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Volumn 11, Issue 2, 2005, Pages 14-24

Logos and difference Blanchot, Heidegger, Heraclitus

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EID: 34247671653     PISSN: 13534645     EISSN: 1460700X     Source Type: Journal    
DOI: 10.1080/13534640500058442     Document Type: Review
Times cited : (4)

References (25)
  • 1
    • 79953405087 scopus 로고
    • Unless otherwise indicated, I follow Jonathan Barnes's rendering of Heraclitus's fragments, (Penguin: Harmondsworth), p. 114
    • Unless otherwise indicated, I follow Jonathan Barnes's rendering of Heraclitus's fragments in Early Greek Philosophy (Penguin: Harmondsworth, 1987), B80, pp. 100-126, p. 114.
    • (1987) Early Greek Philosophy , vol.B80 , pp. 100-126
  • 2
    • 0003610787 scopus 로고
    • Minneapolis and London: University of Minnesota Press
    • See Peter Sloterdijk, Critique of Cynical Reason (Minneapolis and London: University of Minnesota Press, 1988).
    • (1988) Critique of Cynical Reason
    • Sloterdijk, P.1
  • 3
    • 0004065866 scopus 로고    scopus 로고
    • trans. Susan Hanson Minneapolis and London: University of Minnesota Press
    • Maurice Blanchot, The Infinite Conversation, trans. Susan Hanson (Minneapolis and London: University of Minnesota Press, 1993), p. 86;
    • (1993) The Infinite Conversation , pp. 86
    • Blanchot, M.1
  • 4
    • 0003658202 scopus 로고    scopus 로고
    • Paris: Gallimard
    • L'Entretien infini (Paris: Gallimard, 1969), p. 121.
    • (1969) L'Entretien Infini , pp. 121
  • 9
    • 0007804864 scopus 로고
    • trans. Charlotte Mandell Stanford: Stanford University Press
    • Maurice Blanchot, The Work of Fire, trans. Charlotte Mandell (Stanford: Stanford University Press, 1995), p. 323
    • (1995) The Work of Fire , pp. 323
    • Blanchot, M.1
  • 10
    • 79953493634 scopus 로고    scopus 로고
    • and La Part du Feu (Paris: Gallimard, 1949), pp. 312-313.
    • and La Part du Feu (Paris: Gallimard, 1949), pp. 312-313.
  • 11
    • 79953501667 scopus 로고    scopus 로고
    • Elena Russo reads Blanchot's work as marked by just such a nostalgic desire to return to a lost Eden, (Stanford: Stanford University Press, 1996). This, however, is to miss the complex philosophy of language that Blanchot begins to develop from his earliest writings on literature.
    • Elena Russo reads Blanchot's work as marked by just such a nostalgic desire to return to a lost Eden in Skeptical Selves: Empiricism and Modernity in the French Novel (Stanford: Stanford University Press, 1996). This, however, is to miss the complex philosophy of language that Blanchot begins to develop from his earliest writings on literature.
    • Skeptical Selves: Empiricism and Modernity in the French Novel
  • 12
    • 84995976620 scopus 로고    scopus 로고
    • (Basingstoke: Palgrave Macmillan), Chapter 1.
    • I refer to Blanchot's well known distinction between death and dying, which I will do not have the space to examine here. See, however, my Blanchot's Communism: Art, Philosophy and the Political (Basingstoke: Palgrave Macmillan, 2004), Chapter 1.
    • (2004) Blanchot's Communism: Art, Philosophy and the Political
  • 13
    • 84895702100 scopus 로고    scopus 로고
    • For example, one finds the following in one conversation in The Infinite Conversation: 'But then, in this case, we could say - and it is necessary to say - that the Other, this 'Other' in play in the third kind of relation, is no longer one of its terms; it is neither the one nor the other, being nothing other than relation itself, a relation of the one to the other that requires infinity. Neither one nor the other' (The Infinite Conversation, p. 74
    • The Infinite Conversation , pp. 74
  • 16
    • 0004200786 scopus 로고    scopus 로고
    • trans. Ann Smock Lincoln: University of Nebraska Press
    • Maurice Blanchot, The Writing of the Disaster, trans. Ann Smock (Lincoln: University of Nebraska Press, 1986), p. 110;
    • (1986) The Writing of the Disaster , pp. 110
    • Blanchot, M.1
  • 17
    • 15844416781 scopus 로고    scopus 로고
    • Paris: Gallimard
    • L'Écriture du désastre (Paris: Gallimard, 1980), p. 170.
    • (1980) L'Écriture du Désastre , pp. 170
  • 20
    • 0010877639 scopus 로고    scopus 로고
    • trans. David Farrell Krell New York: Harper & Row
    • Heidegger, Early Greek Thinking, trans. David Farrell Krell (New York: Harper & Row, 1975), p. 60.
    • (1975) Early Greek Thinking , pp. 60
    • Heidegger1
  • 22
    • 0010910804 scopus 로고
    • The Origin of the Work of Art
    • trans. David Farrell Krell, London: Routledge
    • Heidegger, 'The Origin of the Work of Art', trans. David Farrell Krell, Basic Writings (London: Routledge, 1993), p. 61.
    • (1993) Basic Writings , pp. 61
    • Heidegger1
  • 23
    • 79953592777 scopus 로고    scopus 로고
    • When Blanchot writes in a footnote to the chapter 'The Most Profound Question' of a 'hearing that looks', of 'the play of hearing and seeing hearing and seeing is a play wherein there is at play "what is most high and most profound': The One"; and of the One which 'accomplishes itself as everything' including 'being as gathering, light and unity of being'; p. 33)
    • Blanchot, The Infinite Conversation; L'Entretien infini. When Blanchot writes in a footnote to the chapter 'The Most Profound Question' of a 'hearing that looks', of 'the play of hearing and seeing hearing and seeing is a play wherein there is at play "what is most high and most profound': The One"; and of the One which 'accomplishes itself as everything' including 'being as gathering, light and unity of being' (pp. 439-440; p. 33).
    • The Infinite Conversation; l'Entretien Infini , pp. 439-440
    • Blanchot1
  • 25
    • 0004236266 scopus 로고    scopus 로고
    • trans. Gregory Fried and Richard Polt London and New Haven: Yale University Press
    • Martin Heidegger, An Introduction to Metaphysics, trans. Gregory Fried and Richard Polt (London and New Haven: Yale University Press, 2000), p. 65.
    • (2000) An Introduction to Metaphysics , pp. 65
    • Heidegger, M.1


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