Introductory and as a device in poetry-making

Philological Quarterly

Volumn 51, Issue 2, 2002, Pages 139-157

  Huttar, Charles A ^a  

^a HOPE COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34248720455     PISSN: 00317977     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (58)

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6. The Hymnal... of the Episcopal Church (New York: Church Hymnal Corporation, 1940), No. 354.
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21. (Philip Doddridge, "My God, and is thy table spread?").
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23. (1636; in Essays, Plays and Sundry Verses, ed. A. R. Waller [Cambridge U. Press, 1906], p. 55);
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25. Ernest Fontana in "Dante Gabriel Rossetti and the Interrogative Lyric," PQ 80 (2001): 253-71
26. John Hollander in Melodious Guile: Fictive Pattern in Poetic Language (Yale U. Press, 1988), pp. 22-25, 43-52
27. "Speech Acts" Dan Sperber and Deirdre Wilson, Relevance: Communications and Cognition (Cambridge U. Press, 1986), pp. 251-53.
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29. Hymns, Original and Selected, for Public and Private Worship, in the Evangelical Lutheran Church, rev. ed. (Philadelphia: Lutheran Board of Education, 1864), No. 120.
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35. Deborah Schiffrin, Discourse Markers (Cambridge U. Press, 1987), pp. 128, 143.
36. John Heritage and Marja-Leena Sorjonen in "Constituting and Maintaining Activities across Sequences: And-prefacing as a Feature of Question Design," Language in Society 23 (1994): 1-29.
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38. On Certain Peculiarities of Narrative Cohesion," in Text and Discourse Connectedness: Proceedings of the Conference on Connexity and Coherence, Urbino, July 16-21, 1984, ed. Maria-Elisabeth Conte et al. (Amsterdam and Philadelphia: John Benjamins, 1989), p. 263
39. Thomas Hardy's "The Inquiry" (At Casterbridge Fair, 5), in Complete Poems, ed. James Gibson (NewYork: Macmillan, 1978), p. 241.
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41. Thom Gunn, "To His Cynical Mistress" ("And love is then no more than a compromise?"), in Collected Poems (NewYork: Farrar, Straus & Giroux, 1994), p. 5.
42. Under "resistance" may be mentioned Byron's lines beginning "And 'thy true faith can alter never'?" in Poetical Works,p. 173;
43. The Complete Poems of D. H. Lawrence, ed. Vivian de Sola Pinto and Warren Roberts (New York: Viking, 1964), p. 653.
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45. The Poems of Emily Dickinson: Variorum Edition, ed. R. W. Franklin, 1 vol. in 3 (Harvard U. Press, 1998), 3:1344.
46. Thomas, Poems, ed. Daniel Jones (New York: New Directions, 1971), pp. 49-50.
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48. Schuyler, Collected Poems (NewYork: Farrar Straus Giroux, 1993), p. 240;
49. Boland, Collected Poems (Manchester: Carcanet, 1995), p. 174.
50. Allen Ginsberg, "Two Boys Went into a Dream Diner" ("And ate so much the bill was almost five dollars' ) (1950), in Collected Poems: 1947-1980 (New York: Harper and Row, 1984), p. 55;
51. Richard Ryan, "From My Lai the Thunder Went West" ("And it all died down / to an underground / tapping ..."), in Contemporary Irish Poetry, ed. Anthony Bradley (U. of California Press, 1980), pp. 351-52;
52. Donald Davie, I Have Said, Ye Are Gods" ("And so you might have been"), To Scorch or Freeze: Poems about the Sacred (U. of Chicago Press, 1988), p. 41.
53. Bernard Groom, The Diction of Poetry from Spenser to Bridges (U. of Toronto Press, 1955), pp. 246-47.
54. Ian A. Gordon, The Movement of English Prose (Indiana U. Press, 1966), pp. 97-98.
55. Jeremy Smith, "Language and Style in Malory," in A Companion to Malory, ed. Elizabeth Archibald and A. S. G. Edwards (Cambridge: D. S. Brewer, 1996), pp. 97-105.
56. Poems, 1924-1933 (Boston and NewYork: Houghton Mifflin, 1933), pp. 58-59.
57. Maxine Kumin's "The Sound of Night," which begins: "And now the night comes on, all full of chitter noise." Halfway (New York: Holt, Rinehart and Winston, 1961), p. 18;
58. Sound and Sense: An Introduction to Poetry, ed. Lawrence Perrine and Thomas R. Arp, 8th ed. (Fort Worth: Harcourt Brace Jovanovich, 1992), p. 210.