Museums, exhibitions, and communities: Cultural politics

Semiotica

Volumn 108, Issue 1-2, 1996, Pages 177-187

  Hooper Greenhill, Eilean ^a  

^a UNIVERSITY OF LEICESTER   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 34247688044     PISSN: 00371998     EISSN: 16133692     Source Type: Journal    
DOI: None     Document Type: Review

References (7)

1. Gallery 33. Birmingham Museum and Art Gallery, United Kingdom
2. Hall, S. (1993). Encoding, decoding. In The Cultural Studies Reader, S. During (ed.), 0-103. London and New York: Routledge
3. Hooper-Greenhill, E. (1992). Museums and the Shaping of Knowledge. London and New York: Routledge
4. Images of people. Exhibition at the Russell-Cotes Art Gallery and Museum, Bournemouth, United Kingdom
5. Lewis, J. (1991). The Ideological Octopus: An Exploration of Television and Its Audience. London and New York: Routledge
6. National Audit Office (1993). Department of National Heritage, National Museums and Galleries: Quality of Service to the Public. Report by the Comptroller and Auditor General, National Audit Office, HMSO, London
7. Peirson Jones, J. (1992). The colonial legacy and the community: The Gallery 33 project. In Museums and Communities: The Politics of Public Culture, I. Karp, C. M. Kreamer,and S. D. Lavine, 221-241. Washington, DC: Smithsonian Institution