Parametric excitation model for waveguide piano synthesis

ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings

Volumn 5, Issue , 2006, Pages

  Rauhala, Jukka ^a   Välimäki, Vesa ^a  

^a AALTO UNIVERSITY   (Finland)

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTIC SIGNAL PROCESSING; LOW PASS FILTERS; MATHEMATICAL MODELS; REAL TIME SYSTEMS; WAVEGUIDES; WHITE NOISE;

ADDITIVE SYNTHESIS; PARTIAL FREQUENCIES; REAL-TIME PIANO SYNTHESIS; WAVEGUIDE SYNTHESIS;

MUSICAL INSTRUMENTS;

EID: 33947639652     PISSN: 15206149     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (15)

1. J.O. Smith III, "Physical Modeling Using Digital Waveguides," Computer Music Journal, vol. 16, no. 4, pp. 74-91, 1992.
2. S.A. Van Duyne, J.R. Pierce, and J.O. Smith III, "Traveling Wave Implementation of a Lossless Mode-Coupling Filter and the Wave Digital Hammer," in Proc. Int. Computer Music Conf., Århus, Denmark, pp. 411-418, September 1994.
3. G. Borin, G. De Poli, and D. Rocchesso, "Elimination of Delay-free Loops in Discrete-Time Models of Nonlinear Acoustic Systems," IEEE Trans. on Speech and Audio Processing, vol. 8, no. 5, pp. 597-605, September 2000.
4. B. Bank, "Nonlinear Interaction in the Digital Waveguide with the Application to Piano Sound," in Proc. Int. Computer Music Conf., Berlin, Germany, pp. 54-57, September 2000.
5. J.O. Smith III and S.A. Van Duyne, "Commuted Piano Synthesis," in Proc. Int. Computer Music Conf., Banff, Canada, pp. 335-342, September 1995.
6. M. Karjalainen and V. Välimäki, "Model-based Analysis/Synthesis of the Acoustic Guitar," in Proc. Stockholm Music Acoustics Conf., Stockholm, Sweden, pp. 443-447, 1993.
7. V. Välimäki, H. Penttinen, J. Knif, M. Laurson, and C. Erkut, "Sound Synthesis of the Harpsichord Using a Computationally Efficient Physical Model," EURASIP J. App. Sig. Proc., vol. 4, no. 7, pp. 934-948, 2004.
8. J. Bensa, K. Jensen, and R. Kronland-Martinet, "A Hybrid Resynthesis Model for Hammer-String Interaction of Piano Tones," EURASIP J. App. Sig. Proc., vol. 4, no. 7, pp. 1021-1035, 2004.
9. P.A.A. Esquef, V. Välimäki, and M. Karjalainen "Restoration and Enhancement of Solo Guitar Recordings Based on Sound Source Modeling," J. Audio Eng. Soc., vol. 50, no. 4, pp. 227-236, 2002.
10. D.A. Jaffe and J.O. Smith III, "Extensions of the Karplus-Strong Plucked-String Algorithm," Computer Music J., vol. 7, no. 2, pp. 56-69, 1983.
11. Zwicker E. and R. Feldtkeller, The Ear as a Communication Receiver, Acoustical Society of America, 1999.
12. M. Laurson, C. Erkut, V. Välimäki, and M. Kuuskankare, "Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis," Computer Music J., vol. 25, no. 3, pp. 38-49, 2001.
13. Zölzer U., Digital Signal Processing, Wiley & Sons, 1997.
14. J. Rauhala, H.-M. Lehtonen, and V. Välimäki "Multi-ripple Loss Filter for Waveguide Piano Synthesis," in Proc.Int. Computer Music Conf., Barcelona, Spain, pp. 729-732, September 2005.
15. Matlab version 7.0, Mathworks Inc. 1984-2004.