The melodramatic imagination of Detlef Sierck: Final chord and its resonances

Screen

Volumn 38, Issue 2, 1997, Pages 129-148

  Hake, Sabine ^a  

^a UNIVERSITY OF PITTSBURGH   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33750678706     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/38.2.129     Document Type: Article

References (32)

1. Peter Brooks, The Melodramatic Imagination (New York: Columbia University Press, 1984), p. ix
2. Barbara Klinger, Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk (Bloomington: Indiana University Press, 1994), pp. 1-35
3. William James Horrigan, 'An analysis of the construction of an author: the example of Douglas Sirk' (PhD dissertation: Northwestern University, 1980)
4. Katie Trumpener, 'Puerto Rico fever: Douglas Sirk, La Habanera (1937)
5. Sigrid Bauschinger and Susan L. Cocalis feds), 'Neue Weit'/'Dritte Welt': Interkulturelle Beziehungen Deutschlands zu Lateinamerika und der Karibik (Tübingen and Basel: Francke Verlag, 1994), pp. 115-39
6. Bruce Babington, 'Written by the wind: Sierck/ Sirk's La Habanera (1937)', Forum for Modern Language Studies, vol. 31, no. 1 (1995), pp. 24-36
7. Eric Rentschler's, The Ministry of Illusion: Nazi Cinema and its Afterlife (Cambridge, MA: Harvard University Press, 1996, pp. 125-45)
8. Marc Silbermann, German Cinema: Texts and Contexts (Detroit: Wayne State University Press, 1995), pp. 51-65
9. Elisabeth Läufer, Skeptiker des Lichts: Douglas Sirk und seine Filme (Frankfurt am Main: Fischer, 1987)
10. Jochen Meyer-Wendt, ' "lch brauche etwas mehr Kino": Detlef Siercks deutsche Melodramen', in Hans-Michael Bock and Michael Töteberg (eds), Das Ufa-Buch (Frankfurt am Main: Zweitausendundeins, 1992), pp. 382-4
11. 'Music and the melodramatic past of the New German Cinema', in Jacky Bratton, Jim Cook and Christine Gledhill (ed), Melodrama [London: British Film Institute, 1994), p. 108
12. Michael Stern, in Douglas Sirk (Boston: Twayne, 1979)
13. Thomas Elsaesser, 'Book review: Sirk on Sirk, Monogram, no. 4 (1971), p. 42
14. 'Detlef Siercks Berliner Debut', Lichtbildbühne, 9 October 1934
15. Gertrud Koch, 'Von Detlef Sierck zu Douglas Sirk', Frauen und Film. nos 44/45 (1988), p. 114
16. Thomas Elsaesser, 'Documents on Sirk', in Jon Halliday et al. (eds), Douglas Sirk (Edinburgh: Edinburgh Film Festival, 1972), p. 8
17. Hete Nebel, 'Der Filmregisseur Detlef Sierck', Lichtbildbühne, 20 April 1936
18. Jon Halliday, Sirk on Sirk (London: Secker and Warburg, 1971), p. 43
19. Review, Lichtbildbühne, 25 July 1936
20. Advertisement, Lichtbildbühne, 20 August Hans 1936
21. Paul Willemen, 'Towards an analysis of the Sirkian system', in Lucy Fischer (ed.), Douglas Sirk: Imitation of Life (New Brunswick: Rutgers University Press, 1991), p. 274
22. 'Willy Birgel dirigiert Tschaikawsky', Lichtbildbühne, 10 March 1936
23. Detlef Sierck, 'Das lockende Bild', Lichtbildbühne, 20 May 1935
24. S. Pfankuch, 'Detlef Sierck und seine Kunst', FiImwoche, no. 34(1936)
25. 'Sirk in Germany', Sight and Sound, vol. 57, no. 1 (1987/88), pp. 58-61
26. Heide Schlüpmann, Unheimlichkeit des Bucks: Das Drama des frühen deutschen Kinos (Frankfurt am Main: Stroemfeld, 1990)
27. Patrice Petro, Joyless Streets: Women and Melodramatic Representation in Weimar Germany (Princeton: Princeton University Press, 1989)
28. Christine Gledhill (ed.), Home Is Where the Heart Is: Studies in Melodrama and the Woman's Film (London: British Film Institute, 1987)
29. Thomas Elsaesser, 'Tales of sound and fury, observations on the family melodrama' (pp. 43-69)
30. Laura Mulvey, 'Notes on Sirk and melodrama' (pp. 75-81)
31. E. Ann Kaplan, Motherhood and Representation: the Mother in Popular Culture and Melodrama (London: Routledge, 1992)
32. Marcia Landy (ed), Imitations of Life: a Reader on Film and Television Melodrama (Detroit: Wayne State University Press, 1992)