The appeal of an image

Third Text

Volumn 20, Issue 2, 2006, Pages 251-258

  Standeven, Harriet A L ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34249422273     PISSN: 09528822     EISSN: None     Source Type: Journal    
DOI: 10.1080/09528820600590892     Document Type: Article

References (29)

1. Robyn Denny, letter to Jeremy Lewison, 1998, in Jackson Poullock: New Approaches, eds Kirk Varnedoe and Pepe Karmei, MoMA, New York, 1999, p 204
2. Robyn Denny, personal interview, 17 July 2001
3. Mel Gooding, Patrick Heron, Phaidon Press, London, 1994;
4. Fiona Gaskin, 'British Tachisme in the Post-war period, 1946-1957', in Artists and Patrons in Post-war Britain: Essays by Postgraduate Students at the Courtauld Institute of Art, ed Margaret Garlake, Ashgate Publishing, Aldershot, 2001, pp 17-54;
5. Margaret Garlake, New Art New World: British Art in Post-war Society, Yale University Press, 1998;
6. Oliver Barker, 'Art From France in Britain ca. 1948-1959: Influence and Reception', MA Dissertation, Courtauld Institute of Art, University of London, 1993
7. Denny, personal interview, 2001
8. John Walker, Cultural Offensive: American Impact on British Art Since 1945, Pluto Press, London, 1998, p 69
9. Paul Feiler, interview by David Lewis and Sarah Fox-Pitt, 16 April 1981, ts 41, TAV 248AB Tate Gallery Records Archive
10. Patrick Heron, '"Opposing Forces": Paintings by Seven Artists at the ICA', The New Statesman and Nation, 22 February 1953, reprinted in Gooding, ed, op cit, 1998, p 82
11. Patrick Elliott, Alan Davie: Work in the Scottish National Gallery of Modern Art, Scottish National Gallery of Modern Art, Edinburgh, 2000, p 11
12. Reyner Banham, 'Gimpel Fils', Arts News and Review, 9 August 1952, p 4
13. Lawrence Alloway, 'Background to Action: Ancestors and Revaluations', Arts News and Review, 12 October 1957, p 1
14. Jackson Pollock, reprinted in Lawrence Alloway, 'US Modern Paintings', Arts News and Review, 21 January 1956, p 1
15. Lawrence Alloway, 'Introduction', Statements: A Review of British Abstract Art in 1956, ICA, London, 1957, no pagination
16. Alloway, 'Introduction', Statements: A Review of Abstract Art in 1956, op cit
17. Alan Bowness, 'The American Invasion and the British Response', Studio International, June 1967, p 285
18. Richard Smith, 'Jackson Pollock 1912-1956', Arts News and Review, 22 November 1958, p 5
19. Jackson Pollock, interview with William Wright, The Springs, Long Island, New York, Late 1950. Broadcast on Radio Station Weri, Westerly, Rhode Island, 1951, reprinted in Varnedoe and Karmel, eds, p 20
20. Serge Guilbaut, ed, Reconstructing Modernism: Art in New York, Paris and Montreal, 1945-64, MIT Press, Cambridge, Massachusetts, 1990, p 54
21. Bernard Ceysson, Pierre Soulages, trans Shirley Jennings, Naefels, Switzerland, 1980, p 89
22. Gaskin, 'British Tachisme in the Post-war Period, 1946-1957', op cit, p 29
23. Jon Catleugh, personal interview, 17 December 2002
24. Peter Davies, Denis Bowen, Belgrade Gallery, London, 2000, p 19
25. Denis Bowen, personal interview, 19 February 2003
26. Mel Gooding, Gillian Ayres, Lund Humphries, Aldersbot, 2001, p 40;
27. Jo Crook and Tom Learner, The Impact of Modern Paints, Tate Gallery, London, 2000, p 19
28. Mel Gooding, essay in Sandra Blow: Space and Mutter 1958-2001, exhibition catalogue, Tate Gallery, London, 2001, pp 11-12
29. Martin Harrison, personal interview, 12 June 2001