The 1990s: Quality or Dumbing Down? (Makeover Shows)

The Television History Book

Volumn , Issue , 2021, Pages 103-107

  Moseley, Rachel ^a  

^a UNIVERSITY OF WARWICK   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33846250865     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (6)

1. Bondebjerg, Ib (1996), ‘Public Discourse/Private Fascination: Hybridisation in “True Life Story” Genres’, Media, Culture and Society, 18, pp. 27–45.
2. Brunsdon, Charlotte, Johnson, Catherine, Moseley, Rachel and Wheatley, Helen (2001), ‘Factual Entertainment on British Television: The Midlands Television Research Group’s “8–9 Project”’, European Journal of Cultural Studies, vol. 4, no. 1, pp. 29–62.
3. Lury, Karen (1995), ‘Television Performance: Being, Acting, Corpsing’, New Formations, 26, pp. 114–27.
4. Medhurst, Andy (1999), ‘Day for Night’, Sight and Sound, vol. 9, no. 6, pp. 26–7.
5. Moseley, Rachel (2000), ‘Makeover Takeover on British Television’, Screen, vol. 41, no. 3, pp. 299–314.
6. O’Sullivan, Tim (1998), ‘Nostalgia, Revelation and Intimacy: Tendencies in the Flow of Modern Popular Television’, in Christine Geraghty and David Lusted (eds), The Television Studies Book, London: Arnold, pp. 198–211.