Polemics, postmodernism, immersion, militarized space

Journal of Visual Culture

Volumn 3, Issue 3, 2004, Pages 320-335

  Foster, Hal ^a   Smith, Marquard ^b  

^a PRINCETON UNIVERSITY   (United States)

^b KINGSTON UNIVERSITY   (United Kingdom)

Author keywords

Art History; Art writing; Critical theory; Distraction; Immersion; October; Visual Culture

Indexed keywords

EID: 34249349503     PISSN: 14704129     EISSN: None     Source Type: Journal    
DOI: 10.1177/1470412904048784     Document Type: Article

References (13)

1. Bürger, Peter (1984) Theory of the Avant-Garde. Minneapolis: University of Minnesota Press
2. Eagleton, Terry (2003) After Theory. London: Penguin Books
3. Foster, Hal (ed.) (1983) The Anti-Aesthetic: Essays on Postmodern Culture. Seattle: Bay Press
4. Foster, Hal (1984) 'Re: Post', in Brian Wallis (ed.) Art After Modernism: Rethinking Representation, pp. 189-201. New York: The New Museum of Contemporary Art
5. Foster, Hal (1985a) Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press
6. Foster, Hal (1985b) 'The "Primitive" Unconscious of Modern Art, or White Skin Black Masks', October 34 (Fall)
7. Foster, Hal (1993) 'The Art of Fetishism: Notes on Dutch Still Life', in Emily Apter and William Pietz (eds) Fetishism as Cultural Discourse, pp. 251-65. Ithaca, NY: Cornell University Press
8. Foster, Hal (1995) Compulsive Beauty. Cambridge, MA: MIT Press
9. Foster, Hal (1996) The Return of the Real: Avant-Garde at the End of the Century. Cambridge, MA: MIT Press
10. Foster, Hal (2002) Design and Crime (and Other Diatribes). London: Verso
11. Foster, Hal (2004) Prosthetic Gods. Cambridge, MA: MIT Press
12. Foucault, Michel (1984 [1971]) 'Nietzsche, Genealogy, History', in Paul Rabinow (ed.) The Foucault Reader, pp. 76-100. London: Penguin
13. Sebald, W.G. (2003 [1999]) On the Natural History of Destruction. London: Penguin