

References (10)

1. Ewald, W., 1996. Black self/white self. DoubleTake Magazine, Summer:54–66.
2. Ewald, W., 2000. Secret games:Collaborative works with children:1969–1999. Scalo in association with Addison Gallery of American Art, Center for Documentary Studies and Fotomuseum Winterthur
3. Ewald, W., 2005a. American alphabets Scalo
4. Ewald, W., 2005b. In Peace and Harmony:Carver Portraits, Richmond, VA:Hand Workshop Art Center.
5. Ewald, W., and Lightfoot, A., 2001. I wanna take me a picture:Teaching photography and writing to children, Boston:Center for Documentary Studies and Beacon Press.
6. Kistler, A., 2005. “ Making pictures in Carver. ”. In In peace and harmony:Carver portraits, Edited by:Kistler, A. Richmond, VA:Hand Workshop Art Center.
7. Slipek, E., 2005. “ Wendy Ewald's Faces of Hope:Monument to the future. ”. In In peace and harmony:Carver portraits, Edited by:Kistler, A. Richmond, VA:Hand Workshop Art Center.
8. Stainburn, S., 2001. Photo realism. Teacher, October:22–29.
9. Weinberg, A., and Stahel, U., 2000. “ ‘If complications arise …’. ”. In Secret games:Collaborative works with children:1969–1999. Scalo in association with Addison Gallery of American Art, Center for Documentary Studies and Fotomuseum Winterthur Edited by:Ewald, W.
10. Woolcock, P., 1998. Vile Bodies:Kids. Blast Films for Channel Four Television Corporation. One hour. Transmitted 30 March