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Volumn 27, Issue 2, 2006, Pages 54-86

The impossibility of return

(1)  Williams, Piper Kendrix a  

a NONE

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EID: 33847080912     PISSN: 01609009     EISSN: None     Source Type: Journal    
DOI: 10.1353/fro.2007.0009     Document Type: Review
Times cited : (4)

References (83)
  • 1
    • 33847045444 scopus 로고    scopus 로고
    • Carole Boyce Davies, Black Women, Writing, and Identity: Migrations of the Subject (New York: Routledge, 1994). Davies uses the phrase migration horror stories, anecdotes of black women's experiences as they migrate, to disrupt the linearity of her analysis in her chapter Writing Home.
    • Carole Boyce Davies, Black Women, Writing, and Identity: Migrations of the Subject (New York: Routledge, 1994). Davies uses the phrase "migration horror stories," anecdotes of black women's experiences as they migrate, to disrupt the linearity of her analysis in her chapter "Writing Home."
  • 2
    • 33847022537 scopus 로고    scopus 로고
    • Ibid., 21.
  • 3
    • 0012175216 scopus 로고    scopus 로고
    • Theorizing Migration in Anthropology: The Social Construction of Networks, Identities, Communities, and Globalscapes
    • ed. Caroline B. Brettell and James F. Hollifield New York: Routledge
    • Caroline B. Brettell, "Theorizing Migration in Anthropology: The Social Construction of Networks, Identities, Communities, and Globalscapes," in Migration Theory: Talking Across Disciplines, ed. Caroline B. Brettell and James F. Hollifield (New York: Routledge, 2001), 109.
    • (2001) Migration Theory: Talking Across Disciplines , pp. 109
    • Brettell, C.B.1
  • 4
    • 33847082761 scopus 로고    scopus 로고
    • Edouard Glissant, Le Discours Antillias (Paris: Seuil, 1981). A partial translation by J. Michael Dash has been published as Caribbean Discourse: Selected Essays (Charlottesville: University of Virginia Press, 1989), 16.1 have modified Dash's translation: Dash uses reversion and diversion for retour and dé tour in Glissant's French. In these cases, I have used the original French.
    • Edouard Glissant, Le Discours Antillias (Paris: Seuil, 1981). A partial translation by J. Michael Dash has been published as Caribbean Discourse: Selected Essays (Charlottesville: University of Virginia Press, 1989), 16.1 have modified Dash's translation: Dash uses "reversion" and "diversion" for "retour" and "dé tour" in Glissant's French. In these cases, I have used the original French.
  • 5
    • 0002641848 scopus 로고
    • Migration, Racism and Identity Formation: The Caribbean Experience in Britain
    • ed. Winston James and Clive Harris London and New York: Verso
    • Winston James, "Migration, Racism and Identity Formation: The Caribbean Experience in Britain" in Inside Babylon: The Caribbean Diaspora in Britain, ed. Winston James and Clive Harris (London and New York: Verso, 1993), 243.
    • (1993) Inside Babylon: The Caribbean Diaspora in Britain , pp. 243
    • James, W.1
  • 8
    • 33847079759 scopus 로고    scopus 로고
    • James refers to the idea of pigmentation in Caribbean cultures in his essay. See Migration, Racism, and Identity Formation, 234-35.
    • James refers to the idea of "pigmentation" in Caribbean cultures in his essay. See Migration, Racism, and Identity Formation, 234-35.
  • 10
    • 5044249009 scopus 로고    scopus 로고
    • Washington, DC: Three Continents Press, in
    • Maryse Condé, Hérémakhonon (Washington, DC: Three Continents Press, 1982), in.
    • (1982) Hérémakhonon
    • Condé, M.1
  • 15
    • 33847055343 scopus 로고    scopus 로고
    • Ibid., emphasis mine.
    • Ibid., emphasis mine.
  • 16
    • 5044249009 scopus 로고    scopus 로고
    • emphasis mine. The final idea appears in English in the original French edition
    • Condé, Hérémakhonon, 56, emphasis mine. The final idea appears in English in the original French edition.
    • Hérémakhonon , pp. 56
    • Condé1
  • 18
    • 33847077086 scopus 로고
    • London: Longman African Classic, 9. The play was initially staged in Ghana in
    • Ama Ata Aidoo, The Dilemma of a Ghost and Anowa (London: Longman African Classic, 1987), 9. The play was initially staged in Ghana in 1964.
    • (1964) The Dilemma of a Ghost and Anowa
    • Ata Aidoo, A.1
  • 19
    • 33847070709 scopus 로고    scopus 로고
    • In her analysis of the play, Angeletta K. Gourdine, drawing on W.E.B. DuBois, argues that Eulalie's vision of Africa epitomizes a double consciousness: she recognizes that part of her is linked to Africa as geographical and cultural space, yet her knowledge is encoded in an Other discourse. Much like the speaker in (Men's Heritage identifies Africa with exotic scenes of copper sun, or scarlet sea and spicy grove, cinnamon tree, Eulalie's idyllic Eden constructs an exotic African text. (See Slavery in the Diaspora Consciousness: Ama Ata Aidoo's Conversations, in Emerging Perspectives on Ama Ata Aidoo, ed. Ada Uzoamaka Azodo and Gay Wilentz (Trenton, NJ: Africa World Press, 1999), 33.
    • In her analysis of the play, Angeletta K. Gourdine, drawing on W.E.B. DuBois, argues that "Eulalie's vision of Africa epitomizes a double consciousness: she recognizes that part of her is linked to Africa as geographical and cultural space, yet her knowledge is encoded in an Other discourse. Much like the speaker in (Men's "Heritage" identifies Africa with exotic scenes of "copper sun, or scarlet sea" and "spicy grove, cinnamon tree," Eulalie's idyllic Eden constructs an exotic African text." (See "Slavery in the Diaspora Consciousness: Ama Ata Aidoo's Conversations," in Emerging Perspectives on Ama Ata Aidoo, ed. Ada Uzoamaka Azodo and Gay Wilentz (Trenton, NJ: Africa World Press, 1999), 33.
  • 22
  • 23
    • 33847056915 scopus 로고    scopus 로고
    • I use the phrase fall apart with a nod to the title of Chinua Achebe's novel, Things Fall Apart (London: Anchor Books, 1994).
    • I use the phrase "fall apart" with a nod to the title of Chinua Achebe's novel, Things Fall Apart (London: Anchor Books, 1994).
  • 26
    • 33847060735 scopus 로고    scopus 로고
    • The important difference in these examples may be the motivation to migrate. In the Caribbean, blacks migrate to European homelands and so are migrating to a colonial homeland. In the case of the texts studied in this article, the motivation to migrate is to leave the colonial or racist home in the New World and return to Africa.
    • The important difference in these examples may be the motivation to migrate. In the Caribbean, blacks migrate to European homelands and so are migrating to a colonial homeland. In the case of the texts studied in this article, the motivation to migrate is to leave the colonial or racist home in the New World and "return" to Africa.
  • 27
    • 33847015497 scopus 로고    scopus 로고
    • Ibid., 248-49.
    • James1
  • 33
    • 33847076694 scopus 로고    scopus 로고
    • James Clifford, Routes: Travel and Translation in the Late Twentieth Century (Cambridge: Harvard University Press, 1997). In his chapter titled Diasporas, James Clifford traces the ways diasporas exist in practical, and at times principled, tension with nativist identity formations.... Indeed, claims of primary link with the 'homeland' usually must override conflicting rights and the history of other in the land. Even ancient homelands have seldom been pure or discreet (252). Clifford's analysis highlights the problems those seeking connection in the diaspora confront when they romantically imagine a homeland.
    • James Clifford, Routes: Travel and Translation in the Late Twentieth Century (Cambridge: Harvard University Press, 1997). In his chapter titled "Diasporas," James Clifford traces the ways "diasporas exist in practical, and at times principled, tension with nativist identity formations.... Indeed, claims of primary link with the 'homeland' usually must override conflicting rights and the history of other in the land. Even ancient homelands have seldom been pure or discreet" (252). Clifford's analysis highlights the problems those seeking connection in the diaspora confront when they romantically imagine a homeland.
  • 34
    • 0003890179 scopus 로고
    • Ato's mother is not asserting a unique bias or misunderstanding. Instead her ideas about race and nationality suggest a larger conversation about the relationship between ideas of American identity and whiteness. See, New York: Vintage
    • Ato's mother is not asserting a unique bias or misunderstanding. Instead her ideas about race and nationality suggest a larger conversation about the relationship between ideas of American identity and whiteness. See Toni Morrison, Playing in the Dark: Whiteness and the Literary Imagination (New York: Vintage, 1993).
    • (1993) Playing in the Dark: Whiteness and the Literary Imagination
    • Morrison, T.1
  • 36
  • 40
    • 79956008420 scopus 로고    scopus 로고
    • Feminism and Cultural Memory
    • Marianne Hirsch and Valerie Smith, "Feminism and Cultural Memory," Signs 28, no. 1 (2002): 2.
    • (2002) Signs , vol.28 , Issue.1 , pp. 2
    • Hirsch, M.1    Smith, V.2
  • 48
  • 58
    • 33847076075 scopus 로고    scopus 로고
    • The idea that a woman's lack of children can always be understood as barrenness, essentially natural and not manipulated by individuals, resonates with Nana's earlier metaphor of tree roots to understand tribal identity. In the cultural context of the village, people's lives are easily interpreted through naturalized metaphors. Women's reproductive choice is missing in this narrative. This worldview may travel through the diaspora, but like all things routed through trans-Atlantic journeys, much is lost.
    • The idea that a woman's lack of children can always be understood as barrenness, essentially natural and not manipulated by individuals, resonates with Nana's earlier metaphor of tree roots to understand tribal identity. In the cultural context of the village, people's lives are easily interpreted through naturalized metaphors. Women's reproductive choice is missing in this narrative. This worldview may travel through the diaspora, but like all things routed through trans-Atlantic journeys, much is lost.
  • 73
    • 33847051505 scopus 로고    scopus 로고
    • Ibid., 182-83, emphasis mine.
    • Ibid., 182-83, emphasis mine.
  • 79
  • 80
  • 81
  • 82
  • 83


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