Experimental confirmation by Raman spectroscopy of a Pb-Sn-Sb triple oxide yellow pigment in sixteenth-century Italian pottery

Journal of Raman Spectroscopy

Volumn 37, Issue 10, 2006, Pages 1146-1153

  Sandalinas, C ^a   Ruiz Moreno, S ^b   Lopez Gil A ^b   Miralles, J ^b  

^a Institut de Cultura de Barcelona   (Spain)

^b UNIVERSITAT POLITÈCNICA DE CATALUNYA   (Spain)

Author keywords

Italian pottery; Pb Sn Sb triple oxide; Pigment identification; Yellow pigments

Indexed keywords

ANTIMONY COMPOUNDS; BINARY ALLOYS; GLASS; LEAD OXIDE; RAMAN SPECTROSCOPY; TIN COMPOUNDS;

COLORED PIGMENTS; COLOURING AGENTS; EXPERIMENTAL CONFIRMATION; GLASS ENAMEL; ITALIAN POTTERY; PB-SN-SB TRIPLE OXIDE; PIGMENT IDENTIFICATION; PIGMENT PRODUCTION; SYNTHESISED; YELLOW PIGMENTS;

CERAMIC MATERIALS;

EID: 33750069179     PISSN: 03770486     EISSN: 10974555     Source Type: Journal    
DOI: 10.1002/jrs.1580     Document Type: Conference Paper

References (13)

1. Roy A, Berrie BH. In A New Lead-based Yellow in the Seventeenth Century; Painting Techniques: History, Materials and Studio Practice, Roy A, Smith P (eds). The International Institute for Conservation of Historic and Artistic Works: London, 1998; 160.
2. Ravaud E, Rioux J-P, Loire S. Techne. 1998; 7: 99.
3. Santamaria U, Moioli P, Seccaroni C. In Some Remarks on Leadtin Yellow and Naples Yellow; Art et chimie, la couleur, Goupy J, Mohen J-P (eds). CNRS Éditions: Paris, 2000; 38.
4. Cascales C, Alonso JA, Rasines I. J. Mater. Sci. Lett. 1986; 5: 675.
5. Ruiz-Moreno S, Sandalinas C, Pérez-Pueyo R, Gabaldón A, Soneira MJ. J. Cult. Heritage. 2003; 4: 309.
6. Sandalinas C, Ruiz-Moreno S. Stud. Conserv. 2004; 49: 41.
7. Kühn H. In Lead-tin Yellow; Artists' Pigments: A Handbook of Their History and Characteristics, vol. 2, Roy A (ed.). National Gallery of Art: Washington, WA, 1993; 83.
8. Wainwright INM, Taylor JM, Harley RD. In Lead Antimonate Yellow; Artists' Pigments: A Handbook of Their History and Characteristics, vol. 1, Feller RL (ed.). National Gallery of Art: Washington, WA, 1986; 219.
9. Bensi P, Montiani Bensi MR. In Osservazione Tecniche e iconografiche sui colori gialli nella pittura del XVI-XVII secolo; Scritti e immagini in onore di Corrado Maltese, Marconi S, Dalai Emiliani M (eds). Quasar: Roma, 1997; 167.
10. Moretti C, Hreglich S. Riv. Staz. Sper. Vetro 1984; 1: 17.
11. Moretti C, Hreglich S. Riv. Staz. Sper. Vetro 1984; 2: 83.
12. Verità M. In Il Recettario Darduin un Codice Vetrario del Seicento Transcrito e Commentate, Zecchin L (ed.). Arsenale: Venecia, 1986; 107.
13. Casanovas MA. Entre Orient i Occident. Cerámica oriental, nord-africana i europea del Museu de Cerámica de Barcelona. Museu de Cerámica de Barcelona: Barcelona, 2005; 78-79, 88-89.