Scratching the Surface: Spinning Time and Identity in Hip-Hop Turntablism

European Journal of Cultural Studies

Volumn 7, Issue 1, 2004, Pages 9-25

  Snapper, Juliana ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

DJ; globalism; music; performance; postcolonial; race; technology; underground

Indexed keywords

EID: 34247649888     PISSN: 13675494     EISSN: 14603551     Source Type: Journal    
DOI: 10.1177/1367549404039857     Document Type: Article

References (27)

1. Anderson, B. (1983) Imagined Communities. London: Verso.
2. Appadurai, A. (1990) ‘Disjunction and Difference in the Global Cultural Economy’, Public Culture 2(2): 1–11, 15–24.
3. Bell, D. (2000) ‘DJ Spooky Interview’, Tape Op Magazine 15. [Available at: http://www.tapeop.com]
4. Chatterjee, P. (1996) ‘Whose Imagined Community?’, in G. Balakrishnan (ed.) Mapping the Nation, pp. 214–225. London: Verso.
5. DeNora, T. (2000) Music in Everyday Life. Cambridge: Cambridge University Press.
6. D.J. Fatal (Robert Young) (2002) Email communication with author (2 Nov.).
7. Friar, W. (1998) ‘Qbert (AKA Richard Quitevis): The Turntable Pioneer Takes a Solo Spin’, Contra Costa Times(4 Oct.): C3-C3.
8. Harris, C. (1993) ‘Whiteness as Property’, Harvard Law Review 106(8): 1707–1791.
9. Invisibl Skratch Piklz (1999) [Available at: http://www.skratchpiklz.com] [http://www.thudrumble.com]
10. ITF (1998) International Turntable Federation: United States DJ Championship Finals 1998(video recording). Colma, CA: ITF.
11. ITF (1999) International Turntable Federation: World DJ Championship Finals 1999(video recording). Colma, CA: ITF.
12. Lipsitz, G. (1994) Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. New York: Verso.
13. Lipsitz, G. (1998) The Possessive Investment in Whiteness: How White People Profit from Identity Politics. Philadelphia, PA: Temple University Press.
14. Lovink, G. (2000) ‘Everything Was To Be Done–All the Adventures Are Still There: A Speculative Dialogue with Kodwo Eshun’, Telepolis(10 Feb.). [Available at: http://www.heise.de]
15. McClintock, A. (1995) Imperial Leather: Race, Gender and Sexuality in the Colonial Contest. New York: Routledge.
16. MarWax (2000) ‘ “The Ladies, the Ladies…”: Interview with Kuttin Kandi (5th Platoon)’. [Available at: http://www.marwax.com]
17. Monson, I. (1999) ‘Riffs, Repetition, and Theories of Globalization’, Ethnomusicology 43(1): 31–65.
18. Morrison, T. (1992) Playing in the Dark: Whiteness and the Literary Imagination. Cambridge, MA: Harvard University Press.
19. Piper, A. (1996) Out of Order, Out of Sight, Vol. 2: Selected Writings in Art Criticism, 1967–1992. Cambridge, MA: MIT Press.
20. Pisares, E. (1999) ‘Daly City Is My Nation: Race, Imperialism and the Claiming of Pinay/Pinoy Identities in Filipino American Culture’, PhD thesis, University of California, Berkeley.
21. Raimist, R. (1999) Nobody Knows My Name(video recording). Los Angeles, CA.
22. Ribbat, C. (2000) ‘How Hip Hop Hit Heidelberg: German Rappers, Rhymes, and Rhythms’, in R. Wagnleitner and E. Tyler May (ed) Here, There and Everywhere: The Foreign Politics of American Popular Culture, pp. 207–218. Hanover, NH: University Press of New England.
23. Roach, J. (1996) Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
24. Rose, T. (1994) ‘A Style Nobody Can Deal With: Politics, Style and the Postindustrial City in Hip-hop’, in A. Ross and T. Rose (ed) Microphone Fiends: Youth Music and Youth Culture, pp. 71–88. London: Routledge.
25. Schiff, D. (2001) ‘The Tradition of the Oldie’, Atlantic Monthly 287(3): 97–98.
26. Walcott, R. (1999) ‘Performing the (Black) Postmodern: Rap as Incitement for Cultural Criticism’, in C. McCarthy, G. Hudak, S. Miklaucic and P. Saukko (ed) Sound Identities: Popular Music and the Cultural Politics of Education, pp. 97–119. New York: Peter Lang.
27. Yogafrog (Ritche Desuasido) (2002) Email communication with author (10 Oct.).