-
1
-
-
84963028481
-
New Directions in the Theory and Analysis of Musical Contour
-
Robert Morris, "New Directions in the Theory and Analysis of Musical Contour," Music Theory Spectrum 15 (1993): 205-28
-
(1993)
Music Theory Spectrum
, vol.15
, pp. 205-228
-
-
Morris, R.1
-
3
-
-
0025818930
-
Some Structural Determinants of Melody Recall
-
M. Boltz, "Some Structural Determinants of Melody Recall," Melody and Cognition 19 (1991): 239-51
-
(1991)
Melody and Cognition
, vol.19
, pp. 239-251
-
-
Boltz, M.1
-
4
-
-
0028453609
-
Effects of Length, Tonal Structure, and Contour in the Recognition of Tone Series
-
W. L. M. Croonen, "Effects of Length, Tonal Structure, and Contour in the Recognition of Tone Series," Perception and Psychophysics 55 (1994): 623-32
-
(1994)
Perception and Psychophysics
, vol.55
, pp. 623-632
-
-
Croonen, W.L.M.1
-
5
-
-
84968287061
-
Tonality, Tonal Scheme, and Contour in Delayed Recognition of Tone Sequences
-
Croonen and P. F. Kop, "Tonality, Tonal Scheme, and Contour in Delayed Recognition of Tone Sequences," Music Perception 7 (1989): 49-67
-
(1989)
Music Perception
, vol.7
, pp. 49-67
-
-
Croonen, W.L.M.1
Kop, P.F.2
-
6
-
-
0026233385
-
Tonal Strength and Melody Recognition After Long and Short Delays
-
W. Jay Dowling, "Tonal Strength and Melody Recognition After Long and Short Delays," Perception and Psychophysics 50 (1991): 305-13
-
(1991)
Perception and Psychophysics
, vol.50
, pp. 305-313
-
-
Dowling, W.J.1
-
7
-
-
0029249227
-
The Time Course of Recognition of Novel Melodies
-
Dowling, S. Kwak, and M. W. Andrews, "The Time Course of Recognition of Novel Melodies," Perception and Psychophysics 57 (1995): 136-49
-
(1995)
Perception and Psychophysics
, vol.57
, pp. 136-149
-
-
Dowling, S.K.1
Andrews, M.W.2
-
8
-
-
61949477865
-
Extraction of Cues or Underlying Harmonic Structure: Which Guides Recognition of Familiar Melodies?
-
M. Melen and Irene Deliège, "Extraction of Cues or Underlying Harmonic Structure: Which Guides Recognition of Familiar Melodies?" European Journal of Cognitive Psychology 26 (1990): 814-20
-
(1990)
European Journal of Cognitive Psychology
, vol.26
, pp. 814-820
-
-
Melen, M.1
Deliège, I.2
-
9
-
-
0023959140
-
Children's Perception of Certain Musical Properties: Scale and Contour
-
B. A. Morrongiello, S. E. Trehub, B. L. Hennesy, M. G. Unze, et al., "Children's Perception of Certain Musical Properties: Scale and Contour," Journal of Experimental Psychology 45 (1988): 28-51
-
(1988)
Journal of Experimental Psychology
, vol.45
, pp. 28-51
-
-
Morrongiello, B.A.1
Trehub, S.E.2
Hennesy, B.L.3
Unze, M.G.4
-
10
-
-
70449835583
-
A Working Terminology for Minimal Music
-
Daniel Warburton, "A Working Terminology for Minimal Music," Intégral 2 (1988): 135-59
-
(1988)
Intégral
, vol.2
, pp. 135-159
-
-
Warburton, D.1
-
11
-
-
61149276171
-
Transpositional Combination of Beat-Class Sets in the Steve Reich's Phase-Shifting Music
-
Richard Cohn, "Transpositional Combination of Beat-Class Sets in the Steve Reich's Phase-Shifting Music," Perspectives of New Music 30 (1992): 146-77
-
(1992)
Perspectives of New Music
, vol.30
, pp. 146-177
-
-
Cohn, R.1
-
14
-
-
49649152119
-
Similarity Relations and Fuzzy Orderings
-
Zadeh "Similarity Relations and Fuzzy Orderings," Information Sciences 3 (1971): 171-200
-
(1971)
Information Sciences
, vol.3
, pp. 171-200
-
-
Zadeh, L.A.1
-
15
-
-
0008869851
-
-
New Haven and London: Yale University Press
-
Allen Forte, The Structure of Atonal Music (New Haven and London: Yale University Press, 1973)
-
(1973)
The Structure of Atonal Music
-
-
Forte, A.1
-
16
-
-
79955356887
-
A Theory of Set-Complexes for Music
-
"A Theory of Set-Complexes for Music," Journal of Music Theory 8 (1964): 143
-
(1964)
Journal of Music Theory
, vol.8
, pp. 143
-
-
-
18
-
-
33745755022
-
A Similarity Index for Pitch-Class Sets
-
Robert Moris "A Similarity Index for Pitch-Class Sets," Perspectives of New Music 18 (1979-80): 445-60
-
(1979)
Perspectives of New Music
, vol.18
, pp. 445-460
-
-
Moris, R.1
-
19
-
-
33745745857
-
Similarity of Interval-Class Content Between Pitch-Class Sets: The IcVSIM Relation
-
Eric Isaacson, "Similarity of Interval-Class Content Between Pitch-Class Sets: The IcVSIM Relation," Journal of Music Theory 34 [1990]: 1-28
-
(1990)
Journal of Music Theory
, vol.34
, pp. 1-28
-
-
Isaacson, E.1
-
22
-
-
33745762577
-
A Response to a Response: On Pcset Relatedness
-
David Lewin, "A Response to a Response: On Pcset Relatedness," Perspectives of New Music 18 [1979-80]: 499-502
-
(1979)
Perspectives of New Music
, vol.18
, pp. 499-502
-
-
Lewin, D.1
-
23
-
-
33745747502
-
Relating Sets: On Considering a Computational Model of Similarity Analysis
-
Thomas R. Demske, "Relating Sets: On Considering a Computational Model of Similarity Analysis," Music Theory Online 1/2 (1995), especially ¶¶10-12
-
(1995)
Music Theory Online
, vol.1
, Issue.2
, pp. 10-12
-
-
Demske, T.R.1
-
25
-
-
33749486106
-
Possible and Impossible Melodies: Some Formal Aspects of Contour
-
Larry Polansky and Richard S. Bassein "Possible and Impossible Melodies: Some Formal Aspects of Contour," Journal of Music Theory 36 (1992): 259-84
-
(1992)
Journal of Music Theory
, vol.36
, pp. 259-284
-
-
Polansky, L.1
Bassein, R.S.2
-
26
-
-
0003513971
-
-
repr. New York and London: W. W. Norton
-
Russell, Principles of Mathematics [repr. New York and London: W. W. Norton, 1996], 96
-
(1996)
Principles of Mathematics
, pp. 96
-
-
Russell1
-
27
-
-
0015340630
-
A Definition of a Nonprobabilistic Entropy in the Setting of Fuzzy Sets Theory
-
De Luca and Termini, "A Definition of a Nonprobabilistic Entropy in the Setting of Fuzzy Sets Theory," Information and Control 20 (1972): 301-12
-
(1972)
Information and Control
, vol.20
, pp. 301-312
-
-
De Luca1
Termini2
-
28
-
-
0018668763
-
One, the Measure of Fuzziness and Negation, Part I: Membership in the Unit Interval
-
R. R. Yager, "One, the Measure of Fuzziness and Negation, Part I: Membership in the Unit Interval," International Journal of Generalized Systems 5 (1979): 221-29
-
(1979)
International Journal of Generalized Systems
, vol.5
, pp. 221-229
-
-
Yager, R.R.1
|