The shock of the real: Realist aesthetics in the media and the urban experience

Space and Culture

Volumn 8, Issue 1, 2005, Pages 66-82

  Jaguaribe, Beatriz ^a  

^a FEDERAL UNIVERSITY OF RIO DE JANEIRO   (Brazil)

Author keywords

Aesthetics of realism; Shock of the real; Urban scenarios

Indexed keywords

EID: 34247662409     PISSN: 12063312     EISSN: 15528308     Source Type: Journal    
DOI: 10.1177/1206331204269379     Document Type: Review

References (17)

1. Barthes, R. (2002). El efecto de lo real. In Realismo: Mito, doctrina o tendencia histórica? (pp. 75-82). Buenos Aires, Argentina: Lunaria.
2. Baudrillard, J. (1988). Simulacra and simulations. In M. Poster (Ed.), Selected writings (pp. 166-184). Stanford, CA: Stanford University Press. (Original work published 1983)
3. Berger, P. L., & Luckmann, T. (1966). The social construction of reality. Garden City, NY: Anchor.
4. Boltanski, L. (1993). La soufrrance á distance. Paris: Editions Métailié.
5. Cohen, M. (1995). Reconfiguring realism. In M. Cohen & C. Prendergast (Eds.), Spectacles of realism: Body, gender, genre (p. x). Minneapolis: University of Minnesota Press.
6. Debord, G. (1967). Société du spectacle. Paris: Editions Gallimard.
7. Eagleton, T. (2003, October 23). Pork chops and pineapples. London Review of Books. Retrieved from http://www.lrb.co.uk/v25/n20/eagl01-.html
8. Flusty, S. (1997). Building paranoia. In N. Ellin (Ed.), Architecture of fear (pp. 47-59). Princeton, NJ: Princeton Architectural Press.
9. Frisby, D. (1986). Fragments of modernity: Theories of modernity in the work of Simmel, Kracauer, and Benjamin. Cambridge, MA: MIT Press.
10. Huyssen, A. (1986). After the great divide: Modernism, mass culture, postmodernism. Bloomington: Indiana University Press.
11. Jameson, F. (1991). Postmodernism: Or, the cultural logic of late capitalism. Durham, NC: Duke University Press.
12. Luhmann, N. (2000). La realidad de los medios masivos (J. Torres Nafarrate, Trans.). Barcelona, Spain: Anthropos.
13. Pierucci, A. F. (2003). O desencantamento do mundo: Todos os passos do conceito em Max Weber. São Paulo, Brazil: Editora 34.
14. Singer, B. (1995). Modernity, hyperstimulus and the rise of popular sensationalism. In L. Charney & V. R. Schwartz (Eds.), Cinema and the invention of modern life (pp. 72-99). Berkeley: University of California Press.
15. Sontag, S. (1973). On photography. New York: Farrar, Straus.
16. Sontag, S. (2003). Regarding the pain of others. New York: Farrar, Straus.
17. Williams, R. (2001). Long revolution. Peterborough, Canada: Broadview.