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Volumn 2006, Issue , 2006, Pages 423-427

Abstraction and interaction: An art system for white noise

Author keywords

Abstract; Concrete; Interaction; Noise

Indexed keywords

AUDIENCE TESTING; INTERACTION; VISUAL ART SYSTEM;

EID: 34247572582     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1109/CGIV.2006.15     Document Type: Conference Paper
Times cited : (8)

References (14)
  • 1
    • 34247556077 scopus 로고    scopus 로고
    • Edmonds, E. A. and Stubbs, M, editors, ACMI, Melbourne Australia
    • Edmonds, E. A. and Stubbs, M. (editors). 2005. White Noise. ACMI, Melbourne Australia.
    • (2005) White Noise
  • 2
    • 34247557112 scopus 로고    scopus 로고
    • On Creative Engagement. Visual Communications 5
    • to appear
    • Edmonds, E. A. and Muler, L. On Creative Engagement. Visual Communications 5, to appear.
    • Edmonds, E.A.1    Muler, L.2
  • 4
    • 34247602162 scopus 로고
    • The Art of Noises
    • Translated by Barclay Brown. Pendragon, Press Hillsdale, NY
    • Russolo, L. The Art of Noises. Translated by Barclay Brown. Pendragon, Press Monographs in Musicology Series No. 6 Hillsdale, NY. 1987.
    • (1987) Monographs in Musicology Series , vol.6
    • Russolo, L.1
  • 6
    • 34247613030 scopus 로고    scopus 로고
    • Léo Larguier published this quotation collected by Cezanne's son without adding one line of my own. Printed in English translation in Conversations with Cézanne, edited by Michael Doran, University of California Press, 2001, p17.
    • Léo Larguier published this quotation "collected by Cezanne's son without adding one line of my own." Printed in English translation in Conversations with Cézanne, edited by Michael Doran, University of California Press, 2001, p17.
  • 7
    • 34247557618 scopus 로고
    • translated by Keene, G. B, Routledge and Kegan Paul, London
    • Blanché, R. Axiomatics, (translated by Keene, G. B.) Routledge and Kegan Paul, London, 1962.
    • (1962) Axiomatics
    • Blanché, R.1
  • 8
    • 34247595548 scopus 로고    scopus 로고
    • Alloway, L. Nine Abstract Artists. Tiranti, London, 1954.
    • Alloway, L. Nine Abstract Artists. Tiranti, London, 1954.
  • 9
    • 34247571524 scopus 로고    scopus 로고
    • Opening Speech: Minimal Approach...Concrete Tendancies
    • University of Sydney, April
    • Dietzschold, C. Opening Speech: Minimal Approach...Concrete Tendancies. Tin Sheds Gallery, University of Sydney, April 2005.
    • (2005) Tin Sheds Gallery
    • Dietzschold, C.1
  • 10
    • 34247607826 scopus 로고    scopus 로고
    • Pictorial Laws in Cinematic Problems
    • ed, Potemkin Press, San Francisco, CA, Pp
    • Malevich, M. Pictorial Laws in Cinematic Problems. In Bulgakowa, O (ed) Kazimir Malevich: The White Rectangle, Writings on Film. Potemkin Press, San Francisco, CA, 2002. Pp 77-84.
    • (2002) Kazimir Malevich: The White Rectangle, Writings on Film , pp. 77-84
    • Malevich, M.1
  • 11
    • 34247574806 scopus 로고    scopus 로고
    • Weibel, P. Eisenstein, Vertov and the Formal Film. In Film as Film, Hayward Gallery, London, 1979. Pp 47-51.
    • Weibel, P. Eisenstein, Vertov and the Formal Film. In Film as Film, Hayward Gallery, London, 1979. Pp 47-51.
  • 12
    • 34247597933 scopus 로고    scopus 로고
    • Jewish Museum, Primary Structures Symposium Transcript, Archives of American Art, Smithsonian Institution, 1966.
    • Jewish Museum, Primary Structures Symposium Transcript, Archives of American Art, Smithsonian Institution, 1966.
  • 13
    • 12344325768 scopus 로고
    • The creative process where the artist is amplified or superseded by the computer
    • Cornock, S. and Edmonds, E. A. "The creative process where the artist is amplified or superseded by the computer". Leonardo, 16, 1973, pp 11-16.
    • (1973) Leonardo , vol.16 , pp. 11-16
    • Cornock, S.1    Edmonds, E.A.2
  • 14
    • 34247622411 scopus 로고    scopus 로고
    • Malevich, K. Suprematism . 34 Drawings, Vitebsk, 1920. translation taken from Druit, M. (ed). Kazimir Malevich: Suprematism. Guggenheim Museum, New York, 2003.
    • Malevich, K. Suprematism . 34 Drawings, Vitebsk, 1920. translation taken from Druit, M. (ed). Kazimir Malevich: Suprematism. Guggenheim Museum, New York, 2003.


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.