Affective and coherence responses to Russian laments

Music Perception

Volumn 16, Issue 1, 1998, Pages 135-150

  Meyer, Rosalee K ^a   Palmer, Caroline ^a   Mazo, Margarita ^a  

^a OHIO STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33749426254     PISSN: 07307829     EISSN: None     Source Type: Journal    
DOI: 10.2307/40285782     Document Type: Article

References (33)

1. Asmus, E. P. (1985). The development of a multidimensional instrument for the measurement of affective responses to music. Psychology of Music, 13(1), 19-30.
2. Cook, N. (1994). Perception: A perspective from music theory. In R. Aiello & J. A. Sloboda (Eds.), Musical perceptions. New York: Oxford University Press.
3. Demerath, L. (1993). Knowledge-based affect: Cognitive origins of "good" and "bad." Social Psychology Quarterly, 56(2), 136-147.
4. Ekman, P., & Friesen, W. V. (1975). Unmasking the face. Englewood Cliffs, NJ: Prentice Hall.
5. Ekman, P., Friesen, W. V., O'Sullivan, M., Chan, A., Diacoyanni-Tarlatzis, I., Heider, K., Kraus, R., LeCompte, W. A., Pitcairn, T., Ricci-Bitti, P. E., Scherer, K. R., Tomita, M., & Tzavaras, A. (1987). Universals and cultural differences in the differences in the judgements of facial expressions of emotion. Journal of Personality and Social Psychology, 53(4), 712-717.
6. Gabrielsson, A., & Juslin, P. N. (1996). Emotion expression in music performance: Between the performer's intention and the listener's experience. Psychology of Music, 24, 68-91.
7. Gaver, W. W., & Mandler, G. (1987). Play it again, Sam: On liking music. Cognition and Emotion, 1(3), 259-282.
8. Gregory, A. H., & Varney, N. (1996). Cross-cultural comparisons in the affective response to music. Psychology of Music, 24, 47-52.
9. Hoffman, M. L. (1984). Interaction of affect and cognition in empathy. In C. E. Izard, J. Kagan, & R. B. Zajonc (Eds.), Emotions, cognition and behavior. New York: Cambridge University Press.
10. Izard, C. E. (1971). The face of emotion. New York: Appleton-Century-Crofts.
11. Krugman, H. E. (1943). Affective response to music as a function of familiarity. Journal of Abnormal and Social Psychology, 38, 388-392.
12. Krumhansl, C., & Kessler, E. J. (1982). Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review, 89, 334-368.
13. Krumhansl, C., Sandell, G., & Sergeant, D. (1987). The perception of tone hierarchies and mirror forms in twelve-tone serial music. Music Perception, 5, 31-78.
14. Lang, P. J. (1984). Cognition in emotion: Concept and action. In C. E. Izard, J. Kagan, & R. B. Zajonc (Eds.), Emotions, cognition and behavior. New York: Cambridge University Press.
15. Langlois, J. H., & Roggman, L. A. (1990). Attractive faces are only average. Psychological Science, 1, 115-121.
16. Lerdahl, F., & Jackendoff, R. (1983). A generative theory of tonal music. Cambridge, MA: MIT Press.
17. Lineva, E. (1904). Velikorusskie pesni v narodnoi garmonizatsii [Great Russian songs in folk harmonization]. Vol. 1. St. Petersburg: Imperial Academy of Science.
18. Mandler, G. (1975). Mind and emotion. New York: Wiley.
19. Mazo, M. (1978). Nikol'skie prichitaniya i ikh svyazi s drugimi zhanrami mestnoi pesennosti [Nikol'skie laments and their relationships with other genres of the local tradition]. In Alexander Banin (Ed.), Muzykal'naya folkloristika [Music folklore studies] (vol. 2, pp. 213-236). Moscow: Muzyka.
20. Mazo, M. (1994). Lament made visible: A study of paramusical elements in Russian lament. In B. Yung &: J. S. C. Lam (Eds.) Themes and variations: Writings on music in honor of Rulan Chao Pian (pp. 164-212). Cambridge, MA: Harvard University Press.
21. Merriam, A. (1964). The anthropology of music. Evanston, IL: Northwestern University Press.
22. Meyer, L. B. (1956). Emotion and meaning in music. Chicago: University of Chicago Press.
23. Mull, H. K. (1957). The effect of repetition upon the enjoyment of modern music. Journal of Psychology, 43, 155-162.
24. Palmer, C., & Krumhansl, C. L. (1990). Mental representations for musical meter. Journal of Experimental Psychology: Human Perception and Performance, 16(4), 728-741.
25. Schenker, H. (1979). Free composition (E. Oster, Trans.). New York: Longman. (Original work published 1935)
26. Schmuckler, M. S. (1989). Expectation in music: Investigation of melodic and harmonic processes. Music Perception, 7, 109-150.
27. Simner, M. L. (1971). Newborn's response to the cry of another infant. Developmental Psychology, 5, 136-150.
28. Sloboda, J. A. (1991). Music structure and emotional response: Some empirical findings. Psychology of Music, 19, 110-120.
29. Steiger, J. H. (1980). Tests for comparing elements of a correlation matrix. Psychological Bulletin, 87(2), 245-251.
30. Tillmann, B., & Bigand, E. (1996). Does formal music structure affect perception of musical expressiveness? Psychology of Music, 24, 3-17.
31. Tolbert, E. (1990). Women cry with words: Symbolization of affect in the Karelian lament. Yearbook for Traditional Music, 22, 80-105.
32. Urban, G. (1988). Ritual wailing in Amerindian Brazil. American Anthropologist, 90, 385-400.
33. Zajonc, R. B. (1968). Attitudinal effects of mere exposure. Journal of Personality and Social Psychology Monographs, 9, 1-27.