Directive pictures

Journal of Aesthetics and Art Criticism

Volumn 62, Issue 2, 2004, Pages 189-196

  Lopes, Dominic McIver ^a  

^a UNIVERSITY OF BRITISH COLUMBIA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33750168936     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.1111/j.1540-594X.2003.00151.x     Document Type: Review

References (23)

1. The exception is E. H. Gombrich, "Pictorial Instructions," in Images and Understanding, ed. Horace Barlow, Colin Blakemore, and Miranda Weston-Smith (Cambridge University Press, 1990)
2. Ruth Garrett Millikan, "Pushmi-Pullyu Representations," Philosophical Perspectives 9 (1995): 185-200
3. Susan Hurley, Consciousness in Action (Cambridge: Harvard University Press, 1998)
4. Giacomo Rizzolatti, Luciano Fadiga, Vittorio Gallese, and Leonardo Fogassi, "Premotor Cortex and the Recognition of Motor Actions," Cognitive Brain Research 3 (1996): 131-141
5. Marco Iacoboni and Roger P. Woods, "Cortical Mechanisms of Human Imitation," Science 286 (1999): 2526-2529
6. Luciano Fadiga, Leonardo Fogassi, Vittorio Gallese, and Giacomo Rizzolatti, "Visuomotor Neurons: Ambiguity of the Discharge or 'Motor' Perception?" International Journal of Psychophysiology 35 (2000): 165-177
7. Giacomo Rizzolatti, Leonardo Fogassi, and Vittorio Gallese, "Neurophysiological Mechanisms Underlying the Understanding and Imitation of Action," Nature Reviews Neuroscience 2 (2001): 661-670
8. For example, John Annett, "On Knowing How to Do Things: A Theory of Motor Imagery," Cognitive Brain Research 3 (1996): 66
9. Wolfgang Prinz, "A Common Coding Approach to Perception and Action," in Relationships between Perception and Action, ed. Odmar Newmann and Wolfgang Prinz (Berlin: Springer-Verlag, 1990)
10. Annett, "On Knowing How to Do Things."
11. Laila Craighero, Arianna Bello, Luciano Fadiga, and Giacomo Rizzolatti, "Hand Action Preparation Influences the Responses to Hand Pictures," Neuropsychologia 40 (2001): 493
12. Dominic McIver Lopes, "Pictures and the Representational Mind," Monist 86 (2003): 633-653
13. Edwin Hutchins, Cognition in the Wild (MIT Press, 1995), pp. 62-63
14. E. H. Gombrich, "Pictorial Instructions," p. 29
15. James J. Gibson, The Ecological Approach to Visual Perception (Boston: Houghton Mifflin, 1979), p. 127
16. Gibson, The Ecological Approach to Visual Perception, p. 137
17. David Kirsh, "The Intelligent Use of Space," Artificial Intelligence 73 (1995): 31-68
18. Kirsh, "The Intelligent Use of Space," p. 43
19. Martin Kemp, Visualizations: The Nature Book of Art and Science (University of California Press, 2000), p. 121
20. Richard Wollheim, "Correspondence, Projective Properties, and Expression in the Arts," in The Mind and Its Depths (Harvard University Press, 1993)
21. Dominic McIver Lopes, Sight and Sensibility: Evaluating Pictures (Oxford University Press, forthcoming), chap. 2
22. Prinz, "A Common Coding Approach to Perception and Action," p. 190
23. Lopes, "Pictures and the Representational Mind."