메뉴 건너뛰기




Volumn 33, Issue 2, 2003, Pages 44-49

Tupac shakur: Understanding the identity formation of hyper-masculinity of a popular hip-hop artist

(1)  Iwamoto, Derek a  

a NONE

Author keywords

[No Author keywords available]

Indexed keywords


EID: 33845711785     PISSN: 00064246     EISSN: 21625387     Source Type: Journal    
DOI: 10.1080/00064246.2003.11413215     Document Type: Article
Times cited : (31)

References (15)
  • 3
    • 85009579690 scopus 로고    scopus 로고
    • New York: Three Rivers Press
    • Shakur, Tupac, Vibe (New York: Three Rivers Press: 1998).
    • (1998) Vibe
    • Shakur, T.1
  • 7
    • 84894872151 scopus 로고    scopus 로고
    • Death Row's Greatest Hits (1996). Death Row.
    • (1996) Death Row.
  • 10
    • 0009255586 scopus 로고    scopus 로고
    • Rhyme or Reason? (Murders of Rap Stars Tupac Shakur and Notorious B.I.G.)
    • Farley, Christopher J. (1997). “Rhyme or Reason? (Murders of Rap Stars Tupac Shakur and Notorious B.I.G.),” Time, 149, 44-48.
    • (1997) Time , vol.149 , pp. 44-48
    • Farley, C.J.1
  • 11
    • 0033106548 scopus 로고    scopus 로고
    • Whos Afraid of Rap: Differential Reactions to Music Lyrics,”
    • Fried, C.B. (1999) “Who’s Afraid of Rap: Differential Reactions to Music Lyrics,” foumal of Applied Social Psychology, 29, (4), 705-721.
    • (1999) Foumal of Applied Social Psychology , vol.29 , Issue.4 , pp. 705-721
    • Fried, C.B.1
  • 14
    • 0031496452 scopus 로고    scopus 로고
    • Popular Culture as Oppositional Culture: Rap and Resistance
    • Martinez, T. (1997). “Popular Culture as Oppositional Culture: Rap and Resistance,” Sociological Perspectives 40, (2), 265-286.
    • (1997) Sociological Perspectives , vol.40 , Issue.2 , pp. 265-286
    • Martinez, T.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.