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where the body is also exhibiting what Merleay-Ponty calls 'motor intentionality', which is comparable to Husserl's 'kinaesthesia' as it appears in Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy, F. Kersten, trans. (The Hague, Martinus Nijhoff, 1983).
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note
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The other principle being of course the voyage as a means of reaching Utopia; take for example Campanella's "Sun City", More's island of Utopia, Bacon's "New Atlantis" amongst others; but not only Renaissance produced utopian travels: see, for example, Corneille's El Dorado in "Le Cid", or even Swift's "Gulliver". A travel has always been the trajectory towards the unknown, the discovery of a new world, no doubt inspired by the great geographic discoveries of the era.
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For example, Constantinople in Byzantine maps, Europe in European maps, North America in US maps. See D. Cosgrove, ed., Mappings (London: Reaktion Books, 1999).
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Classic examples of which would be A. Huxley's A Brave New World, G. Orwell's 1984 or Y. Zamyatin's We, all of them political allegories of future worlds launching a critique of existing forms of absolutism.
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In Negation and Utopia: The German Volksstück from Raimund to Kroetz (New York: Peter Lang, 1993), Calvin Jones shows lucidly and convincingly how Utopia and negation can appear in the most unexpected of genres, that of the German popular theatrical play. The fact that the traditionalism of the Volksstück makes it one of the least likely candidates to be associated with criticism of social structures, is another manifestation of the possibility of affinity between critical negation and Utopian.
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refers to the thematisation of society. The armour of the phenomenological "I" could be described as its autopoiesis, or in other words its systemic properties that enable it to develop in an intentional way without losing its 'purity'. An autopoietic system has no contact with its environment apart from the contact allowed by the system's binary code. See N. Luhmann, Social Systems (Stanford, California: Stanford UP, 1995).
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Once again, the temptation to observe the parallels between N. Luhmann's Autopoiesis and Husserlian Egology is strong. Along these lines, one could almost venture a comparison between the Luhmannian binary code, the watchdog on the boundaries of the system that differentiates between the system and its environment, and intentionality, which enables but also cuts any communicational link between the Transcendental ego and the Natural world. See supra, n. 32.
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And it is also thematised, as I show, in the next section
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And it is also thematised, as I show, in the next section.
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47
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The only form of interdependence is for the perpetuation of the dualism between the "I" and the environment: the latter needs the former in order to be brought forth, just like the former needs the latter in order to define itself negatively (I am not my environment, hence I am I). See H. Maturana and F. Varela, Autopoiesis and Cognition: the Realization of the Living (Dordecht, Holland: Reidel Publishing, 1972), for the basic principles of Autopoiesis and also for the ability of the observer to bring forth her environment.
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The tautology avoids fatuity because of the splitting of the ego into two: the Natural and the Transcendental ego. See E. Husserl, The Paris Lectures, P. Koestenbaum, trans. (The Hague: Nijhoff, 1985), 16.
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See Bernet et al., supra n. 33, at 59.
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See next section, on the return to the Natural attitude as a result of unbracketing
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See next section, on the return to the Natural attitude as a result of unbracketing.
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See Bell, supra n. 16, who renames the kinaesthesia of the Husserlian Leib as 'motility', at 209
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See Bell, supra n. 16, who renames the kinaesthesia of the Husserlian Leib as 'motility', at 209.
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Or, to be more precise, analogical "apperceptions", which is Husserl's translation of empathy into phenomenology. See Husserl, supra n. 44
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Or, to be more precise, analogical "apperceptions", which is Husserl's translation of empathy into phenomenology. See Husserl, supra n. 44.
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