Authenticity and computer art

Digital Creativity

Volumn 18, Issue 1, 2007, Pages 3-10

  Boden, Margaret A ^a  

^a UNIVERSITY OF SUSSEX   (United Kingdom)

Author keywords

Authenticity; Computer art; Computer music; Creativity; Emotions

Indexed keywords

AUTHENTICITY; COMPUTER ART; CREATIVITY; EMOTIONS; ESSENTIAL FEATURES; HUMAN BEING; HUMAN COMMUNICATIONS; WORK OF ART;

COMPUTER MUSIC;

COMPUTERS;

EID: 33947596212     PISSN: 14626268     EISSN: 17443806     Source Type: Journal    
DOI: 10.1080/14626260701252285     Document Type: Conference Paper

References (21)

1. Bartlett, F. C. (1932) Remembering: A study in experimental and social psychology, Cambridge University Press, Cambridge
2. Boden, M. A. (2004) The creative mind: Myths and mechanisms, Routledge, London
3. Boden, M. A. (2006) Mind as machine: A history of cognitive science, OUP/ Clarendon Press, Oxford
4. Boden, M. A. (1899) Creativity and conceptual art. The philosophy of conceptual art, Oxford University Press, Oxford
5. Cohen, H. (2002) A million millennial Medicis. Explorations in art and technology, pp. 91-104. Springer, London
6. Cope, D. (1991) Computers and musical style, Oxford University Press, Oxford
7. Cope, D. (2000) The algorithmic composer, Madison, Wis
8. Cope, D. (2001) Virtual music: Computer synthesis of musical style, MIT Press, Cambridge, Mass
9. Cope, D. (2006) Computer models of musical creativity, MIT Press, Cambridge, Mass
10. Dennett, D. C. (1991) Consciousness explained, Allen Lane, London
11. Hofstadter, D. R. (2001) Staring Emmy straight in the eye-and doing my best not to flinch., pp. 33-82.
12. Hofstadter, D. R. (2001) A few standard questions and answers in. pp. 293-305.
13. Hofstadter, D. R. (2002) How could a COPYCAT ever be creative?. Creativity, cognition, and knowledge: An interaction, pp. 405-424. Praeger, London
14. Hofstadter, D. R. and FARG (The Fluid Analogy Research Group) (1995) Fluid concepts and creative analogies: Computer models of the fundamental mechanisms of thought, Basic Books, NewYork
15. O'Hear, A. (1995) Art and technology: An old tension. Philosophy and technology, pp. 143-158. Cambridge University Press, Cambridge
16. Riecken, R. D. (1989) Wolfgang: Musical composition by emotional computation. Innovative applications of artificial intelligence, pp. 251-269. AAAI Press, Menlo Park, CA
17. Riecken, R. D. (1994) A conversation with Marvin Minsky about agents. Communications of the Association for Computing Machinery, 37:7, pp. 23-29.
18. Riecken, R. D. (2002) The Wolfgang System: A role of "emotions" to bias learning and problem-solving when learning to compose. Emotions in humans and artifacts, MIT Press, Cambridge, Mass
19. Sims, K. (1991) Artificial evolution for computer graphics. Computer Graphics, 25:4, pp. 319-328.
20. Sloman, A. (2000) Architectural requirements for human-like agents both natural and artificial. (What sorts of machines can love?). Human cognition and social agent technology: Advances in consciousness research, pp. 163-195. John Benjamins, Amsterdam
21. Whitelaw, M. (2004) Metacreation: Art and artificial life, MIT Press, London