Television tension: National versus cosmopolitan memory in a co-produced television documentary

Media, Culture and Society

Volumn 29, Issue 1, 2007, Pages 31-51

  Ashuri, Tamar ^a  

^a BEN GURION UNIVERSITY OF THE NEGEV   (Israel)

Author keywords

Commercialization; Globalization; Mnemonic agents; Producers; Production process

Indexed keywords

EID: 33846233435     PISSN: 01634437     EISSN: 14603675     Source Type: Journal    
DOI: 10.1177/0163443706068921     Document Type: Review

References (36)

1. Anderson, B. (1991 [1983]) Imagined Communities: Reflections on the Origin and Spread of Nationalism. London, Verso.
2. Appiah, A.K. (2003) 'You Must Remember This', New York Review of Books 50 ( 4 ).
3. Baltruschat, D. (2002) 'Globalization and International TV and Film Co-productions: In Search of New Narratives', paper presented at Media in Transition 2: Globalization and Convergence conference, MIT, Cambridge, MA, 10-12 May.
4. Baltruschat, D. (2003) 'International TV and Film Co-production: A Canadian Case Study', in S. Cottle (ed.) Media Organization and Production. London: Sage.
5. Beck, U. (2002) 'The Cosmopolitan Society and its Enemies', Theory, Culture & Society 19 (1). 17 - 44.
6. Bell, D.S.A. (2003) 'Mythscapes: Memory, Mythology, and National Identity', British Journal of Sociology 54 (1). 63 - 81.
7. Bergfelder, T. (2000) 'The Nation Vanishes: European Co-productions and Popular Genre Formulae in the 1950s and 1960s', in M. Hjort and S. MacKenzie (eds) Cinema and Nation. London: Routledge.
8. Billig, M. (1995) Banal Nationalism. London: Sage.
9. Bregman, A. and J. El-Tahri (1998) The Fifty Year War: Israel and the Arabs. London: Penguin/BBC.
10. Dayan, D. and E. Katz (1992) Media Events: The Live Broadcasting of History. Cambridge, MA: Harvard University Press.
11. Deutsch, K.W. (1966) Nationalism and Social Communication: An Inquiry into the Foundation of Nationality. Cambridge, MA: MIT Press.
12. Doyle, G. (2002) Understanding Media Economics. London: Sage.
13. Hobsbawm, E.J. and T.O. Ranger (1983) The Invention of Tradition. Cambridge: Cambridge University Press.
14. Hoskins, C., S. McFadyen and A. Finn (1995) 'Film and Television Co-production', European Journal of Communication 10 (2). 221 - 243.
15. Hoskins, C., S. McFadyen and A. Finn. (1997) Global Television and Film: An Introduction to the Economics of the Business. Oxford: Oxford University Press.
16. Hoskins, C., S. McFadyen and A. Finn (1998) 'The Effect of Cultural Differences on the International Co-production of Television Programs and Feature Films', Canadian Journal of Communication 23 (4). 523 - 538.
17. Jäckel, A. (2001) 'The Search for the National in Canadian Multilateral Cinematographic Co-productions', National Identities 3 (2). 156 - 167.
18. Kaes, A. (1990) 'History and Film: Public Memory in the Age of Electronic Dissemination', History and Memory 2 (1). 111 - 129.
19. Kansteiner, W. (2002) 'Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies', History and Theory 41 (2). 179 - 197.
20. Levy, D. and N. Sznaider (2002) 'Memory Unbound: The Holocaust and the Formation of Cosmopolitan Memory', European Journal of Social Theory 5 (1). 87 - 106.
21. Mosse, G.L. (1990) Fallen Soldiers: Reshaping the Memory of the World Wars. New York and Oxford: Oxford University Press.
22. Murdock, G. (1996) 'Trading Places: The Cultural Economy of Co-Production', in S. Blind and G. Hallenberger (eds) European Co-production in Television and Film. Heidelberg: Universitätsverlag C. Winter.
23. Olick, J.K. (1998) 'Memory and the Nation - Continuities, Conflicts, and Transformation', Social Science History 22 (4). 377 - 387.
24. Propp, V. (1968) Morphology of the Folktale. Austin: University of Texas Press.
25. Reading, A. (2003) 'Editorial', Media Culture & Society 25 (1). 5 - 6.
26. Renan, E. (1996) 'What is a Nation?', in G. Eley and R.G. Suny (eds) Becoming National: A Reader. Oxford: Oxford University Press.
27. Sassen, S. (2000) 'New Frontiers Facing Urban Sociology at the Millennium', British Journal of Sociology 51 (1). 143 - 160.
28. Silverstone, R. (1999) Why Study the Media? London: Sage.
29. Smith, A.D. (1986) The Ethnic Origins of Nations. Oxford: Basil Blackwell.
30. Smith, A.D. (1991) National Identity. London: Penguin.
31. Smith, A.D. (1999) Myths and Memories of the Nation. New York: Oxford University Press.
32. Smith, A.D. (2000) 'Images of the Nation: Cinema Art and National Identity', in M. Hjort and S. MacKenzie (eds) Cinema and Nation. London: Routledge.
33. Strover, S. (1995) 'Recent Trends in Coproductions: The Demise of the National', in F. Corcoran and P. Preston (eds) Democracy and Communication in the New Europe. Cresskill, NJ: Hampton Press.
34. Sturken, M. (1997) Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering. Berkeley: University of California Press.
35. Taylor, P.W. (1995) 'Co-productions - Content and Change: International Television in the Americas', Canadian Journal of Communication 20 (3). 411 - 416.
36. Tinic, S. (2003) 'Going Global: International Coproductions and the Disappearing Domestic Audience in Canada', in L. Parks and S. Kumar (eds) Planet TV: A Global Television Reader. New York: New York University Press.