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Volumn 6, Issue 1, 2006, Pages 79-94

Changing places: Touring the British crime film

Author keywords

British crime film; city; documentary; national and transnational; psychic geographical space; tourist imagination

Indexed keywords


EID: 33845277768     PISSN: 14687976     EISSN: None     Source Type: Journal    
DOI: 10.1177/1468797606071478     Document Type: Article
Times cited : (22)

References (30)
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  • 10
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    • We are Not Here to Make aFilm about Italy, We Are Here to Make a Film about ME …”:British Television Holiday Programmes’ Representations of the TouristDestination
    • Felix Thompson (eds), London: Routledge
    • Dunn, David (2005) ‘“We are Not Here to Make aFilm about Italy, We Are Here to Make a Film about ME …”:British Television Holiday Programmes’ Representations of the TouristDestination’, pp. 154-169 in David Crouch, Rhona Jackson and Felix Thompson (eds) The Media and The Tourist Imagination: Converging Cultures. London: Routledge.
    • (2005) The Media and The Tourist Imagination: Converging Cultures , pp. 154-169
    • Dunn, D.1    David Crouch2    Rhona Jackson3
  • 12
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  • 13
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    • Space, Place, Spectacle: Landscape andTownscape in the “Kitchen Sink” Film
    • in, London: Cassell
    • Higson, Andrew (1996) ‘Space, Place, Spectacle: Landscape andTownscape in the “Kitchen Sink” Film’,pp. 133-157 in Andrew Higson (ed.) Dissolving Views: Key Writings on British Cinema. London: Cassell.
    • (1996) Dissolving Views: Key Writings on British Cinema , pp. 133-157
    • Higson, A.1    Andrew Higson2
  • 15
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    • Woman with a Mission: Lynda La Plante, DCI Jane Tennison and theReconfiguration of TV Crime Drama
    • Jermyn, Deborah (2003) ‘Woman with a Mission: Lynda La Plante, DCI Jane Tennison and theReconfiguration of TV Crime Drama’, International Journal of Cultural Studies 6 (1): 46-63.
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  • 16
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    • Staged Authenticity: Arrangements of Social Space in Tourist Settings
    • MacCannell, Dean (1973) ‘Staged Authenticity: Arrangements of Social Space in Tourist Settings’, American Journal of Sociology 79 (3): 589-603.
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    • Metz, Christian (1982) The Imaginary Signifier.Trans. Celia Britton, Annwyl Williams, Ben Brewster and Alfread Gruzzetti. Bloomington, IN, Indiana Press.
    • (1982) The Imaginary Signifier
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    • Spring
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    • The Emergence of the British ToughGuy
    • R. Murphy (eds), London: Routledge
    • Spicer, Andrew (1999) ‘ The Emergence of the British ToughGuy’ in S. Chibnall and R. Murphy (eds) British Crime Cinema. London: Routledge.
    • (1999) British Crime Cinema
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    • [1984]), in, Bloomington: Indiana University Press
    • Williams, L. (1990 [1984]) ‘“Something Else Besidesa Mother”: Stella Dallas and the MaternalMelodrama’, pp.137-163 in P. Ehrens (ed.) Issues in Feminist Film Criticism. Bloomington: Indiana University Press.
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.