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Volumn , Issue , 2006, Pages 162-167

Screen-based musical interfaces as semiotic machines

Author keywords

Actors; Creative tools; HCI; Interaction design; Interaction models; Interfaces; Mapping; OSC; Semiotics

Indexed keywords

COMPUTER MUSIC; HUMAN COMPUTER INTERACTION; SEMIOTICS;

EID: 33749577381     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (8)

References (23)
  • 1
    • 0006751897 scopus 로고    scopus 로고
    • Instrument Semiotics
    • B (eds. Liu, Kecheng; Clarke, Rodney J.; Andersen, Peter B.; Stamper, Ronald K). Kluwer: Boston/Dordrecht/London
    • Andersen, Peter, B. & May, Michael. "Instrument Semiotics" in Information, organisation and technology. Studies in organisational semiotics. (eds. Liu, Kecheng; Clarke, Rodney J.; Andersen, Peter B.; Stamper, Ronald K.). Kluwer: Boston/Dordrecht/London. 2001: 271-298.
    • (2001) Information, organisation and technology. Studies in organisational semiotics , pp. 271-298
    • Andersen, Peter1    May, Michael2
  • 2
    • 0035576053 scopus 로고    scopus 로고
    • What semiotics can and cannot do for HCI
    • B. in Elsevier
    • Andersen, Peter, B. "What semiotics can and cannot do for HCI" in Knowledge Based Systems. Elsevier: 2001.
    • (2001) Knowledge Based Systems
    • Andersen, Peter1
  • 6
    • 84876519622 scopus 로고    scopus 로고
    • "Designing Interaction, not Interfaces
    • ACM: Gallipoli
    • Beaudouin-Lafon, Michel. "Designing Interaction, not Interfaces" in AVI Proceedings, ACM: Gallipoli, 2004
    • (2004) AVI Proceedings
    • Beaudouin-Lafon, Michel1
  • 8
    • 0033658508 scopus 로고    scopus 로고
    • "Reification, Polymorphism and Reuse: Three Principles for Designing Visual Interfaces
    • ACM: Palermo
    • Beaudouin-Lafon, Michel. "Reification, Polymorphism and Reuse: Three Principles for Designing Visual Interfaces" in in AVI Proceedings, ACM: Palermo, 2000
    • (2000) AVI Proceedings
    • Beaudouin-Lafon, Michel1
  • 12
    • 85062653094 scopus 로고    scopus 로고
    • A Few Quick Notes on Opportunities and Pitfalls of the Application of Computers in Art and Music
    • McCartney, James. "A Few Quick Notes on Opportunities and Pitfalls of the Application of Computers in Art and Music" in Ars Electronica, 2003.
    • (2003) Ars Electronica
    • McCartney, James1
  • 13
    • 0036930763 scopus 로고    scopus 로고
    • Rethinking the Computer Music Language: SuperCollider
    • Winter
    • McCartney, James. "Rethinking the Computer Music Language: SuperCollider" in Computer Music Journal, 26:4, pp. 61–68, Winter, 2002.
    • (2002) Computer Music Journal , vol.26 , Issue.4 , pp. 61-68
    • McCartney, James1
  • 14
    • 85022971545 scopus 로고    scopus 로고
    • ixi software: The Interface as Instrument
    • Vancouver: University of British Columbia
    • Magnusson, Thor. "ixi software: The Interface as Instrument" in Proceedings of NIME 2005. Vancouver: University of British Columbia, 2005.
    • (2005) Proceedings of NIME 2005
    • Magnusson, Thor1
  • 15
    • 84923902182 scopus 로고    scopus 로고
    • ixi software: Open Controllers for Open Source Software
    • Barcelona: University of Pompeu Fabra
    • Magnusson, Thor. "ixi software: Open Controllers for Open Source Software" in Proceedings of ICMC 2005. Barcelona: University of Pompeu Fabra, 2005.
    • (2005) Proceedings of ICMC 2005
    • Magnusson, Thor1
  • 17
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    • Interface Design: A Semiotic Paradigm
    • Amsterdam: Mouton De Groyer
    • Nadin, Mihai. “Interface Design: A Semiotic Paradigm” in Semiotica 69-3/4. Amsterdam: Mouton De Groyer, 1988.
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  • 20
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    • Direct manipulation: a step beyond programming languages
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    • Shneiderman, Ben. "Direct manipulation: a step beyond programming languages," IEEE Computer 16(8) (August 1983), 57-69
    • (1983) IEEE Computer , vol.16 , Issue.8 , pp. 57-69
    • Shneiderman, Ben1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.