Non-places and the spaces of art

Journal of Architecture

Volumn 6, Issue 2, 2001, Pages 183-194

  Osborne, Peter ^a  

^a MIDDLESEX UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33847778639     PISSN: 13602365     EISSN: 14664410     Source Type: Journal    
DOI: 10.1080/13602360110048203     Document Type: Review

References (16)

1. See Peter Osborne, The Politics of Time: Modernity and Avant-Garde (Verso, London, 1995), ch. 1
2. H.D. Harootunian, 'Ghostly Comparisons', paper for the Traces conference 'The Impacts of Modernities', Ewha University, Seoul, 23-24 September 2000
3. forthcoming in Traces: A Multilingual Journal of Cultural Theory and Translation, no.3 (2002)
4. Étienne Balibar and Immanuel Wallerstein, Race, Class, Nation: Ambiguous Identities, trans. Chris Turner (Verso, London and New York, 1991)
5. Saskia Sassen, The Global City: New York, London, Tokyo (Princeton University Press, Princeton, 1991)
6. Manuel Castells, The Informational City: Information Technology, Economic Restructuring, and the Urban-Regional Process (Blackwell, Oxford, 1989)
7. See, for example, Rosalyn Deutsche's Evictions: Art and Spatial Politics (MIT Press, Cambridge MA, 1996)
8. See, for example, Two-Way Mirror Power: Selected Writings by Dan Graham on His Art, edited by Alexander Alberro (MIT Press, Cambridge MA and London, 1999), Pts III and VI
9. and Anthony Vidler, Warped Space: Art, Architecture, and Anxiety in Modern Culture (MIT Press, Cambridge MA and London, 2000), Pt II
10. Marc Augé, Non Places: Introduction to an Anthropology of Supermodernity, trans. John Howe (Verso, London, 1995), pp. 28-32, 78-9
11. Manuel Castells, The Information Age: Economy, Society and Culture. Volume 1. The Rise of the Network Society (Blackwell, Oxford, 1996), p. 423
12. Non-Places, op. cit., p. 86
13. The Rise of the Network Society, op. cit., pp. 377, 412. See also pp. 410-18
14. Michael Herdt and Antonio Negri, Empire (Harvard University Press, Cambridge MA and London, 2000), pp. 216-7, 208, 188-90
15. Brian O'Doherty, Inside the White Cube: The Ideology of Gallery Space (1976, 1981, 1986) (University of California Press, Berkeley, 1999), p. 44. Returning to this text today one is struck by both its radicalism and incisiveness - so different from most of today's writings in the purportedly critical, but largely merely rhetorical, genre of museum studies
16. See Theodor W. Adorno, Aesthetic Theory, trans. Robert Hullot-Kentor (University of Minnesota Press, Minneapolis, 1997), pp. 225-9