‘For Venus smiles not in a house of tears': Interethnic relations in European cinema

European Journal of Cultural Studies

Volumn 6, Issue 1, 2003, Pages 55-74

  Smelik, Anneke ^a  

^a RADBOUD UNIVERSITY NIJMEGEN   (Netherlands)

Author keywords

love; multiculturalism; postcolonialism; racism; Romeo and Juliet; unlikely couple

Indexed keywords

EID: 33750499172     PISSN: 13675494     EISSN: None     Source Type: Journal    
DOI: 10.1177/1367549403006001470     Document Type: Article

References (21)

1. Bluher, D. (2001) ‘Hip-Hop Cinema in France’, Camera Obscura 46: 77–96.
2. Cook, P. and M. Bernink (eds) (1999) The Cinema Book, 2nd edn. London: British Film Institute.
3. Diawara, M. (ed.) (1993) ‘Black Spectatorship: Problems of Identification and Resistance’, in Black American Cinema, pp. 211–20. London: Routledge.
4. Dyer, R. (1997) White. London: Routledge.
5. Elsaesser, T. (1989) New German Cinema: A History. New Brunswick, NJ: Rutgers University Press.
6. Gaines, J. (1988) ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’, Screen 29(4): 12–27.
7. Guerrero, E. (1993) ‘Spike Lee and the Fever in the Racial Jungle’, in J. Collins, H. Radner and A. Preacher Collins (ed) Film Theory Goes to the Movies, pp. 170–81. London: Routledge.
8. hooks, b. (1990) Yearning: Race, Gender, and Cultural Politics. Boston, MA: South End Press.
9. hooks, b. (1994) Outlaw Culture: Resisting Representations. London: Routledge.
10. JanMohamed, A.R. (1992) ‘Sexuality on/of the Racial Border: Foucault, Wright, and the Articulation of “Racialized Sexuality” ’, in D.C. Stanton (ed.) Discourses of Sexuality: From Aristotle to Aids, pp. 94–116. Ann Arbor: University of Michigan.
11. Mulvey, L. (1989[1973]) Visual and Other Pleasures. London: Macmillan.
12. Pieterse, J.N. (1992) White on Black: Images of Blacks and Africa in Western Popular Culture. New Haven, CT: Yale University Press.
13. Ross, K. (1996) Black and White Media: Black Images in Popular Film and Television. Cambridge: Polity Press.
14. Russo, V. (1987) The Celluloid Closet: Homosexuality in the Movies. New York: Harper & Row.
15. Schroeder, E. (2001) ‘A Multicultural Conversation: La Haine, Raï and Menace II Society’, Camera Obscure 46: 143–179.
16. Shohat, E. and R. Stam (1994) Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge.
17. Silverman, K. (1992) Male Subjectivity at the Margins. London: Routledge.
18. Stuart, A. (1995) ‘Mira Nair: A New Hybrid Cinema’, in P. Cook and P. Dodd (ed) Women and Film: A Sight and Sound Reader, pp. 210–16. London: Scarlett Press.
19. Wartenberg, T.E. (1995) ‘An Unlikely Couple: The Significance of Difference in White Palace’, in C.A. Freeland and T.E. Wartenberg (ed) Philosophy and Film, pp. 161–79. London: Routledge.
20. Williams, P. and L. Chrisman (eds) (1994) Colonial Discourse and Post-colonial Theory. New York: Columbia University Press.
21. Young, L. (1996) Fear of the Dark: ‘Race’, Gender and Sexuality in the Cinema. London: Routledge.