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Volumn 44, Issue 1, 2007, Pages 40-76

Common belief and the cultural curriculum: An intergenerational study of historical consciousness

Author keywords

Collective memory; Historical consciousness; History learning; Popular culture; Social studies

Indexed keywords


EID: 34147136517     PISSN: 00028312     EISSN: None     Source Type: Journal    
DOI: 10.3102/0002831206298677     Document Type: Article
Times cited : (108)

References (131)
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    • All proper names are pseudonyms
    • All proper names are pseudonyms.
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    • Order! Order! Functionalism, Interactionism, Ethnomethodology - Modernity and Agency
    • On Garfinkel's notion of the cultural dope, see
    • On Garfinkel's notion of the "cultural dope," see Russell Kelly, "Order! Order! Functionalism, Interactionism, Ethnomethodology - Modernity and Agency," Symbolic Interaction 27 (2004): 573-84.
    • (2004) Symbolic Interaction , vol.27 , pp. 573-584
    • Kelly, R.1
  • 3
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    • See, Translated from the French by Francis J. Ditter Jr. and Vida Yasdi Ditter New York, The literature on Halbwachs has burgeoned in recent years, For useful introductions
    • See Maurice Halbwachs, Collective Memory, introduction by Mary Douglas. Translated from the French by Francis J. Ditter Jr. and Vida Yasdi Ditter (New York, 1980). The literature on Halbwachs has burgeoned in recent years, For useful introductions,
    • (1980) Collective Memory, introduction by Mary Douglas
    • Halbwachs, M.1
  • 5
    • 77955540482 scopus 로고    scopus 로고
    • Sigmund Freud and Maurice Halbwachs: The Problem of Memory in Historical Psychology
    • 27 1994
    • "Sigmund Freud and Maurice Halbwachs: The Problem of Memory in Historical Psychology," History Teacher 27 (1994): 145-58;
    • History Teacher , pp. 145-158
  • 6
    • 0002742731 scopus 로고
    • History as Social Memory
    • ed. Thomas Butler Oxford, UK
    • Peter Burke, "History as Social Memory," in History, Culture and the Mind, ed. Thomas Butler (Oxford, UK, 1989) 97-113;
    • (1989) History, Culture and the Mind , pp. 97-113
    • Burke, P.1
  • 7
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    • Closer's introduction to Maurice Halbwachs
    • edited and translated by Lewis A. Coser Chicago
    • and Lewis A. Closer's introduction to Maurice Halbwachs, On Collective Memory, edited and translated by Lewis A. Coser (Chicago, 1992).
    • (1992) On Collective Memory
    • Lewis, A.1
  • 8
    • 34147151552 scopus 로고    scopus 로고
    • See as well Jan Assmann, Collective Memory and Cultural Identity, New German Critique 65 (1995): 125-33. Assmann sees the conceptualization of collective (or social) memory as independent developments by Halbwachs and the art historian Aby Warburg.
    • See as well Jan Assmann, "Collective Memory and Cultural Identity," New German Critique 65 (1995): 125-33. Assmann sees the conceptualization of collective (or "social") memory as independent developments by Halbwachs and the art historian Aby Warburg.
  • 9
    • 34147170848 scopus 로고    scopus 로고
    • This idea is illustrated in Roger Bastide, The African Religions of Brazil: Toward a Sociology of the Interpenetration of Civilizations
    • This idea is illustrated in Roger Bastide, The African Religions of Brazil: Toward a Sociology of the Interpenetration of Civilizations,
  • 10
    • 34147143261 scopus 로고    scopus 로고
    • translated by Helen Sebba (Baltimore, 1976), esp. chap. 11, Problems of Collective Memory, 240-61;
    • translated by Helen Sebba (Baltimore, 1976), esp. chap. 11, "Problems of Collective Memory," 240-61;
  • 12
    • 84967669104 scopus 로고
    • Between Memory and History: Les Lieux de Mémoire
    • Pierre Nora, "Between Memory and History: Les Lieux de Mémoire," Representations 26 (1989): 1-15;
    • (1989) Representations , vol.26 , pp. 1-15
    • Nora, P.1
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    • The Reconstruction of Abraham Lincoln
    • eds. David Middleton and Derek Edwards London
    • Barry Schwartz, "The Reconstruction of Abraham Lincoln," in Collective Remembering, eds. David Middleton and Derek Edwards (London, 1991), 81-107;
    • (1991) Collective Remembering , pp. 81-107
    • Schwartz, B.1
  • 16
    • 34147156148 scopus 로고    scopus 로고
    • The notion that Halbwachs denied individual memory, or denied its primacy -seems to have originated in a misreading by the British social psychologist Frederic C. Bartlett. Bartlett imputed a shaky distinction to Halbwachs between memory in the group versus memory of the group Remembering: A Study in Experimental and Social Psychology [Cambridge, UK, 1932/1995, 296
    • The notion that Halbwachs denied individual memory - or denied its primacy -seems to have originated in a misreading by the British social psychologist Frederic C. Bartlett. Bartlett imputed a shaky distinction to Halbwachs between "memory in the group" versus "memory of the group" (Remembering: A Study in Experimental and Social Psychology [Cambridge, UK, 1932/1995], 296).
  • 17
    • 34147135406 scopus 로고    scopus 로고
    • In several places, Halbwachs explicitly acknowledged the relationship between internal (psychological) and external memory: While the collective memory endures and draws strength from its base in a coherent body of people, it is individuals as group members who remember. . . . I would readily acknowledge that each memory is a viewpoint on the collective memory, that this iewpoint changes as my position changes (Halbwachs, Collective Memory, 48). Despite the overlap in the research programs of Bartlett and Halbwachs, a systematic treatment of their similarities and differences awaits a comprehensive analysis.
    • In several places, Halbwachs explicitly acknowledged the relationship between "internal" (psychological) and "external" memory: "While the collective memory endures and draws strength from its base in a coherent body of people, it is individuals as group members who remember. . . . I would readily acknowledge that each memory is a viewpoint on the collective memory, that this iewpoint changes as my position changes" (Halbwachs, Collective Memory, 48). Despite the overlap in the research programs of Bartlett and Halbwachs, a systematic treatment of their similarities and differences awaits a comprehensive analysis.
  • 18
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    • Review of 'Frames of Remembrance: The Dynamics of Collective Memory' by Iwona Irwin-Zarecka, New Brunswick, NJ
    • See
    • See Michael Kammen, "Review of 'Frames of Remembrance: The Dynamics of Collective Memory' by Iwona Irwin-Zarecka, New Brunswick, NJ," History and Theory 34 (1995): 245-61.
    • (1995) History and Theory , vol.34 , pp. 245-261
    • Kammen, M.1
  • 19
    • 0000291646 scopus 로고    scopus 로고
    • Given the vigor of the literature on memory, even reviews quickly become outdated. Useful orientations include Kerwin Lee Klein, On the Emergence of Memory in Historical Discourse, Representations 69 (2000): 127-50;
    • Given the vigor of the literature on memory, even reviews quickly become outdated. Useful orientations include Kerwin Lee Klein, "On the Emergence of Memory in Historical Discourse," Representations 69 (2000): 127-50;
  • 20
    • 0032352130 scopus 로고    scopus 로고
    • Social Memory Studies: From 'Collective Memory' to the Historical Sociology of Mnemonic Practices
    • and Jeffrey K. Olick and Joyce Robbins, "Social Memory Studies: From 'Collective Memory' to the Historical Sociology of Mnemonic Practices," Annual Review of Sociology 24 (1998): 105-40.
    • (1998) Annual Review of Sociology , vol.24 , pp. 105-140
    • Olick, J.K.1    Robbins, J.2
  • 21
    • 34147139253 scopus 로고    scopus 로고
    • James V. Wertsch's Voices of Collective Remembering (New York, 2002) provides a magisterial overview of this literature as well as drawing on his own groundbreaking work in the former USSR. The term collective memory has itself been the topic of scholarly treatment;
    • James V. Wertsch's Voices of Collective Remembering (New York, 2002) provides a magisterial overview of this literature as well as drawing on his own groundbreaking work in the former USSR. The term "collective memory" has itself been the topic of scholarly treatment;
  • 22
    • 61149169393 scopus 로고    scopus 로고
    • Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies
    • see
    • see Wulf Kansteiner, "Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies," History and Theory 41 (2002): 179-97.
    • (2002) History and Theory , vol.41 , pp. 179-197
    • Kansteiner, W.1
  • 27
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    • Drive-Thru History: Theme Towns in Iowa
    • Mira Engler, "Drive-Thru History: Theme Towns in Iowa," Landscape 32 (1993): 8-18;
    • (1993) Landscape , vol.32 , pp. 8-18
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    • Race and Empire at 'Our Place': New Zealand's New National Museum
    • and Charlotte J. Macdonald, "Race and Empire at 'Our Place': New Zealand's New National Museum," Radical History Review 75 (1999): 80-91.
    • (1999) Radical History Review , vol.75 , pp. 80-91
    • Macdonald, C.J.1
  • 33
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    • J. Carleton Bell and David F. McCollum, A Study of the Attainments of Pupils in United States History, Journal of Educational Psychology 8 (1917): 257-74. This quotation appears on pp. 268-69.
    • J. Carleton Bell and David F. McCollum, "A Study of the Attainments of Pupils in United States History," Journal of Educational Psychology 8 (1917): 257-74. This quotation appears on pp. 268-69.
  • 34
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    • For the history of large-scale testing in history and the kinds of solutions proposed in its aftermath, see Sam Wineburg, Crazy for History, Journal of American History 90 2004, 1401-14
    • For the history of large-scale testing in history and the kinds of solutions proposed in its aftermath, see Sam Wineburg, "Crazy for History," Journal of American History 90 (2004): 1401-14.
  • 35
    • 34147179792 scopus 로고    scopus 로고
    • Research and Purposes of Education
    • eds. Ellen C. Lagemann and Lee S. Shulman San Francisco, at
    • Carol Barnes and David K. Cohen, "Research and Purposes of Education," in Issues in Education Research: Problems and Possibilities, eds. Ellen C. Lagemann and Lee S. Shulman (San Francisco, 1999), 17-41, at 24.
    • (1999) Issues in Education Research: Problems and Possibilities , vol.24 , pp. 17-41
    • Barnes, C.1    Cohen, D.K.2
  • 36
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    • Collective Memory and Historical Consciousness
    • By invoking the term consciousness, we bracket the question of the correctness of participants' claims about the past. For extensive treatment of the term, see
    • By invoking the term "consciousness," we bracket the question of the correctness of participants' claims about the past. For extensive treatment of the term, see Amos Funkenstein, "Collective Memory and Historical Consciousness," History and Memory 1 (1989): 5-26.
    • (1989) History and Memory , vol.1 , pp. 5-26
    • Funkenstein, A.1
  • 37
    • 34147129488 scopus 로고    scopus 로고
    • See the recent edited by Peter Seixas, Theorizing Historical Consciousness (Buffalo, NY, 2004), especially Jörn Rüsen, Historical Consciousness: Narrative Structure, Moral Function, and Ontogenetic Development;
    • See the recent volume edited by Peter Seixas, Theorizing Historical Consciousness (Buffalo, NY, 2004), especially Jörn Rüsen, "Historical Consciousness: Narrative Structure, Moral Function, and Ontogenetic Development";
  • 41
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    • On the Use of the Camera in Anthropology
    • as well as the brief statement by, Winter
    • as well as the brief statement by Margaret Mead and Gregory Bateson, "On the Use of the Camera in Anthropology," Studies in the Anthropology of Visual Communication 4 (Winter 1977): 78-80.
    • (1977) Studies in the Anthropology of Visual Communication , vol.4 , pp. 78-80
    • Mead, M.1    Bateson, G.2
  • 42
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    • Visual Sociology: Expanding Sociological Vision
    • For more recent examples of photo elicitation, see, Spring
    • For more recent examples of photo elicitation, see Douglas Harper, "Visual Sociology: Expanding Sociological Vision," American Sociologist 19 (Spring 1988): 54-70;
    • (1988) American Sociologist , vol.19 , pp. 54-70
    • Harper, D.1
  • 43
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    • and Talking about Pictures: A Case for Photo Elicitation, Visual Studies 17 (April 2002): 13-26;
    • and "Talking about Pictures: A Case for Photo Elicitation," Visual Studies 17 (April 2002): 13-26;
  • 44
  • 45
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    • Thinking Aloud about History: Children's and Adolescent's Responses to Historical Photographs
    • and Stuart J. Foster, John D. Hoge, and Richard H. Rosch, "Thinking Aloud about History: Children's and Adolescent's Responses to Historical Photographs," Theory and Research in Social Education 27 (1999): 179-214.
    • (1999) Theory and Research in Social Education , vol.27 , pp. 179-214
    • Foster, S.J.1    Hoge, J.D.2    Rosch, R.H.3
  • 46
    • 34147110164 scopus 로고    scopus 로고
    • Given the logistics in setting up interviews, we adopted the format of interviewing the student in the presence of at least one parent. In almost all cases with the exception of the Delaneys, this interview took place with the student and one parent
    • Given the logistics in setting up interviews, we adopted the format of interviewing the student in the presence of at least one parent. In almost all cases (with the exception of the Delaneys), this interview took place with the student and one parent.
  • 47
    • 34147169029 scopus 로고    scopus 로고
    • The other three pictures included a battle scene image of an American soldier holding two young children; the iconic picture of nine-year-old Kim Phoc fleeing a napalm attack; and an editorial cartoon showing a row of tombstones flanked by a saintly figure asking Uncle Sam, What shall I put down as the reason for dying? The picture of the soldier holding the children tended to elicit narratives of rescue from both parents and their children, with the one exception of Charles Vu, who suggested that this image might depict a kidnapping. The editorial cartoon, coming as the last image, often elicited the briefest response, often an elaboration on a point interviewees had already made. When recognized by participants, the image of Kim Phoc was sometimes the stimulus to describing where she is today, a fascinating topic but one not centrally linked to the issues of collective memory taken up here
    • The other three pictures included a battle scene image of an American soldier holding two young children; the iconic picture of nine-year-old Kim Phoc fleeing a napalm attack; and an editorial cartoon showing a row of tombstones flanked by a saintly figure asking Uncle Sam, "What shall I put down as the reason for dying?" The picture of the soldier holding the children tended to elicit narratives of rescue from both parents and their children, with the one exception of Charles Vu, who suggested that this image might depict a kidnapping. The editorial cartoon, coming as the last image, often elicited the briefest response, often an elaboration on a point interviewees had already made. When recognized by participants, the image of Kim Phoc was sometimes the stimulus to describing where she is today - a fascinating topic but one not centrally linked to the issues of collective memory taken up here.
  • 48
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    • Speaking of History: How Adolescents Use Their Knowledge of History in Reading the Daily News
    • For example, when we examined how students interpreted contemporary news stories that had historical implications, such as court cases about prayer in schools, between-school effects loomed larger. See, Spring
    • For example, when we examined how students interpreted contemporary news stories that had historical implications, such as court cases about prayer in schools, between-school effects loomed larger. See Susan Mosborg, "Speaking of History: How Adolescents Use Their Knowledge of History in Reading the Daily News," Cognition and Instruction 20 (Spring 2002): 323-58.
    • (2002) Cognition and Instruction , vol.20 , pp. 323-358
    • Mosborg, S.1
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    • See The Wall-USA.com: The Vietnam Veterans Memorial Page, http://thewall-usa.com/information/ (accessed December 20, 2005).
    • See "The Wall-USA.com": The Vietnam Veterans Memorial Page, http://thewall-usa.com/information/ (accessed December 20, 2005).
  • 50
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    • Monumental Achievement: As the Vietnam Memorial Turns 20, Architect Maya Lin Strives to Go Beyond the Wall
    • November
    • Robert F. Howe, "Monumental Achievement: As the Vietnam Memorial Turns 20, Architect Maya Lin Strives to Go Beyond the Wall," Smithsonian 33 (November 2002): 91-95.
    • (2002) Smithsonian , vol.33 , pp. 91-95
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    • These words are journalist Howard K. Smith's, from the introduction to Scruggs's book. Jan C. Scruggs and Joel L. Swerdlow, To Heal a Nation: The Vietnam Veterans Memorial (New York, 1985), xiv.
    • These words are journalist Howard K. Smith's, from the introduction to Scruggs's book. Jan C. Scruggs and Joel L. Swerdlow, To Heal a Nation: The Vietnam Veterans Memorial (New York, 1985), xiv.
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    • The Vietnam Veterans Memorial: Commemorating a Difficult Past
    • On varying accounts of how Scruggs has described the origin of the memorial, see
    • On varying accounts of how Scruggs has described the origin of the memorial, see Robin Wagner-Pacifici and Barry Schwartz, "The Vietnam Veterans Memorial: Commemorating a Difficult Past," American Journal of Sociology 97 (1991): 376-420.
    • (1991) American Journal of Sociology , vol.97 , pp. 376-420
    • Wagner-Pacifici, R.1    Schwartz, B.2
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    • Tom Carhart
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    • Tom Carhart, The New York Times, October 24, 1981, p. 23.
    • (1981) The New York Times , pp. 23
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    • Kristin Ann Hass
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    • Schlafly, as cited in Kristin Ann Hass, Carried to the Wall (Berkeley, CA, 1998), 16.
    • (1998) Carried to the Wall , pp. 16
    • Schlafly1
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    • Carhart in testimony before the Fine Arts Commission, October 31, 1981, as cited in Scruggs and Swerdlow, To Heal a Nation, 81.
    • Carhart in testimony before the Fine Arts Commission, October 31, 1981, as cited in Scruggs and Swerdlow, To Heal a Nation, 81.
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    • Remembering Vietnam,
    • November 11
    • Ward Just, "Remembering Vietnam," The Washington Post, November 11, 1982, p. 27.
    • (1982) The Washington Post , pp. 27
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    • January 13
    • The New York Times, January 13, 1982, p. 12.
    • (1982) The New York Times , pp. 12
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    • Scruggs, as quoted in William A. Updike, War and Remembrance, National Parks 74 (September/October 2000): 20-25: The controversy of Maya Lin's design is just a footnote to history . . . once the memorial was built it was obvious it was a winning design.
    • Scruggs, as quoted in William A. Updike, "War and Remembrance," National Parks 74 (September/October 2000): 20-25: "The controversy of Maya Lin's design is just a footnote to history . . . once the memorial was built it was obvious it was a winning design."
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    • While Evans's efforts spurred the creation of the Vietnam Women's Memorial, Glenna Goodacre was the actual designer.
    • While Evans's efforts spurred the creation of the Vietnam Women's Memorial, Glenna Goodacre was the actual designer.
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    • We are indebted here to Kristin Ann Hass's comprehensive study of the Vietnam Veterans Memorial, Carried to the Wall (Berkeley, CA, 1998), esp. 22-23.
    • We are indebted here to Kristin Ann Hass's comprehensive study of the Vietnam Veterans Memorial, Carried to the Wall (Berkeley, CA, 1998), esp. 22-23.
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    • In her analysis of the Vietnam memorial, Carried to the Wall, Hass occasionally reads human intent from inanimate objects, as when she contends that dog tags left at the site reflect the ambivalence of those who possessed them and are contradictory symbolically because they represent the tension between celebrating the individual identities of the soldiers and replacing those individual identities with a serial number (p. 97). This may have been the intent of the person who left this artifact. On the other hand, the offering could have come from a desire to reunite an artifact with its symbolic owner, or a gesture of honor and dignity, or a motivation that neither Hass nor we can fathom. Reading intent from objects is a perilous process.
    • In her analysis of the Vietnam memorial, Carried to the Wall, Hass occasionally reads human intent from inanimate objects, as when she contends that dog tags left at the site reflect the ambivalence of those who possessed them and are "contradictory symbolically because they represent the tension between celebrating the individual identities of the soldiers and replacing those individual identities with a serial number" (p. 97). This may have been the intent of the person who left this artifact. On the other hand, the offering could have come from a desire to reunite an artifact with its symbolic owner, or a gesture of honor and dignity, or a motivation that neither Hass nor we can fathom. Reading intent from objects is a perilous process.
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    • For example, Telford Taylor, the presiding attorney at the Nuremberg trials, issued this indictment in his book, Nuremberg and Vietnam: An American Tragedy (New York, 1970): We have smashed the country [of Vietnam] to bits and will not even take the trouble to clean up the blood and rubble. . . . Somehow we failed ourselves to learn the lessons we undertook to teach at Nuremberg, and that failure is today's American tragedy (p. 207).
    • For example, Telford Taylor, the presiding attorney at the Nuremberg trials, issued this indictment in his book, Nuremberg and Vietnam: An American Tragedy (New York, 1970): "We have smashed the country [of Vietnam] to bits and will not even take the trouble to clean up the blood and rubble. . . . Somehow we failed ourselves to learn the lessons we undertook to teach at Nuremberg, and that failure is today's American tragedy" (p. 207).
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    • David Dellinger
    • October 22
    • David Dellinger, The New York Times, October 22, 1967, p. 1.
    • (1967) The New York Times , pp. 1
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    • October 22
    • The Washington Post, October 22, 1967, p. 1.
    • (1967) The Washington Post , pp. 1
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    • Ibid.;
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    • and The New York Times, October 22, 1967, p. 1.
    • and The New York Times, October 22, 1967, p. 1.
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    • October 27
    • Time, October 27, 1967, p. 25.
    • (1967) Time , pp. 25
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    • October 21
    • The New York Times, October 21, 1967, p. 8;
    • (1967) The New York Times , pp. 8
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    • and The New York Times, October 22, 1967, p. 32.
    • and The New York Times, October 22, 1967, p. 32.
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    • Cited in Terry H. Anderson, The Movement and the Sixties: Protest in America from Greensboro to Wounded Knee (New York, 1995), 177.
    • Cited in Terry H. Anderson, The Movement and the Sixties: Protest in America from Greensboro to Wounded Knee (New York, 1995), 177.
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    • Dellinger is quoted as saying, "This is the beginning of a new stage in the American peace movement in which the cutting edge is active resistance
    • October 22
    • The New York Times, October 22, 1967; Dellinger is quoted as saying, "This is the beginning of a new stage in the American peace movement in which the cutting edge is active resistance."
    • (1967) The New York Times
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    • October 22
    • The Washington Post, October 22, 1967, p. 11.
    • (1967) The Washington Post , pp. 11
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    • Martin Jezer, as cited in Anderson, The Movement and The Sixties, 179.
    • Martin Jezer, as cited in Anderson, The Movement and The Sixties, 179.
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    • May 18
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    • (1970) Time , pp. 13
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    • May 18, accessed January 2, 2006
    • Time, May 18, 1970, http://www.time.com/archive (accessed January 2, 2006).
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    • Pace Press, Student Newspaper of Pace University, May 15, 1970, Student Strike Continues: 441 Schools Shut, http:// chnm.gmu.edu/hardhats/bloody.html (accessed August 12, 2004).
    • Pace Press, Student Newspaper of Pace University, May 15, 1970, "Student Strike Continues: 441 Schools Shut," http:// chnm.gmu.edu/hardhats/bloody.html (accessed August 12, 2004).
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    • May 7
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    • Chicago1
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    • May 18
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    • (1970) Time , pp. 8
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    • May 18
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    • May 25
    • Time, May 25, 1970, p. 20.
    • (1970) Time , pp. 20
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    • In the aftermath of the May 10 attack, Mayor Lindsay ordered an investigation. The New York Civil Liberties Union claimed that police stood around passively and, in some instances, joining in the assaults. Wall Street Journal, May 11, 1970, accessed December 10, 2005
    • In the aftermath of the May 10 attack, Mayor Lindsay ordered an investigation. The New York Civil Liberties Union claimed that "police stood around passively and, in some instances, joining in the assaults." Wall Street Journal, May 11, 1970, http://chnm.gmu.edu/hardhats/bloody. html (accessed December 10, 2005).
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    • In 1949, Armed Forces Day was set aside as the third Saturday in May when Secretary of Defense Louis Johnson amalgamated the separate days under the new Department of Defense, thus replacing separate celebrations for the Army, Navy, and Air Force. See R. M. Fried, The Russians Are Coming! The Russians A re Coming, New York, 1998
    • In 1949, Armed Forces Day was set aside as the third Saturday in May when Secretary of Defense Louis Johnson amalgamated the separate days under the new Department of Defense, thus replacing separate celebrations for the Army, Navy, and Air Force. See R. M. Fried, The Russians Are Coming! The Russians A re Coming! (New York, 1998).
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    • Hardhats: Construction Workers, Manliness, and the 1970 Pro-War Demonstrations
    • See, June
    • See Joshua B. Freeman, "Hardhats: Construction Workers, Manliness, and the 1970 Pro-War Demonstrations," Journal of Social History 26 (June 1993): 725-39.
    • (1993) Journal of Social History , vol.26 , pp. 725-739
    • Freeman, J.B.1
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    • Among American-born parents, only Marion Blandings interpreted the picture differently, believing, like many students, that it was a picture of a war protest. Of the four foreign-born parents, two misinterpreted the photo. Charles Vu believed that the photo represented people against the war, as did Frieda Serber: People trying to stop war.
    • Among American-born parents, only Marion Blandings interpreted the picture differently, believing, like many students, that it was a picture of a war protest. Of the four foreign-born parents, two misinterpreted the photo. Charles Vu believed that the photo represented "people against the war," as did Frieda Serber: "People trying to stop war."
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    • John Hawkes on Tape: The Paradox of Self-Identity in a Recorded Interview
    • Andrea's response here shows the resilience of the interviewee in the face of over-bearing characteristics of the interviewer. On how determined interviewees seek to get their story out, blatantly ignoring the social cues of the interviewer, see
    • Andrea's response here shows the resilience of the interviewee in the face of over-bearing characteristics of the interviewer. On how determined interviewees seek to get their story out, blatantly ignoring the social cues of the interviewer, see C. T. Morrissey, "John Hawkes on Tape: The Paradox of Self-Identity in a Recorded Interview," Journal of Oral History 6 (1985): 47-56.
    • (1985) Journal of Oral History , vol.6 , pp. 47-56
    • Morrissey, C.T.1
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    • Time Citizens Panel: The President Buys More Time - and Some Hope - on the War, Time, June 12, 1972, pp. 16-17.
    • "Time Citizens Panel: The President Buys More Time - and Some Hope - on the War," Time, June 12, 1972, pp. 16-17.
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    • Amnesia is widely used across the political and ideological spectrum, from Noam Chomsky to Arthur Schlesinger. See On Historical Amnesia, Foreign Policy and Iraq, Noam Chomsky interviewed by Kirk W. Johnson, http://www.chomsky.info/interviews/ 20040217.htm (accessed December 12, 2005);
    • "Amnesia" is widely used across the political and ideological spectrum, from Noam Chomsky to Arthur Schlesinger. See "On Historical Amnesia, Foreign Policy and Iraq, Noam Chomsky interviewed by Kirk W. Johnson," http://www.chomsky.info/interviews/ 20040217.htm (accessed December 12, 2005);
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    • Collective Memory and Cultural History: Problems of Method
    • Alon Confino, "Collective Memory and Cultural History: Problems of Method," American Historical Review 102 (1997); 1386-1403.
    • (1997) American Historical Review , vol.102 , pp. 1386-1403
    • Confino, A.1
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    • See Ron Kovic's memoir, which preceded the tempered account in the Hollywood movie, Born on the Fourth of July (New York, 1976).
    • See Ron Kovic's memoir, which preceded the tempered account in the Hollywood movie, Born on the Fourth of July (New York, 1976).
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    • Forrest Gump
    • July 6
    • Roger Ebert, "Forrest Gump," Chicago Sun-Times, July 6, 1994, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19940706/ REVIEWS/407060301/1023.
    • (1994) Chicago Sun-Times
    • Ebert, R.1
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    • The VVAW's protest against the war was a more convincing argument to many at home than those of protesters who had never been near a Vietnam battlefield
    • See, for example, Bloomington, 112
    • See, for example, Larry H. Addington, America's War in Vietnam: A Short Narrative History (Bloomington, IN, 2000), 112: "The VVAW's protest against the war was a more convincing argument to many at home than those of protesters who had never been near a Vietnam battlefield."
    • (2000) America's War in Vietnam: A Short Narrative History
    • Addington, L.H.1
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    • Also Daniel L. Cohen and Roy Rosenzweig, No Computer Left Behind, Chronicle of Higher Education, February 24, 2006, pp. B6-B8.
    • Also Daniel L. Cohen and Roy Rosenzweig, "No Computer Left Behind," Chronicle of Higher Education, February 24, 2006, pp. B6-B8.
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    • For examples of recent studies of textbooks, see Diane Ravitch, Language Police: How Pressure Groups Restrict What Students Learn (New York, 2003);
    • For examples of recent studies of textbooks, see Diane Ravitch, Language Police: How Pressure Groups Restrict What Students Learn (New York, 2003);
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    • A Deafening Silence: History Textbooks and the Students Who Read Them
    • For a review of how students read history textbooks, see, Fall
    • For a review of how students read history textbooks, see Richard J. Paxton, "A Deafening Silence: History Textbooks and the Students Who Read Them," Review of Educational Research 69 (Fall 1999): 315-39.
    • (1999) Review of Educational Research , vol.69 , pp. 315-339
    • Paxton, R.J.1
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    • Rounding Up the Unusual Suspects: Facing the Authority Hidden in the Classroom
    • For an exciting and iconoclastic approach to using textbooks in the classroom, see, October
    • For an exciting and iconoclastic approach to using textbooks in the classroom, see Robert B. Bain, "Rounding Up the Unusual Suspects: Facing the Authority Hidden in the Classroom," Teachers College Record 108 (October 2006): 2080-114.
    • (2006) Teachers College Record , vol.108 , pp. 2080-2114
    • Bain, R.B.1
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    • The Work of Art in the Age of Mechanical Reproduction
    • ed. Hannah Arendt New York
    • Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction," in Illuminations: Essays and Reflections, ed. Hannah Arendt (New York, 1969), 217-52.
    • (1969) Illuminations: Essays and Reflections , pp. 217-252
    • Benjamin, W.1
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    • An article in the May 27, 1999, New York Times titled Remembering American Soldiers on a Virtual Wall listed three Web sites that provide a virtual tour of the memorial. Kinko's brochure, 2001, Put a Face with a Name; see
    • An article in the May 27, 1999, New York Times titled "Remembering American Soldiers on a Virtual Wall" listed three Web sites that provide a virtual tour of the memorial. Kinko's brochure, 2001, "Put a Face with a Name"; see http://thevirtualwall.org.
  • 120
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    • as well as Michael Schudson, The Present in the Past versus the Past in the Present, Communication 11 (1989): 105-13.
    • as well as Michael Schudson, "The Present in the Past versus the Past in the Present," Communication 11 (1989): 105-13.
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    • The term sensitizing concept comes from Herbert Blumer, What Is Wrong with Social Theory, American Sociological Review 19 (1954): 3-10. In contrast to definite concepts that are amenable to empirical test, sensitizing concepts (e.g., culture, society, institutions, mores) lack precise reference and have no bench marks which allow a clean cut identification of a specific instance (p. 7). The usefulness of such concepts comes in their ability to point researchers to phenomena that have been overlooked, ignored, or dismissed.
    • The term "sensitizing concept" comes from Herbert Blumer, "What Is Wrong with Social Theory," American Sociological Review 19 (1954): 3-10. In contrast to "definite concepts" that are amenable to empirical test, sensitizing concepts (e.g., culture, society, institutions, mores) "lack precise reference and have no bench marks which allow a clean cut identification of a specific instance" (p. 7). The usefulness of such concepts comes in their ability to point researchers to phenomena that have been overlooked, ignored, or dismissed.
  • 124
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    • One would be hard-pressed to find in the voluminous National Standards for United States History (Los Angeles, 1995) any serious examination about how contemporary culture shapes modern historical consciousness.
    • One would be hard-pressed to find in the voluminous National Standards for United States History (Los Angeles, 1995) any serious examination about how contemporary culture shapes modern historical consciousness.
  • 125
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    • The Sopranos, season 4 (2002), episode 2, in which Tony Soprano is angered by a planned Native American protest to a Columbus Day parade; Participating 7-Eleven Stores to Offer Commemorative Brochure During Black History Month. Press release from Cathy Heald, 7-Eleven http://www.thekingcenter.org/news/press_release/2003-01-28.pdf (accessed January 23, 2006). For notable exceptions in the educational literature,
    • The Sopranos, season 4 (2002), episode 2, in which Tony Soprano is angered by a planned Native American protest to a Columbus Day parade; "Participating 7-Eleven Stores to Offer Commemorative Brochure During Black History Month." Press release from Cathy Heald, 7-Eleven http://www.thekingcenter.org/news/press_release/2003-01-28.pdf (accessed January 23, 2006). For notable exceptions in the educational literature,
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    • see, Popular Film and Young People's Understanding of the History of Native American-White Relations
    • see Peter Seixas, Popular Film and Young People's Understanding of the History of Native American-White Relations," History Teacher 26 (1993): 351-69;
    • (1993) History Teacher , vol.26 , pp. 351-369
    • Seixas, P.1
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    • Making History Go' at a Local Community Center: Popular Media and the Construction of Historical Knowledge among African American Youth
    • Greg Dimitriadis, '"Making History Go' at a Local Community Center: Popular Media and the Construction of Historical Knowledge among African American Youth," Theory and Research in Social Education 28 (2000): 40-64;
    • (2000) Theory and Research in Social Education , vol.28 , pp. 40-64
    • Dimitriadis, G.1
  • 128
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    • Some People Even Died': Martin Luther King, Jr., the Civil Rights Movement, and the Politics of Remembrance in Elementary Classrooms
    • John S. Wills, "'Some People Even Died': Martin Luther King, Jr., the Civil Rights Movement, and the Politics of Remembrance in Elementary Classrooms," International Journal of Qualitative Studies in Education 18 (2005): 109;
    • (2005) International Journal of Qualitative Studies in Education , vol.18 , pp. 109
    • Wills, J.S.1
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    • Popular Culture, Curriculum, and Historical Representation: The Situation of Native Americans in American History and the Perpetuation of Stereotypes
    • John S. Wills, "Popular Culture, Curriculum, and Historical Representation: The Situation of Native Americans in American History and the Perpetuation of Stereotypes, "Journal of Narrative and Life History 4 (1994): 277-94;
    • (1994) Journal of Narrative and Life History , vol.4 , pp. 277-294
    • Wills, J.S.1
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    • Fundamentally 9/11: The Fashioning of Collective Memory in a Christian School
    • and Simone Schweber, "Fundamentally 9/11: The Fashioning of Collective Memory in a Christian School," American Journal of Education 112 (2006): 392-417.
    • (2006) American Journal of Education , vol.112 , pp. 392-417
    • Schweber, S.1


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