Hip-hop vs. high art: Notes on race as spectacle

Art Journal

Volumn 63, Issue 2, 2004, Pages 4-19

  Murray, Derek Conrad ^a  

^a Cornell University ^*

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34249345547     PISSN: 00043249     EISSN: None     Source Type: Journal    
DOI: 10.1080/00043249.2004.10791121     Document Type: Article

References (10)

1. Paul Gilroy, Against Race: Imagining Political Culture beyond the Color Line (Cambridge: Harvard University Press, 2000). 180.
2. James Elkins. "Responses to Mieke Bal's 'Visual Essentialism and the Object of Visual Culture,'" in Journal of Visual Culture 2, no. 2 (August 2003).
3. Mieke Bal, "Visual Essentialism and the Object of Visual Culture." Journal of Visual Culture 2, no. 1 (April 2003): 5-32.
4. Greg Tate, "The Golden Age," in The Village Voice (May 16-22, 2001): 49.
5. Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness (Cambridge: Harvard University Press. 1993)
6. Gilroy, Against Race, back cover text by Simon Reynolds.
7. Gilroy, The Black Atlantic.
8. Judith Butler, Bodies that Matter: On the Discursive Limits of Sex (New York: Routledge, 1993), 18.
9. Thelma Golden, Black Male: Representations of Masculinity in Contemporary American Art, exh. cat. (New York: Whitney Museum of American Art, 1994).
10. Sylvia Kolbowski, "Homeboy Cosmopolitan: Manthia Diawara Interviewed by Sylvia Kolbowski." Ortober 83 (Winter 1998): 51-70.