Defining ethnicity, (re)constructing culture: Processes of musical adaptation and innovation among the Balinese of Lombok

Journal of Musicological Research

Volumn 24, Issue 3-4, 2005, Pages 265-286

  Harnish, David ^a  

^a BOWLING GREEN STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33947424959     PISSN: 01411896     EISSN: None     Source Type: Journal    
DOI: 10.1080/01411890500234013     Document Type: Article

References (28)

1. See David Harnish, Bridges to the Ancestors: Musics and Myths, Hindu Balinese and Muslim Sasak at the Lingsar Festival in Lombok, Indonesia (Honolulu: University of Hawai'i Press, 2006)
2. See Kendra Clegg, Ampenan: Conceptions of Nationality, Ethnicity, and Identity in Urban Lombok (Ph.D. dissertation, Deakin University, Australia, 2004)
3. Stephen Blum, "Conclusion: Music in an Age of Cultural Confrontation," in Music-Cultures in Contact: Convergences and Collisions, ed. Margaret J. Kartomi and Stephen Blum (Sydney: Currency Press Ltd. 1994), 252
4. Hans Hägerdal, Hindu Rulers, Muslim Subjects: Lombok and Bali in the Seventeenth and Eighteenth Centuries (Thailand: Hans Hägerdal, 2001), 12-42
5. Margaret J. Kartomi and Stephen Blum, eds., Music-Cultures in Contact: Convergences and Collisions, Australian Studies in the History, Philosophy and Social Studies of Music, volume 2 (Sydney: Currency Press Ltd., 1994). The "dichotomy" is introduced in Kartomi's "Editor's Preface" (xi-xvii) and reemerges in most chapters
6. Judith Louise Ecklund, "Tradition or Non-Tradition: Adat, Islam, and Local Control on Lombok" in What is Modern Indonesian Culture?, ed. Gloria Davis (Athens, Ohio: Center for International Studies, Ohio University, 1979), 250-251
7. Ruth McVey, "Shaping the Sasak: Religion and Hierarchy on an Indonesian Island," in Kulturen und Raum: Theoretische Ansätze und Empirische Kulturforschung in Indonesien: Festschrift für Professor Albert Leemann, ed. Samuel Walty and Benno Werfen (Chur/Zurich: Ruegger, 1995), 323
8. Urs Ramseyer, The Art and Culture of Bali (Singapore: Oxford University Press, 1986), 95
9. Ingela Gerdin, The Unknown Balinese: Land, Labour and Inequality in Lombok (Goteborg: ACTA Universitatis Gothoburgensis, 1982), 13
10. See Alfons van der Kraan, Lombok: Conquest, Colonization and Underdevelopment, 1870-1940 (Singapore: Heinemann Educational Books [Asia] Ltd., 1980), 2
11. Hägerdal, Hindu Rulers, 124
12. See Clifford Geertz, Negara: The Theatre State in Nineteenth-Century Bali (Princeton, N.J.: Princeton University Press, 1980)
13. David Harnish, "The Performance, Context, and Meaning of Balinese Music in Lombok," in Balinese Music in Context: a Sixty-fifth Birthday Tribute to Hans Oesch, Forum Ethnomusicologium 4, ed. Danker Schaareman (Winterthur: Amadeus, 1992)
14. See David Harnish, "Worlds of Wayang Sasak: Music, Performance, and Negotiations of Religion and Modernity," Asian Music 34/2 (2003), 91-120
15. H.I.R. Hinzler, Bima Swarga in Balinese wayang (The Hague: Nijhoff, 1981)
16. Tilman Seebass, I Gusti Bagus Nyoman Panji, I Nyoman Rembang, and I Poedijono, The Music of Lombok: A First Survey (Bern: A. Franke, 1976)
17. and Philip Yampolsky, "Notes," Lombok, Kalimantan, Banyumas: Little-known Forms of Gamelan and Wayang, Music of Indonesia series 14 (Smithsonian Folkways Recording SFCD40441, 1997)
18. Margaret J.Kartomi, "Editor's Preface," in Kartomi and Blum, xi
19. See Colin McPhee, Music in Bali: A Study in Form and Instrumental Organization in Balinese Orchestral Music (New Haven and London: Yale University Press, 1966), 234-255
20. See David Harnish, "The Preret of the Lombok Balinese: Transformation and Continuity within a Sacred Tradition," Selected Reports in Ethnomusicology 8 (1990), 201-220
21. See Michael Tenzer, Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music (Chicago: University of Chicago Press, 2000)
22. Zachar Laskewicz, Music as Episteme Text Sign & Tool: Comparative Approaches to Musicality as Performance (Brussels, San Francisco, and Taipei: Saru Press, 2003), 185
23. Fath Zakaria, Geger, Gerakan 30 September 1965: Rakyat NTB Melawan Bahaya Merah (Lombok: Penerbit Sumurmas Mataram, 2001)
24. and Kal Muller, "Wetu Telu: Mix of Islam and Traditional Adat Practices," in East of Bali: From Lombok to Timor, ed. Kal Muller (Berkeley-Singapore: Periplus Editions, 1991), 54-55
25. Albert Leemann, Internal and External Factors of Socio-cultural and Socio-economic Dynamics in Lombok (Nusa Tenggara Barat) (Zurich: Geographisches Institut Abt. Anthropogeographie Universitat Zurich, 1989), 46
26. Jeremy Wallach, "Dangdut Music, Indonesian Islam, and 'Unofficial Nationalism,'" paper presented in workshop entitled "South-East Asian Pop Music in a Comparative Perspective" at the Royal Netherlands Institute of South-East Asian and Caribbean Studies 17th Annual International Workshop on South-East Asian Studies, Leiden University, The Netherlands, December, 2003
27. See David Harnish, "New Lines, Shifting Identities: Interpreting Change at the Lingsar Festival in Lombok, Indonesia," Ethnomusicology 49/1 (2005), 17
28. See Danni Josephine Redding, "Performing Arts, Identity, and the Construction of Place in Three Balinese Transmigration Settlements" (M.A. Thesis, University of Hawai'i at Manoa, 2002)